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On the History of Film Style, Bordwell, David


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Автор: Bordwell, David
Название:  On the History of Film Style
Перевод названия: Дэвид Бордуэлл: К истокам киностилистики
ISBN: 9780674634299
Издательство: Wiley
Классификация:
ISBN-10: 0674634292
Обложка/Формат: Paperback
Страницы: 352
Вес: 0.71 кг.
Дата издания: 30.01.1998
Язык: English
Иллюстрации: 413 halftones
Размер: 24.38 x 18.24 x 1.83 cm
Читательская аудитория: Postgraduate, research & scholarly
Ссылка на Издательство: Link
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Поставляется из: Англии
Описание: The study of cinematic style has in many ways shaped attitudes towards films. Style assigns films to a tradition, distinguishes a classic and signals the arrival of innovation. This book shows how film scholars have attempted to explain stylistic continuity and change across the history of cinema.


How to Read a Film

Автор: Monaco, James
Название: How to Read a Film
ISBN: 0195321057 ISBN-13(EAN): 9780195321050
Издательство: Oxford Academ
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Цена: 5067.00 р.
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Описание: Richard Gilman referred to How to Read a Film as simply the best single work of its kind. And Janet Maslin in The New York Times Book Review marveled at James Monaco's ability to collect an enormous amount of useful information and assemble it in an exhilaratingly simple and systematic
way. Indeed, since its original publication in 1977, this hugely popular book has become the definitive source on film and media.

Now, James Monaco offers a special anniversary edition of his classic work, featuring a new preface and several new sections, including an Essential Library: One Hundred Books About Film and Media You Should Read and One Hundred Films You Should See. As in previous editions, Monaco once again
looks at film from many vantage points, as both art and craft, sensibility and science, tradition and technology. After examining film's close relation to other narrative media such as the novel, painting, photography, television, and even music, the book discusses the elements necessary to
understand how films convey meaning, and, more importantly, how we can best discern all that a film is attempting to communicate. In addition, Monaco stresses the still-evolving digital context of film throughout--one of the new sections looks at the untrustworthy nature of digital images and
sound--and his chapter on multimedia brings media criticism into the twenty-first century with a thorough discussion of topics like virtual reality, cyberspace, and the proximity of both to film.

With hundreds of illustrative black-and-white film stills and diagrams, How to Read a Film is an indispensable addition to the library of everyone who loves the cinema and wants to understand it better.

Lady in the Dark: Iris Barry and the Art of Film

Автор: Sitton Robert
Название: Lady in the Dark: Iris Barry and the Art of Film
ISBN: 0231165781 ISBN-13(EAN): 9780231165785
Издательство: Wiley
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Цена: 3485.00 р.
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Описание:

Iris Barry (1895-1969) was a pivotal modern figure and one of the first intellectuals to treat film as an art form, appreciating its far-reaching, transformative power. Although she had the bearing of an aristocrat, she was the self-educated daughter of a brass founder and a palm-reader from the Isle of Man. An aspiring poet, Barry attracted the attention of Ezra Pound and joined a demimonde of Bloomsbury figures, including Ford Maddox Ford, T. S. Eliot, Arthur Waley, Edith Sitwell, and William Butler Yeats. She fell in love with Pound's eccentric fellow Vorticist, Wyndham Lewis, and had two children by him.

In London, Barry pursued a career as a novelist, biographer, and critic of motion pictures. In America, she joined the modernist Askew Salon, where she met Alfred Barr, director of the new Museum of Modern Art. There she founded the museum's film department and became its first curator, assuring film's critical legitimacy. She convinced powerful Hollywood figures to submit their work for exhibition, creating a new respect for film and prompting the founding of the International Federation of Film Archives.

