A World in Ruins: Chronicles of Intellectual Life, 1943, Blanchot Maurice, Holland Michael
Автор: Blanchot Maurice, Holland Michael Название: A World in Ruins: Chronicles of Intellectual Life, 1943 ISBN: 0823267253 ISBN-13(EAN): 9780823267255 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 15675.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
In certain key respects, 1943 marked a turning point in the war. Increasingly, victory seemed assured. However, the backdrop to this gradually improving situation was one of widespread and unremitting destruction. In the essays from that year, Blanchot writes from a position of almost total detachment from day-to-day events, now that all of his projects and involvements have come to naught. As he explores and promotes works of literature and ideas, he privileges those with the capacity to sustain a human perspective that does not merely contemplate ruin and disaster but sees them as the occasion for a radical revision of what “human” is capable of signifying. Consigning all that the name “France” has hitherto meant to him to a past that is now in ruins, Blanchot begins to sketch out a counter-history that is international in nature, and whose human field is literature.
Автор: Blanchot Maurice Название: Death Now: Chronicles of Intellectual Life, 1944 ISBN: 0823281795 ISBN-13(EAN): 9780823281794 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4891.00 р. Наличие на складе: Нет в наличии.
Описание:
The book offers both literary journalism from one of the twentieth century’s major writers, as well as a snapshot of the complex, conflicting currents of literary and intellectual activity during the last months of German occupation and Vichy government in France. By 1944, the days of Germany’s domination of Europe are numbered, and defeat seems no more than a matter of time. In occupied France, there is renewed activity on the political and the cultural fronts, in anticipation of the liberation that now appears inevitable. Already the author of two novels and a volume of criticism, Maurice Blanchot is henceforth fully established as a major figure in what will soon be post-war France. Blanchot’s position in this new order is problematical, however. Despite having discreetly supported the Resistance, he makes clear that his only true allegiance is to literature. Against the tide of his own emerging reputation, he is increasingly drawn to silence as the only valid response to what the world has become. For him, ruin cannot be reconstructed with the aid of literature, because ruin is the mode in which literature most authentically exists. Disaster has long been the writer’s lot, with which the world has only now caught up. Politics and literature coexist in what he will call the “abyss of the present,” and neither offers any prospect for the future. This grim and potentially nihilistic message seems to make Blanchot into little more than an anachronism in the emerging post-war world. Yet his attitude is the very opposite of aloofness. Silence becomes for him an intense search for a language commensurate with “circumstances that literature can still neither express directly nor distort”. Beyond this volume, which completes the English publication of his wartime literary journalism, his writing over the next fifty years will patiently establish a margin in which new forms thought will offer themselves to a new age.
Автор: Blanchot Maurice Название: Into Disaster ISBN: 0823250970 ISBN-13(EAN): 9780823250974 Издательство: Wiley EDC Рейтинг: Цена: 4288.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
The German occupation of France put an end to Maurice Blanchot’s career as a political journalist. In April 1941, he began to publish a weekly column of literary criticism in the Journal des D?bats, which became the source for his first critical work, Faux pas (1943). As well as providing a unique perspective on cultural life during the occupation, these pieces offer crucial insights into the mind and art of a writer who was to become one of the most influential figures on the French literary scene in the second half of the twentieth century. In addition to laying the basis for the career of one France’s most original writers and thinkers, these articles offer a reminder that Blanchot’s political awareness remains undimmed, through clear if sometimes coded acts of criticism or defiance of the prevailing order.
Описание: Our sensory relationships with the social and biological world have altered appreciably as a result of recent developments in internet and other mobile communication technologies. We now look at a screen, we touch either the screen or a keyboard in response to what we see and, somehow, an element of our sensory presence is transmitted elsewhere. It is often claimed that this change in the way we perceive the world and each other is without precedent, and is solely the result of twenty-first-century life and technologies. This book argues otherwise. The author analyses the evolving portrayals of ‘haptic’ sensations – that is, sensations that are at once tactile and visual – in the theories and prose of the writer-philosophers Georges Bataille (1897–1962), Maurice Blanchot (1907-2003) and Michel Serres (1930–). In exploring haptic perception in the works of Bataille, Blanchot and Serres, the author examines haptic theories postulated by Alo?s Riegl, Laura U. Marks, Mark Paterson and Jean-Luc Nancy.
