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Religion in the Kitchen: Cooking, Talking, and the Making of Black Atlantic Traditions, Perez Elizabeth, Paerez Elizabeth


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Автор: Perez Elizabeth, Paerez Elizabeth
Название:  Religion in the Kitchen: Cooking, Talking, and the Making of Black Atlantic Traditions
ISBN: 9781479839551
Издательство: Mare Nostrum (Eurospan)
Классификация:

ISBN-10: 1479839558
Обложка/Формат: Paperback
Страницы: 320
Вес: 0.50 кг.
Дата издания: 16.02.2016
Серия: North american religions
Язык: English
Размер: 154 x 229 x 23
Ключевые слова: Christian life & practice,Worship, rites & ceremonies,Social & cultural anthropology, ethnography, RELIGION / Christian Rituals & Practice / General,SOCIAL SCIENCE / Anthropology / Cultural
Подзаголовок: Cooking, talking, and the making of black atlantic traditions
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Поставляется из: Англии
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Honorable Mention, 2019 Barbara T. Christian Literary Award, given by the Caribbean Studies Association

Winner, 2017 Clifford Geertz Prize in the Anthropology of Religion, presented by the Society for the Anthropology of Religion section of the American Anthropological Association

Finalist, 2017 Albert J. Raboteau Prize for the Best Book in Africana Religions presented by the Journal of Africana Religions

An examination of the religious importance of food among Caribbean and Latin American communities

Before honey can be offered to the Afro-Cuban deity Och n, it must be tasted, to prove to her that it is good. In African-inspired religions throughout the Caribbean, Latin America, and the United States, such gestures instill the attitudes that turn participants into practitioners. Acquiring deep knowledge of the diets of the gods and ancestors constructs adherents identities; to learn to fix the gods favorite dishes is to be seasoned into their service.

In this innovative work, Elizabeth P rez reveals how seemingly trivial micropractices such as the preparation of sacred foods, are complex rituals in their own right. Drawing on years of ethnographic research in Chicago among practitioners of Lucum , the transnational tradition popularly known as Santer a, P rez focuses on the behind-the-scenes work of the primarily women and gay men responsible for feeding the gods. She reveals how cooking and talking around the kitchen table have played vital socializing roles in Black Atlantic religions.

Entering the world of divine desires and the varied flavors that speak to them, this volume takes a fresh approach to the anthropology of religion. Its richly textured portrait of a predominantly African-American Lucum community reconceptualizes race, gender, sexuality, and affect in the formation of religious identity, proposing that every religion coalesces and sustains itself through its own secret recipe of micropractices.




With the River on Our Face

Автор: Paerez Emmy, Perez Emmy
Название: With the River on Our Face
ISBN: 081653344X ISBN-13(EAN): 9780816533442
Издательство: Mare Nostrum (Eurospan)
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Описание: Emmy Pérez’s poetry collection With the River on Our Face flows through the Southwest and the Texas borderlands to the river’s mouth in the Rio Grande Valley/El Valle. The poems celebrate the land, communities, and ecology of the borderlands through lyric and narrative utterances, auditory and visual texture, chant, and litany that merge and diverge like the iconic river in this long-awaited collection. Pérez reveals the strengths and nuances of a universe where no word is “foreign.” Her fast-moving, evocative words illuminate the prayers, gasps, touches, and gritos born of everyday discoveries and events. Multiple forms of reference enrich the poems in the form of mantra: ecologist’s field notes, geopolitical and ecofeminist observations, wildlife catalogs, trivia, and vigil chants.“What is it to love / within viewing distance of night / vision goggles and guns?” is a question central to many of these poems. The collection creates a poetic confluence of the personal, political, and global forces affecting border lives. Whether alluding to El Valle as a place where toxins now cross borders more easily than people or wildlife, or to increased militarization, immigrant seizures, and twenty-first-century wall-building, Pérez’s voice is intimate and urgent. She laments, “We cannot tattoo roses / On the wall / Can’t tattoo Gloria Anzaldúa’s roses / On the wall”; yet, she also reaffirms Anzaldúa’s notions of hope through resilience and conocimiento. With the River on Our Face drips deep like water, turning into amistad— an inquisition into human relationships with planet and self.


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