Barry continued to augment MoMA's film library until World War II, when she joined the Office of Strategic Services to develop pro-American films with Orson Welles, Walt Disney, John Huston, and Frank Capra. Yet despite her patriotic efforts, Barry's "foreignness" and association with such filmmakers as Luis Bunuel made her the target of an anticommunist witch hunt. She eventually left for France and died in obscurity. Drawing on letters, memorabilia, and other documentary sources, Robert Sitton reconstructs Barry's phenomenal life and work while recasting the political involvement of artistic institutions in the twentieth century.

A Hidden History of Film Style: Cinematographers, Directors, and the Collaborative Process

Автор: Beach Christopher John
Название: A Hidden History of Film Style: Cinematographers, Directors, and the Collaborative Process
ISBN: 0520284356 ISBN-13(EAN): 9780520284357
Издательство: Wiley
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Цена: 4752.00 р.
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Описание: Through analysis of several key collaborations in American cinema from the silent era to the late twentieth century such as those of D W Griffith and Billy Bitzer, and Alfred Hitchcock and Robert Burks, this book underlines the importance of cinematographers to both the development of cinematic technique and the expression of visual style in film.

Mise en Sc?ne and Film Style

Автор: Martin
Название: Mise en Sc?ne and Film Style
ISBN: 1137269944 ISBN-13(EAN): 9781137269942
Издательство: Springer
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Цена: 11179.00 р.
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Описание: Styles of filmmaking have changed greatly from classical Hollywood through to our digital era. So, too, have the ways in which film critics and scholars have analysed these transformations in film style. This book explores two central style concepts, mise en scene and dispositif, to illuminate a wide range of film and new media examples.

Eyes Wide Shut (BFI Film Classics)

Автор: Chion, Michel
Название: Eyes Wide Shut (BFI Film Classics)
ISBN: 085170932X ISBN-13(EAN): 9780851709321
Издательство: Springer
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Цена: 2590.00 р.
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Описание: Stanley Kubrick died on 7 March 1999 at his Hertfordshire home, having finished the editing of his last film. Looked at this way, Eyes Wide Shut reveals itself to be a deeply moving film about characters who are not so different from real people, a film about life in which questions of meaning and motive lose their value.

Weimar Film and Modern Jewish Identity

Автор: Ashkenazi Ofer
Название: Weimar Film and Modern Jewish Identity
ISBN: 0230341365 ISBN-13(EAN): 9780230341364
Издательство: Springer
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Цена: 11878.00 р.
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Описание: In reading popular films of the Weimar Republic as candid commentaries on Jewish acculturation, Ofer Ashkenzi provides an alternative context for a re-evaluation of the infamous `German-Jewish symbiosis` before the rise of Nazism, as well as a new framework for the understanding of the German `national` film in the years leading to Hitler`s regime.

Film Stardom, Myth and Classicism

Автор: Williams Michael
Название: Film Stardom, Myth and Classicism
ISBN: 0230355447 ISBN-13(EAN): 9780230355446
Издательство: Springer
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Цена: 12577.00 р.
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Описание:

Since the golden era of silent movies, stars have been described as screen gods, goddesses and idols. This is the story of how Olympus moved to Hollywood to divinise stars as Apollos and Venuses for the modern age, and defined a model of stardom that is still with us today.

Race, Philosophy, and Film

Автор: Mary K. Bloodsworth-Lugo (Editor),
Название: Race, Philosophy, and Film
ISBN: 0415624452 ISBN-13(EAN): 9780415624459
Издательство: Taylor&Francis
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Цена: 19906.00 р.
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Описание:

This collection fills a gap in the current literature in philosophy and film by focusing on the question: How would thinking in philosophy and film be transformed if race were formally incorporated moved from its margins to the center?

The collection's contributors anchor their discussions of race through considerations of specific films and television series, which serve as illustrative examples from which the essays' theorizations are drawn. Inclusive and current in its selection of films and genres, the collection incorporates dramas, comedies, horror, and science fiction films (among other genres) into its discussions, as well as recent and popular titles of interest, such as Twilight, Avatar, Machete, True Blood, and The Matrix and The Help. The essays compel readers to think more deeply about the films they have seen and their experiences of these narratives.


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