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The Horse-Head Fiddle and the Cosmopolitan Reimagination of Tradition in Mongolia, Marsh Peter K.


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Автор: Marsh Peter K.
Название:  The Horse-Head Fiddle and the Cosmopolitan Reimagination of Tradition in Mongolia
ISBN: 9781138820807
Издательство: Taylor&Francis
Классификация:
ISBN-10: 1138820806
Обложка/Формат: Paperback
Страницы: 176
Вес: 0.28 кг.
Дата издания: 12.09.2014
Серия: Current research in ethnomusicology: outstanding dissertations
Язык: English
Иллюстрации: 19 halftones, black and white; 19 illustrations, black and white
Размер: 230 x 153 x 17
Читательская аудитория: Tertiary education (us: college)
Ключевые слова: Music: styles & genres, MUSIC / General,MUSIC / Ethnomusicology,MUSIC / Musical Instruments / Strings
Ссылка на Издательство: Link
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Поставляется из: Европейский союз
Описание: This study seeks to understand the effects that Western-inspired modernity has had on the nature of cultural tradition in Mongolia, focusing in particular on the development of the horse-head fiddle--an instrument that encapsulates the cosmopolitan nature of the nation`s contemporary national musical culture.


Bollywood Sounds: The Cosmopolitan Mediations of Hindi Film Song

Автор: Diettrich Brian, Beaster-Jones Jayson
Название: Bollywood Sounds: The Cosmopolitan Mediations of Hindi Film Song
ISBN: 0199862540 ISBN-13(EAN): 9780199862542
Издательство: Oxford Academ
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Цена: 3800.00 р.
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Описание: Bollywood Sounds surveys seventy years of Hindi film song as a cosmopolitan and overwhelmingly popular music of India. Author Jayson Beaster-Jones analyzes more than twenty landmark songs and provides insights into song production practices and influential music makers.

Mongolian Film Music: Tradition, Revolution and Propaganda

Автор: Rees Lucy M.
Название: Mongolian Film Music: Tradition, Revolution and Propaganda
ISBN: 1472446232 ISBN-13(EAN): 9781472446237
Издательство: Taylor&Francis
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Цена: 22202.00 р.
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Описание: In 1936 the Mongolian socialist government decreed the establishment of a film industry with the principal aim of disseminating propaganda to the largely nomadic population. The government sent promising young rural Mongolian musicians to Soviet conservatoires to be trained formally as composers. On their return they utilised their traditional Mongolian musical backgrounds and the musical skills learned during their studies to compose scores to the 167 propaganda films produced by the state film studio between 1938 and 1990. Lucy M. Rees provides an overview of the rich mosaic of music genres that appeared in these film soundtracks, including symphonic music influenced by Western art music, modified forms of Mongolian traditional music, and a new genre known as ’professional music’ that combined both symphonic and Mongolian traditional characteristics. Case studies of key composers and film scores are presented, demonstrating the influence of cultural policy on film music and showing how film scores complemented the ideological message of the films. There are discussions of films that celebrate the 1921 Revolution that led to Mongolia becoming a socialist nation, those that foreshadowed the 1990 Democratic Revolution that drew the socialist era to a close, and the diverse range of films and scores produced after 1990 in the aftermath of the socialist regime.


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