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The Body in the Mirror: Shapes of History in Italian Cinema, Dalle Vacche Angela


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Автор: Dalle Vacche Angela
Название:  The Body in the Mirror: Shapes of History in Italian Cinema
ISBN: 9780691609225
Издательство: Wiley
Классификация:


ISBN-10: 0691609225
Обложка/Формат: Paperback
Страницы: 324
Вес: 0.57 кг.
Дата издания: 14.07.2014
Серия: Princeton legacy library
Язык: English
Иллюстрации: Black & white illustrations
Размер: 254 x 178 x 17
Читательская аудитория: Tertiary education (us: college)
Подзаголовок: Shapes of history in italian cinema
Ссылка на Издательство: Link
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Поставляется из: Англии
Описание: This rich, wide-ranging book explores Italy`s national film style by relating it closely to politics and to the historicist thought of Croce, Gentile, and Gramsci. Here is a new kind of film history--a nonlinear, intertextual approach that confronts the total story of the growth of a national cinema while challenging the traditional formats of gene


Filmmaking by the Book : Italian Cinema and Literary Adaptation

Автор: Marcus, Millicent
Название: Filmmaking by the Book : Italian Cinema and Literary Adaptation
ISBN: 080184455X ISBN-13(EAN): 9780801844553
Издательство: Wiley
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Цена: 4356.00 р.
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Описание: Each of the filmmakers studied here define their own authorial task in relation to that of the literary precursor, and insert "umbilicalscenes or "allegories of adaptationto teach viewers how to read their cinematic rewriting of literary sources.

Vital Crises in Italian Cinema

Автор: Sitney, P. Adams
Название: Vital Crises in Italian Cinema
ISBN: 0199862176 ISBN-13(EAN): 9780199862177
Издательство: Oxford Academ
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Цена: 5463.00 р.
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Описание: Examining over twenty key works of the period, Vital Crises in Italian Cinema identifies and explores the major thematic crises at the heart of seminal films produced by the likes of Vittorio De Sica, Luchino Visconti, Michael Antonioni, and Federico Fellini.

Undressing cinema

Автор: Bruzzi, Stella
Название: Undressing cinema
ISBN: 0415139570 ISBN-13(EAN): 9780415139571
Издательство: Taylor&Francis
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Цена: 5970.00 р.
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Описание: Using case studies drawn from contemporary popular cinema to reassess ideas about costume and fashion in cinema, Bruzzi explores how clothes are key elements in the construction of cinematic identities and proposes new and dynamic links between cinema, fashion and costume history, gender, queer theory and psychoanalysis.

Cinema of federico fellini

Автор: Bondanella, Peter
Название: Cinema of federico fellini
ISBN: 0691008752 ISBN-13(EAN): 9780691008752
Издательство: Wiley
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Цена: 7603.00 р.
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Описание: A biography of Federico Fellini that shows how his exuberant imagination has been shaped by popular culture, literature, and his encounter with the ideas of C G Jung, especially Jungian dream interpretation. It links his mature accomplishments to his first employment as a cartoonist, gagman, and sketch-artist during the Fascist era.

Cinema, Philosophy, Bergman

Автор: Livingston, Paisley
Название: Cinema, Philosophy, Bergman
ISBN: 0199570175 ISBN-13(EAN): 9780199570171
Издательство: Oxford Academ
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Цена: 8554.00 р.
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Описание: Can cinema be a medium for philosophy? If so, how is the philosophizing done? Paisley Livingston explores the philosophical value of cinema. As a case-study for his intentionalist theory of authorship and interpretation he focuses on Ingmar Bergman`s cinematic explorations of motivated irrationality, inauthenticity, and self-knowledge.

Bollywood Cinema: Temples of Desire

Автор: MISHRA, VIJAY
Название: Bollywood Cinema: Temples of Desire
ISBN: 0415930146 ISBN-13(EAN): 9780415930147
Издательство: Taylor&Francis
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Цена: 24499.00 р.
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Описание: Mishra argues that Indian film production and reception is shaped by the desire for national community and a pan-Indian culture. He examines this through the dual methodologies of postcolonial studies and film theory.

Slow Movies: Countering the Cinema of Action

Автор: Jaffe Ira
Название: Slow Movies: Countering the Cinema of Action
ISBN: 0231169795 ISBN-13(EAN): 9780231169790
Издательство: Wiley
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Цена: 3960.00 р.
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Описание: "Slow Movies investigates movies by acclaimed directors who over the past three decades have challenged mainstream cinema`s reliance on motion and action"--Page 4 of cover.

