The Feminist Uncanny in Theory and Art Practice 9781472511393

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Автор: Alexandra M. Kokoli
Название: The Feminist Uncanny in Theory and Art Practice
ISBN: 9781472511393
Издательство: Bloomsbury Academic
Классификация:

Теория искусства

Философия: Логика

Феминизм и его теория

Психоаналитическая теория (фрейдистская психология)

ISBN-10: 1472511395
Обложка/Формат: Hardback
Страницы: 240
Вес: 0.52 кг.
Дата издания: 11.08.2016
Серия: Bloomsbury studies in philosophy
Язык: English
Иллюстрации: 34 b/w illustrations
Размер: 164 x 242 x 23
Читательская аудитория: Professional & vocational
Ключевые слова: Philosophy: aesthetics,Feminism & feminist theory, PHILOSOPHY / Aesthetics,SOCIAL SCIENCE / Feminism & Feminist Theory
Основная тема: Philosophy: aesthetics,PHILOSOPHY / Aesthetics,SOCIAL SCIENCE / Feminism & Feminist Theory
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Поставляется из: Англии
Описание: The Feminist Uncanny in Theory and Art Practice investigates the widely debated, deeply flawed yet influential concept of the uncanny through the lens of feminist theory and contemporary art practice. Not merely a subversive strategy but a cipher of the fraught but fertile dialogue between feminism and psychoanalysis, the uncanny makes an ideal vehicle for an arrangement marked by ambivalence and acts as a constant reminder that feminism and psychoanalysis are never quite at home with one another.

The Feminist Uncanny begins by charting the uncanniness of femininity in foundational psychoanalytic texts by Ernst Jentsch, Sigmund Freud, Jacques Lacan and Mladen Dolar, and contextually introduces a range of feminist responses and appropriations by H l ne Cixous, Julia Kristeva and Sarah Kofman, among others. The book also offers thematically organised interpretations of famous artworks and practices informed by feminism, including Judy Chicagos Dinner Party, Faith Ringgolds story quilts and Susan Hillers paraconceptualism, as well as less well-known practice, such as the Womens Postal Art Even (Feministo) and the photomontages of Maud Sulter. Dead (lexicalised) metaphors, unhomely domesticity, identity and (dis)identification, and the tension between family stories and arts histories are examined in and from the perspective of different artistic and critical practices, illustrating different aspects of the feminist uncanny.

Through a partisan yet comprehensive critical review of the fascinating concept of the uncanny, The Feminist Uncanny in Theory and Art Practice proposes a new concept, the feminist uncanny, which it upholds as one of the most enduring legacies of the Womens Liberation Movement in contemporary art theory and practice.

Дополнительное описание: Introduction: Why Witches? Part 1 (‘Theory’) Chapter 1: The Uncanny Feminine Chapter 2: The Feminist Uncanny Part 2 (‘Practice’) Chapter 3: ‘Moving Sideways’ and Other Dead Metaphors: Susan Hiller’s Paraconceptualism Chapter 4: Squats and Evictions:

The Feminist Uncanny in Theory and Art Practice, Alexandra M. Kokoli