Автор: Bident Christophe Название: Maurice Blanchot: A Critical Biography ISBN: 0823281752 ISBN-13(EAN): 9780823281756 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 5518.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Maurice Blanchot (1907–2003) was one of the most important writers of the twentieth century. His novels, shorter narratives, literary criticism, and fragmentary texts exercised enormous influence over several generations of writers, artists, and philosophers. In works such as Thomas the Obscure, The Instant of my Death, The Writing of the Disaster, The Unavowable Community, Blanchot produced some of the most incisive statements of what it meant to experience the traumas and turmoils of the twentieth century. As a journalist and political activist, Blanchot had a public side that coexisted uneasily with an inclination to secrecy, a refusal of interviews and photographs, and a reputation for mysteriousness and seclusion. These public and private Blanchots came together in complicated ways at some of the twentieth century's most momentous occasions. He was among the public intellectuals participating in the May ’68 revolution in Paris and helped organize opposition to the Algerian war. During World War II, he found himself moments away from being executed by the Nazis. More controversially, he had been active in far-right circles in the ’30s. Now translated into English, Christophe Bident’s magisterial, scrupulous, much-praised critical biography provides the first full-length account of Blanchot’s itinerary, drawing on unpublished letters and on interviews with the writer’s close friends. But the book is both a biography and far more. Beyond filling out a life famous for its obscurity, Bident’s book will transform the way readers of Blanchot respond to this major intellectual figure by offering a genealogy of his thought, a distinctive trajectory that is at once imaginative and speculative, at once aligned with literary modernity and a close companion and friend to philosophy. The book is also a historical work, unpacking the ‘transformation of convictions’ of an author who moved from the far-right in the 1930s to the far-left in the 1950s and after. Bident’s extensive archival research explores the complex ways that Blanchot’s work enters into engagement with his contemporaries, making the book also a portrait of the circles in which he moved, which included friends such as Georges Bataille, Marguerite Duras, Emmanuel Levinas, Michel Foucault, and Jacques Derrida. Finally, the book traces the strong links between Blanchot’s life and an oeuvre that nonetheless aspires to anonymity. Ultimately, Bident shows how Blanchot’s life itself becomes an oeuvre—becomes a literature that bears the traces of that life secretly. In its even-handed appraisal, Bident’s sophisticated reading of Blanchot’s life together with his work offers a much-needed corrective to the range of cruder accounts, whether from Blanchot’s detractors or from his champions, of a life too easily sensationalized. This definitive biography of a seminal figure of our time will be essential reading for anyone concerned with twentieth-century literature, thought, culture, and politics.
In this book Aaron Hillyer considers the implications of Maurice Blanchot's strange formulation: "Literature is heading to its essence, which is its disappearance." This quest leads Hillyer to stage a dialogue between the works of Blanchot and Giorgio Agamben. Despite being primary points of reference for literary theory, no significant critical work has examined their "literary" writings together. The Disappearance of Literature initiates this new trajectory through readings of Blanchot's The Unavowable Community and Agamben's The Open, two short books that harbor their most enigmatic writings. A series of related concepts--study, community, mysticism, and friendship--emerges from this pairing, and, Hillyer argues, forms the basis of a new vein of contemporary literature found in the novels and hybrid fictions of Enrique Vila-Matas, Anne Carson, and Cesar Aira.
Описание: In this book Aaron Hillyer considers the implications of Maurice Blanchot's strange formulation: "Literature is heading to its essence, which is its disappearance." This quest leads Hillyer to stage a dialogue between the works of Blanchot and Giorgio Agamben. Despite being primary points of reference for literary theory, no significant critical work has examined their "literary" writings together. The Disappearance of Literature initiates this new trajectory through readings of Blanchot's The Unavowable Community and Agamben's The Open, two short books that harbor their most enigmatic writings. A series of related concepts-study, community, mysticism, and friendship-emerges from this pairing, and, Hillyer argues, forms the basis of a new vein of contemporary literature found in the novels and hybrid fictions of Enrique Vila-Matas, Anne Carson, and Cesar Aira.
Автор: Hill, Leslie Название: Nancy, blanchot ISBN: 178660888X ISBN-13(EAN): 9781786608888 Издательство: Rowman & Littlefield Publishers Рейтинг: Цена: 9082.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book offers the first fully documented and historically contextualised account of the origins and implications of the concept of community in the work of Nancy and Blanchot. It analyses in detail the underlying philosophical, political, literary, and religious implications of the often misrepresented debate between Blanchot and Nancy.
Описание: This is the first book-length study of how three important European thinkers—Kierkegaard, Kafka and Blanchot—use the Binding of Isaac to illuminate the sacrificial situation of the literary writer. Danta shows that literature plays a vital and heretical role in these three writers' highly idiosyncratic accounts of the Akedah. His claim is twofold: firstly, that all three authors choose to respond to the Genesis narrative by manifesting literature; and, secondly, that each heretically endows literature—or fiction—with the power to suspend the sacrifice. Abraham's near-sacrifice of Isaac is traditionally read as the story of faith in action. But what does it mean to play the game of not-quite-belief with the story of religious faith? By examining the literary and heretical treatments of Isaac's sacrifice in the work of Kierkegaard, Kafka and Blanchot, this book develops an original account of literature as a form of sacrificial thinking. For each, writing acts, like God's sacrificial demand of Abraham, to suspend the writer's usual relation to his daily and earthly responsibilities.
Is writing haunted by a categorical imperative? Does the Kantian sublime continue to shape the writer’s vocation, even for twentieth-century authors? What precise shape, form, or figure does this residue of sublimity take in the fictions that follow from it—and that leave it in ruins? This book explores these questions through readings of three authors who bear witness to an ambiguous exigency: writing as a demanding and exclusive task, at odds with life, but also a mere compulsion, a drive without end or reason, even a kind of torture. If Kafka, Blanchot, and Beckett mimic a sublime vocation in their extreme devotion to writing, they do so in full awareness that the trajectory it dictates leads not to metaphysical redemption but rather downward, into the uncanny element of fiction. As this book argues, the sublime has always been a deeply melancholy affair, even in its classical Kantian form, but it is in the attenuated speech of narrative voices progressively stripped of their resources and rewards that the true nature of this melancholy is revealed.
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