First Films of the Holocaust: Soviet Cinema and the Genocide of the Jews, 1938-46

Название: First Films of the Holocaust: Soviet Cinema and the Genocide of the Jews, 1938-46
ISBN: 0822962241 ISBN-13(EAN): 9780822962243
Издательство: Mare Nostrum (Eurospan)
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Цена: 5405.00 р.
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Описание: Most early Western perceptions of the Holocaust were based on newsreels filmed during the allied liberation of Germany in 1945. Little, however, was reported of the initial wave of material from Soviet filmmakers who were in fact the first to document these horrors. In First Films of the Holocaust, Jeremy Hicks presents a pioneering study of Soviet contributions to the growing public awareness of the horrors of Nazi rule. Even before the war, the Soviet film Professor Mamlock, which premiered in the United States in 1938 and coincided with the Kristallnacht pogrom, helped reinforce anti-Nazi sentiment. Yet, Soviet films were often dismissed or even banned in the West as Communist propaganda. Ironically, in the brief 1939-1941 period of Nazi and Soviet alliance, such films were also banned in the Soviet Union, only to be reclaimed after the Nazi attack on the Soviet Union in 1941, and suppressed yet again during the Cold War. Jeremy Hicks recovers much of the major film work in Soviet depictions of the Shoa and views them within their political context, both locally and internationally. Overwhelmingly, wartime films were skewed to depict Soviet resistance, 'Red funerals,' and calls for vengeance, rather than the singling out of Jewish victims by the Nazis. Almost no personal testimony of victims or synchronous sound was recorded, furthering the disconnection of the viewer to the victims. Hicks examines correspondence, scripts, reviews, and compares edited with unedited film, to unearth the deliberately hidden Jewish aspects of Soviet depictions of the German invasion and occupation. To Hicks, it's in the silences, gaps, and ellipses that the films speak most clearly. Additionally, he details the reasons why Soviet Holocaust films have been subsequently erased from collective memory in the West and the Soviet Union: their graphic horror, their use as propaganda tools, and the postwar rise of the Red Scare in the United States and anti-Semitic campaigns in the Soviet Union.

Stars and Masculinities in Contemporary Italian Cinema

Автор: O`RAWE, CATHERINE
Название: Stars and Masculinities in Contemporary Italian Cinema
ISBN: 1137381469 ISBN-13(EAN): 9781137381460
Издательство: Springer
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Цена: 12577.00 р.
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Описание: Stars and Masculinities in Contemporary Italian Cinema is the first book to explore contemporary male stars and cinematic constructions of masculinity in Italy. Uniting star analysis with a detailed consideration of the masculinities that are dominating current Italian cinema, the study addresses the supposed crisis of masculinity.

A New Guide to Italian Cinema

Автор: Celli
Название: A New Guide to Italian Cinema
ISBN: 1403975604 ISBN-13(EAN): 9781403975607
Издательство: Springer
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Цена: 12577.00 р.
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Описание: A reworking of Marga Cottino-Jones` popular "A Student`s Guide to Italian Film"(1983,1993), this guide retains earlier editions` interest in renowned films and directors, and is also attentive to popular cinema, the films which actually achieved box office success among the public.

Cahiers du cinema

Название: Cahiers du cinema
ISBN: 0674090659 ISBN-13(EAN): 9780674090651
Издательство: Wiley
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Цена: 5536.00 р.
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Описание:

In the turbulent sixties, the provocative French film journal Cahiers du Cinema was at its most influential and controversial. The first successes of the New Wave by major Cahiers contributors such as Jean-Luc Godard, Francois Truffaut, Jacques Rivette, Eric Rohmer, and Claude Chabrol focused international attention on the revitalization of French cinema and its relation to film criticism; and in the early 1960s the journal's laudatory critiques of popular American movies were attaining the greatest notoriety.

As the lively articles, interviews, and polemical discussions in this volume reveal, the 1960s saw the beginnings of significant new directions in filmmaking and film criticism changes in which the New Wave itself was a major factor. The auteur theory that the journal had championed in the 1950s began to be rethought and revalued. At the same time, along with a reassessment of American film, Cahiers began to embrace new, often oppositional forms of cinema and criticism, culminating in the political and aesthetic radicalism of the ensuing decade.

The selections, translated under the supervision of the British Film Institute, are annotated by Jim Hillier, and context is provided in his general introduction and part introductions. For an understanding of the important changes that took place in cinema and film criticism in the 1960s and beyond, this book is essential reading.

Akira Kurosawa and Intertextual Cinema

Автор: Goodwin, James
Название: Akira Kurosawa and Intertextual Cinema
ISBN: 0801846617 ISBN-13(EAN): 9780801846618
Издательство: Wiley
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Цена: 4435.00 р.
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Описание: In this text, Goodwin draws on contemporary theoretical and critical approaches to explore Kurosawa`s use of a variety of texts to create cinema that is both intertextual and intercultural. He examines lesser-known works as well as major films.


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