Автор: Fraser, Eugenie Название: House by the dvina ISBN: 1845965736 ISBN-13(EAN): 9781845965730 Издательство: Random House - Penguin Рейтинг: Цена: 1451.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: A riveting story of two families separated in culture and geography but bound together by a Russian-Scottish marriage.
Автор: Olson, Eugenie Название: Love in the Time of Taffeta ISBN: 0060815442 ISBN-13(EAN): 9780060815448 Издательство: HarperCollins USA Цена: 1566.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Go back to prom and watch bumbling, lovable Iley Gilbert try to get it right this time around in Eug?nie Olson’s endearing story of love, bad behavior, and sequins.
Автор: Chisley, Darlene Laverne Название: Wisdom is the key ISBN: 1462867057 ISBN-13(EAN): 9781462867059 Издательство: Неизвестно Рейтинг: Цена: 2757.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: Brinkema Eugenie Название: The Forms of the Affects ISBN: 0822356562 ISBN-13(EAN): 9780822356561 Издательство: Wiley EDC Рейтинг: Цена: 4460.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
What is the relationship between a cinematic grid of color and that most visceral of negative affects, disgust? How might anxiety be a matter of an interrupted horizontal line, or grief a figure of blazing light?
Offering a bold corrective to the emphasis on embodiment and experience in recent affect theory, Eugenie Brinkema develops a novel mode of criticism that locates the forms of particular affects within the specific details of cinematic and textual construction. Through close readings of works by Roland Barthes, Hollis Frampton, Sigmund Freud, Peter Greenaway, Michael Haneke, Alfred Hitchcock, Søren Kierkegaard, and David Lynch, Brinkema shows that deep attention to form, structure, and aesthetics enables a fundamental rethinking of the study of sensation. In the process, she delves into concepts as diverse as putrescence in French gastronomy, the role of the tear in philosophies of emotion, Nietzschean joy as a wild aesthetic of repetition, and the psychoanalytic theory of embarrassment. Above all, this provocative work is a call to harness the vitality of the affective turn for a renewed exploration of the possibilities of cinematic form.
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