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The Prisoner`s Philosophy: Life and Death in Boethius`s Consolation, Relihan Joel C.


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Автор: Relihan Joel C.
Название:  The Prisoner`s Philosophy: Life and Death in Boethius`s Consolation
ISBN: 9780268160302
Издательство: Wiley EDC
Классификация:

ISBN-10: 0268160309
Обложка/Формат: Hardback
Страницы: 240
Вес: 0.32 кг.
Дата издания: 30.12.2016
Язык: English
Размер: 229 x 152 x 14
Читательская аудитория: General (us: trade)
Ключевые слова: Western philosophy: Ancient, to c 500,Western philosophy: Medieval & Renaissance, c 500 to c 1600, PHILOSOPHY / History & Surveys / Ancient & Classical,PHILOSOPHY / History & Surveys / Medieval
Подзаголовок: Life and death in boethius`s consolation
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Поставляется из: Англии
Описание:

The Roman philosopher Boethius (c. 480-524) is best known for the Consolation of Philosophy, one of the most frequently cited texts in medieval literature. In the Consolation, an unnamed Boethius sits in prison awaiting execution when his muse Philosophy appears to him. Her offer to teach him who he truly is and to lead him to his heavenly home becomes a debate about how to come to terms with evil, freedom, and providence. The conventional reading of the Consolation is that it is a defense of pagan philosophy; nevertheless, many readers who accept this basic argument find that the ending is ambiguous and that Philosophy has not, finally, given the prisoner the comfort she had promised.

In The Prisoners Philosophy, Joel C. Relihan delivers a genuinely new reading of the Consolation. He argues that it is a Christian work dramatizing not the truths of philosophy as a whole, but the limits of pagan philosophy in particular. He views it as one of a number of literary experiments of late antiquity, taking its place alongside Augustines Confessions and Soliloquies as a spiritual meditation, as an attempt by Boethius to speak objectively about the life of the mind and its relation to God.

Relihan discerns three fundamental stories intertwined in the Consolation: an ironic retelling of Platos Crito, an adaptation of Lucians Jupiter Confutatus, and a sober reduction of Job to a quiet dialogue in which the wounded innocent ultimately learns wisdom in silence. Relihans claim that Boethiuss text was written as a Menippean satire does not rest merely on identifying a mixture of disparate literary influences on the text, or on the combination of verse and prose or of fantasy and morality. More important, Relihan argues, Boethius deliberately dramatizes the act of writing about systematic knowledge in a way that calls into question the value of that knowledge. Philosophys attempt to lead an exile to Gods heaven is rejected; the exile comes to accept the value of the phenomenal world, and theology replaces philosophy to explain the place of human beings in the order of the world. Boethius Christianizes the genre of Menippean satire, and his Consolation is a work about humility and prayer.





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