Engaging Haydn, Hunter

Автор: Mirka Danuta
Название: Metric Manipulations in Haydn and Mozart: Chamber Music for Strings, 1787-1791
ISBN: 0199354081 ISBN-13(EAN): 9780199354085
Издательство: Oxford Academ
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Цена: 4275.00 р.
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Описание: Focusing on the period of most intense metric experimentation in the work of both Haydn and Mozart, author Danuta Mirka presents here a systematic discussion of the composers` metric strategies. Combining historical music theory with the cognitive study of music, Mirka`s award-winning book sheds new light on this repertoire and redefines the role of meter and rhythm in Classical music.

Автор: Stendhal
Название: The Life of Haydn, in a Series of Letters Written at Vienna
ISBN: 1108061974 ISBN-13(EAN): 9781108061971
Издательство: Cambridge Academ
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Цена: 6018.00 р.
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Описание: Marie-Henri Beyle (1783-1842), better known by his pen name Stendhal, is remembered today for such novels as Le Rouge et le Noir. Involving audacious plagiarism, these early works on music originally appeared in French in 1814 under the pseudonym Louis-Alexandre-Cesar Bombet. This English translation was published in 1817.

Автор: Damschroder
Название: Harmony in Haydn and Mozart
ISBN: 1107419840 ISBN-13(EAN): 9781107419841
Издательство: Cambridge Academ
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Цена: 6653.00 р.
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Описание: Thoughtful musicians seeking ways to deepen their understanding of how tonal music works will be drawn to this study focused on Haydn and Mozart, two masters from the Viennese Classical period. Schenkerian tools and an innovative approach to harmony are synthesised in penetrating analyses, and alternative analytical approaches are critiqued.

Автор: Temperley
Название: Haydn: The Creation
ISBN: 0521378656 ISBN-13(EAN): 9780521378659
Издательство: Cambridge Academ
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Цена: 3960.00 р.
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Описание: Haydn`s Creation is one of the masterpieces of the classical period. In this absorbing and original account of the work the author places The Creation within the oratorio tradition, contrasting the theological and literary character of the English libretto with the Viennese milieu of the first performances.