Автор: Cameron Fiona Название: White Cranes Dancing ISBN: 0993124003 ISBN-13(EAN): 9780993124006 Издательство: Неизвестно Цена: 2086.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: A romance set in Edinburgh, Russia and the Scottish Isles.Serena MacKenzie is haunted by a secret from her dysfunctional upbringing in the Hebridean village of Balvaig. Nowadays, she's a successful TV journalist, based in Edinburgh, but still in thrall to the obsessions that have held her since childhood: fairy tale heroes, and all things Russian. It's 1997, and she's newly divorced - though Fergus Learmonth, her ex-husband, continues to play a pivotal role in her life. He's keen to get her back; is she still under his spell too?When a friend persuades Serena to join a cruise to St Petersburg, it seems just the treat she has told herself she deserves. Over the space of a few heady days in the queen of Baltic cities, she meets Russian musician Max Grigoriev and brings him home with her, illegally. But Max has his own agenda, and life with him turns out to be anything but a fairy tale...
The coauthors of this theoretically innovative work explore the relationships among anthropological fieldwork, museum collecting and display, and social governance in the early twentieth century in Australia, Britain, France, New Zealand, and the United States. With case studies ranging from the Musée de l'Homme's 1930s fieldwork missions in French Indo-China to the influence of Franz Boas's culture concept on the development of American museums, the authors illuminate recent debates about postwar forms of multicultural governance, cultural conceptions of difference, and postcolonial policy and practice in museums. Collecting, Ordering, Governing is essential reading for scholars and students of anthropology, museum studies, cultural studies, and indigenous studies as well as museum and heritage professionals.
The coauthors of this theoretically innovative work explore the relationships among anthropological fieldwork, museum collecting and display, and social governance in the early twentieth century in Australia, Britain, France, New Zealand, and the United States. With case studies ranging from the Musée de l'Homme's 1930s fieldwork missions in French Indo-China to the influence of Franz Boas's culture concept on the development of American museums, the authors illuminate recent debates about postwar forms of multicultural governance, cultural conceptions of difference, and postcolonial policy and practice in museums. Collecting, Ordering, Governing is essential reading for scholars and students of anthropology, museum studies, cultural studies, and indigenous studies as well as museum and heritage professionals.
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