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Fuego, Schwartz Leslie Contreras


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Цена: 2207.00р.
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Автор: Schwartz Leslie Contreras
Название:  Fuego
ISBN: 9780996523158
Издательство: Saint Julian Press, Inc.
Классификация:

ISBN-10: 0996523154
Обложка/Формат: Paperback
Страницы: 86
Вес: 0.14 кг.
Дата издания: 14.03.2016
Язык: English
Иллюстрации: Black & white illustrations
Размер: 229 x 152 x 5
Читательская аудитория: General (us: trade)
Рейтинг:
Поставляется из: США
Описание:

Praise for FUEGO

Fuego full of fire, of the passionate intensity of creation in the face of great odds the intensity of difficult pregnancies and childbirth and all-consuming motherhood, of the immigrant student who struggles to write his first sentences in English, the child who falls from her bike and gets up again and again, the long-distance swimmer trying to swim to Antarctica, all of them stand-ins, I think, for the artist who struggles to make something meaningful from language in the midst of life, which is to say in the midst of death. This Leslie Contreras Schwartz has done in her debut collection, and hers is a distinctive and welcome new voice in American poetry.

Susan Wood, Gladys Louise Fox Professor Emerita of English at Rice University, author of Asunder, National Poetry Series selection 2001

Leslie Contreras Schwartz s Fuego is filled with the power of things, floods that bring both destructive power and promise of new life, televisions that bring awful news, a small child s naming of clouds. Like Plaths most tender poems, Schwartzs debut collection uses the minutiae of everyday living to create a world where even in the darkest times, light finds a way to come from under / the shade, / light from under / the door.

Amanda Auchter, author of The Wishing Tomb, winner of 2013 PEN Center USA Literary Award for Poetry



Composing for the state

Автор: Buch, Esteban Contreras Zubillaga, Mr. Igor Deniz Silva, Dr. Manuel
Название: Composing for the state
ISBN: 1472437497 ISBN-13(EAN): 9781472437495
Издательство: Taylor&Francis
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Цена: 22202.00 р.
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Описание:

Under the dictatorships of the twentieth century, music never ceased to sound. Even when they did not impose aesthetic standards, these regimes tended to favour certain kinds of art music such as occasional works for commemorations or celebrations, symphonic poems, cantatas and choral settings. In the same way, composers who were more or less ideologically close to the regime wrote pieces of music on their own initiative, which amounted to a support of the political order.

This book presents ten studies focusing on music inspired and promoted by regimes such as Nazi Germany, Fascist Italy, France under Vichy, the USSR and its satellites, Franco's Spain, Salazar's Portugal, Maoist China, and Latin-American dictatorships. By discussing the musical works themselves, whether they were conceived as ways to provide "music for the people", to personally honour the dictator, or to participate in State commemorations of glorious historical events, the book examines the relationship between the composers and the State.

This important volume, therefore, addresses theoretical issues long neglected by both musicologists and historians: What is the relationship between art music and propaganda? How did composers participate in musical life under the control of an authoritarian State? What was specifically political in the works produced in these contexts? How did audiences react to them? Can we speak confidently about "State music"? In this way, Composing for the State: Music in Twentieth Century Dictatorships is an essential contribution to our understanding of musical cultures of the twentieth century, as well as the symbolic policies of dictatorial regimes.


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