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The Fictional Christopher Nolan, McGowan Todd


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Автор: McGowan Todd
Название:  The Fictional Christopher Nolan
ISBN: 9780292756786
Издательство: Wiley EDC
Классификация:
ISBN-10: 029275678X
Обложка/Формат: Paperback
Страницы: 232
Вес: 0.54 кг.
Дата издания: 01.12.2013
Язык: English
Размер: 229 x 153 x 15
Читательская аудитория: General (us: trade)
Ключевые слова: Individual film directors, film-makers, PERFORMING ARTS / Film & Video / History & Criticism
Рейтинг:
Поставляется из: Англии
Описание:

From Memento and Insomnia to the Batman films, The Prestige, and Inception, lies play a central role in every Christopher Nolan film. Characters in the films constantly find themselves deceived by others and are often caught up in a vast web of deceit that transcends any individual lies. The formal structure of a typical Nolan film deceives spectators about the events that occur and the motivations of the characters. While Nolan’s films do not abandon the idea of truth altogether, they show us how truth must emerge out of the lie if it is not to lead us entirely astray.

The Fictional Christopher Nolan discovers in Nolan’s films an exploration of the role that fiction plays in leading to truth. Through close readings of all the films through Inception, Todd McGowan demonstrates that the fiction or the lie comes before the truth, and this priority forces us to reassess our ways of thinking about the nature of truth. Indeed, McGowan argues that Nolan’s films reveal the ethical and political importance of creating fictions and even of lying. While other filmmakers have tried to discover truth through the cinema, Nolan is the first filmmaker to devote himself entirely to the fictionality of the medium, and McGowan discloses how Nolan uses its tendency to deceive as the basis for a new kind of philosophical filmmaking. He shows how Nolan’s insistence on the priority of the fiction aligns his films with Hegel’s philosophy and understands Nolan as a thoroughly Hegelian filmmaker.


Дополнительное описание:
  • Acknowledgments
  • Introduction: The Ethics of the Lie
  • Chapter 1. The Snare of Truth: Following and the Perfect Patsy
  • Chapter 2. Memento and the Desire Not to Know
  • Chapter 3. The Dirty Cop: Insomnia



Lacan And Contemporary Film

Автор: Mcgowan, Todd
Название: Lacan And Contemporary Film
ISBN: 1590510844 ISBN-13(EAN): 9781590510841
Издательство: Random House (USA)
Цена: 2575.00 р.
Наличие на складе: Нет в наличии.

Описание: This unique volume collects a series of essays that link new developments in Lacanian psychoanalytic theory and recent trends in contemporary cinema. Though Lacanian theory has long had a privileged place in the analysis of film, film theory has tended to ignore some of Lacan's most important ideas. As a result, Lacanian film theory has never properly integrated the disruptive and troubling aspects of the filmic experience that result from the encounter with the Real that this experience makes possible. Many contemporary theorists emphasize the importance of the encounter with the Real in Lacan's thought, but rarely in discussions of film. By bringing the encounter with the Real into the dialogue of film theory, the contributors to this volume present a new version of Lacan to the world of film studies.

These essays bring this rediscovered Lacan to bear on contemporary cinema through analysis of a wide variety of films, including Memento, Eyes Wide Shut, Breaking the Waves, and Fight Club. The films discussed here demand a turn to Lacanian theory because they emphasize the disruptive role of the Real and of jouissance in the experience of the human subject. There is a growing number of films in contemporary cinema that speak to film's power to challenge and disturb the complacency of spectators, and the essays in Lacan and Contemporary Film analyze some of these films and bring their power to light.

Because of its dual focus on developments in Lacanian theory and in contemporary film, this collection serves as both an accessible introduction to current Lacanian film theory and an introduction to the study of contemporary cinema. Each essay provides an accessible, jargon-free analysis of one or more important films, and at the same time, each explains and utilizes key concepts of Lacanian theory. The collection stages an encounter between Lacanian theory and contemporary cinema, and the result is the enrichment of both.


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