Duchamp (Basic Art) 9783836534321

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Автор: Mink Janis
Название: Duchamp (Basic Art)
Перевод названия: Джейнис Минк: Марсель Дюшан (Основания живописи)
ISBN: 9783836534321
Издательство: Taschen
Классификация:

История искусств / художественные и оформительские стили

Художественные и оформительские стили: Кубизм

Художественные и оформительские стили: Сюрреализм и дадаизм

Живопись

Скульптура

Монографии о художниках, по искусству

ISBN-10: 3836534320
Обложка/Формат: Hardback
Страницы: 96
Вес: 0.58 кг.
Дата издания: 01.12.2016
Язык: English
Иллюстрации: Illustrations, unspecified
Размер: 220 x 266 x 13
Читательская аудитория: General (us: trade)
Рейтинг:
Поставляется из: Германии
Описание: Readymade man
Changing the course of 20th-century art

When is a urinal no longer a urinal? When Marcel Duchamp (1887-1968) declared it to be art. The uproar that greeted the French artists Fountain (1917), a porcelain urinal installed in a gallery, sent shock waves through the art world establishment that continue to reverberate to the present day.

Duchamp made a career out of challenging our notions of what art is and, in the process, opened our minds to hitherto unknown possibilities. After an oblique version of Cubism in his early career, the artist made his name with Nude Descending a Staircase (1912), a groundbreaking blend of abstraction, Cubism, and Futurism, with a controversially mechanical titular nude. Around the same time, Duchamp began his forays into the now-iconic readymades - seemingly random found objects which Duchamp would present as art, including Bicycle Wheel (1913), Bottle Rack (1914), and a snow shovel, labeled Prelude to a Broken Arm (1915).

Duchamp went on to cause even further apoplexy among traditionalists with outrages such as L.H.O.O.Q. (1919), in which he presented a cheap copy of da Vincis Mona Lisa with a mustache and beard penciled on and, for good measure, the auditory pun of the title (which, when read aloud in French, sounds like Elle a chaud au cul - She has a hot ass).

This book distills all the daring and the scandal of Duchamps art into one essential overview which introduces not only one pioneering creative but also a critical moment in Western art. It is here, amid the assaults on Old Masters and the fractured poetry of found objects, that the art world first transitioned from retinal experiences to what would evolve into conceptual practice.

About the series:
Each book in TASCHENs Basic Art series features:

a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
a concise biography
approximately 100 illustrations with explanatory captions

Duchamp (Basic Art), Mink Janis