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Touching the Face of the Cosmos: On the Intersection of Space Travel and Religion, Paul Levinson, Michael Waltemathe


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Автор: Paul Levinson, Michael Waltemathe
Название:  Touching the Face of the Cosmos: On the Intersection of Space Travel and Religion
ISBN: 9780823272105
Издательство: Mare Nostrum (Eurospan)
Классификация:
ISBN-10: 0823272109
Обложка/Формат: Hardback
Страницы: 280
Вес: 0.53 кг.
Дата издания: 01.03.2016
Язык: English
Размер: 257 x 160 x 30
Ключевые слова: Religion & science, RELIGION / Religion & Science
Подзаголовок: On the intersection of space travel and religion
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Поставляется из: Англии
Описание: Military advantage, scientific knowledge, and commerce have thus far been the main motives to human exploration of outer space. Touching the Face of the Cosmos explores what may be the best motive of all, largely untapped: the desire of every human being, essentially spiritual, to understand more about our place in the universe, how our lives on Earth are inextricably part of that bigger picture. Drawing on leading scientists,religious thinkers, and science fiction writers—including a new interview with John Glenn and an essay by Director of the Vatican Observatory Guy Consolmagno, S.J.—Paul Levinson and Michael Waltemathe have assembled a volume that puts space travel and religion on the map for anyone interested in outer space, theology, and philosophy.


Guerrilla Marketing

Автор: Levinson Jay Conrad
Название: Guerrilla Marketing
ISBN: 0749928115 ISBN-13(EAN): 9780749928117
Издательство: Little Brown
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Описание: The book every small-business owner should own

Music in the moment

Автор: Levinson, Jerrold
Название: Music in the moment
ISBN: 0801474299 ISBN-13(EAN): 9780801474293
Издательство: Wiley EDC
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Цена: 3430.00 р.
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Описание:

What is required for a listener to understand a piece of music? Does aural understanding depend upon reflective awareness of musical architecture or large-scale musical structure? Jerrold Levinson thinks not. In contrast to what is commonly assumed, Levinson argues that basic understanding of music only requires properly grounded, present-focused attention, and that virtually everything in the comprehension of extended pieces of music that suggests explicit architectonic awareness can be explained without positing conscious grasp of relationships across broad spans.

Levinson rejects the notion that keeping music's large-scale form before the mind is somehow essential to fundamental understanding of it. As evidence, he describes in detail the experience of listening to a wide range of music. He defends, with some qualifications, the views of nineteenth-century musician and psychologist Edmund Gurney, author of The Power of Sound, who argued that musical comprehension requires only attention to the evolution of music from moment to moment.

Music theory standardly misapprehends the experience and mindset of most who know and love classical music, concludes Levinson. His book is a defense of the passionate and attentive, though architectonically unconcerned, music listener.


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