Название: Romanticism and Art: PB ISBN: 0500202753 ISBN-13(EAN): 9780500202753 Издательство: Thames & Hudson Рейтинг: Цена: 1481 р. Наличие на складе: Невозможна поставка.
Описание: This study analyses the achievement of the leading artists of the age of Romanticism - masters such as Goya, Blake, and Delacroix. It also sets in context a host of figures in painting, sculpture and architecture: Palmer, Runge, Soane, Gros, Overbeck, Schinkel, Flaxman, Bingham and many more.
Автор: Ives Название: Romanticism & the School ISBN: 0300085117 ISBN-13(EAN): 9780300085112 Издательство: Yale University Press Цена: 3638 р. Наличие на складе: Невозможна поставка.
Описание: Nineteenth-century French and English paintings, drawings and oil sketches - works by such artists as Courbet, Constable, Delacroix, Gericault, Corot,
Rousseau, Conture and Daubigny - are presented in this book, a documentation of some of the holdings of Karen B. Cohen, a noted New York collector.
Описание: The 19th-century holdings of the Walters Art Gallery are unique amongst museum collections of art from this period. Not only were William T. Walters (1819-94) and his son Henry (1848-1931) unique in purchasing extensively the art from their own `Gilded Age', but they also acquired works from many key artistic periods. The result is a collection of 19th-century art which undoubtedly reflects the the interests of its founders and gives viewers an opportunity to trace the development of 19th-century art within a historical context. This new title presents the highlights of this amazing collection. These include a series of paintings by the foremost masters of the Romantic era, J. A. D. Ingres and Eugene Delacroix, as well as landscapes by painters associated with the Barbizon school. Likewise, the `transportation' series of watercolours that William Walters bought from Honore Daumier in 1864 is generally recognised as the high point of nineteenth-century Realism. However, it is in the field of academic art, which dominated French art during the Second Empire (1852-70) that The Walters excels. The conflicts between the academic artists - especially Jean-Leon Gerome and Alexandre Cabanels - and the impressionists is demonstrated by The Walters collection. The work of Edouard Manet is presented in close proximity to that of his teacher, Thomas Couture, and the landscapes of Claude Monet and Alfred Sisley are juxtaposed with a highly idealised, poetic vision of ancient Egypt by Charles Gleyre, with whom they trained.
Автор: Lou Reed Название: Lou Reed: Romanticism ISBN: 3865217281 ISBN-13(EAN): 9783865217288 Издательство: Thames & Hudson Рейтинг: Цена: 4688 р. Наличие на складе: Поставка под заказ.
Название: Damaged Romanticism ISBN: 1904832512 ISBN-13(EAN): 9781904832515 Издательство: ACC-distribution titles Рейтинг: Цена: 2882 р. Наличие на складе: Поставка под заказ.
Описание: "Damaged Romanticism" features 15 internationally recognised contemporary artists whose work, in painting, sculpture, installations, and photography based
media, belongs neither to a style nor a traditional 'school', but is thematically linked by a visual representation of how stubborn optimism, rather than utopianism, triumphs in the face of
daily adversity. In her opening essay "Damaged Romanticism: A Mirror of Modern Emotion", Terrie Sultan offers an overview of the concept behind the exhibition and explains how the
chosen works give form to contradictory sentiments of disillusionment, and defiance.David Pagel, in Romanticism's Aftermath, considers the role of Romanticism and Neoclassicism in
the late eighteenth and nineteenth centuries and how 'damaged romanticism' is a reinterpretation of this. The links between art and film are further explored by Colin Gardner in the third
essay, From here to eternity.
Preceding the main catalogue is a short story by Nic
Flynn, a crystal formed entirely of holes, a new work of fiction written especially for this exhibition.
Описание: In Oscar Wilde's Chatterton, Joseph Bristow and Rebecca N. Mitchell explore Wilde's fascination with the eighteenth-century forger Thomas Chatterton, who tragically took his life at the age of seventeen. This innovative study combines a scholarly monograph with a textual edition of the extensive notes that Wilde took on the brilliant forger who inspired not only Coleridge, Wordsworth, and Keats but also Victorian artists and authors. Bristow and Mitchell argue that Wilde's substantial "Chatterton" notebook, which previous scholars have deemed a work of plagiarism, is central to his development as a gifted writer of criticism, drama, fiction, and poetry. This volume, which covers the whole span of Wilde's career, reveals that his research on Chatterton informs his deepest engagements with Romanticism, plagiarism, and forgery, especially in later works such as "The Portrait of Mr. W. H.," The Picture of Dorian Gray, and The Importance of Being Earnest. Grounded in painstaking archival research that draws on previously undiscovered sources, Oscar Wilde's Chatterton explains why, in Wilde's personal canon of great writers (which included such figures as Charles Baudelaire, Gustave Flaubert, Th ophile Gautier, and Dante Gabriel Rossetti), Chatterton stood as an equal in this most distinguished company.
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