Making Music with Charlie Chaplin: An Autobiography ( Scarecrow Filmmakers ), James, Eric (Author), Vance, Jeffrey (Author)

Автор: Mercado, Gustavo
Название: Filmmaker`s eye
ISBN: 0240812174 ISBN-13(EAN): 9780240812175
Издательство: Taylor&Francis
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Цена: 4592.00 р.
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Описание: This book shows aspiring filmmakers the rules of image composition--and how to break them--with beautiful, full-color examples and a sleek, elegant design.

Автор: Ashby
Название: Popular Music and the New Auteur Visionary Filmmakers after MTV
ISBN: 0199827354 ISBN-13(EAN): 9780199827350
Издательство: Oxford Academ
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Цена: 5622.00 р.
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Описание: Popular Music and the New Auteur looks at seven contemporary directors whose feature films are characterized by music-video aesthetics. Demonstrating a fresh kind of cinematic musicality, these filmmakers write against music rather than against script, and allow pop songs a determining role in narrative and imagery.

Автор: Cantini Maristella
Название: Italian Women Filmmakers and the Gendered Screen
ISBN: 1137336501 ISBN-13(EAN): 9781137336507
Издательство: Springer
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Цена: 13974.00 р.
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Описание: Featuring essays by top scholars and interviews with acclaimed directors, this book examines Italian women`s authorship in film and their visions of reality. The contributors use feminist film criticism in the analysis of their works and give direct voices to the artists who are constantly excluded by the conventional Italian film criticism.

Автор: Haven
Название: Charlie Chaplin`s Little Tramp in America, 1947–77
ISBN: 3319404776 ISBN-13(EAN): 9783319404776
Издательство: Springer
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Цена: 13974.00 р.
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Описание: This book focuses on the re-invigoration of Charlie Chaplin’s Little Tramp persona in America from the point at which Chaplin reached the acme of his disfavor in the States, promoted by the media, through his departure from America forever in 1952, and ending with his death in Switzerland in 1977. By considering factions of America as diverse as 8mm film collectors, Beat poets and writers and readers of Chaplin biographies, this cultural study determines conclusively that Chaplin’s Little Tramp never died, but in fact experienced a resurgence, which began slowly even before 1950 and was wholly in effect by 1965 and then confirmed by 1972, the year in which Chaplin returned to the United States for the final time, to receive accolades in both New York and Los Angeles, where he received an Oscar for a lifetime of achievement in film.