Yosef Raz The Politics of Loss and Trauma in Contemporary Israeli Cinema 9781138922174

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Автор: Yosef Raz
Название: The Politics of Loss and Trauma in Contemporary Israeli Cinema
ISBN: 9781138922174
Издательство: Taylor&Francis
Классификация:

Теория и критика кино

Культурология

Исследования средств массовой информации

ISBN-10: 113892217X
Обложка/Формат: Paperback
Страницы: 218
Вес: 0.30 кг.
Дата издания: 25.06.2015
Серия: Routledge advances in film studies
Язык: English
Иллюстрации: 23 halftones, black and white
Размер: 229 x 152 x 12
Читательская аудитория: Undergraduate
Ключевые слова: SOCIAL SCIENCE / Jewish Studies,SOCIAL SCIENCE / Media Studies
Ссылка на Издательство: Link
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Поставляется из: Европейский союз
Описание:

The last decade has marked the growing visibility and worldwide interest in Israeli cinema. Films such as Walk on Water, Or, My Treasure, Beaufort and Waltz with Bashir have been commercially and critically successful both in Europe and the United States and have won a number of prestigious international awards. This book examines for the first time the new ideological and aesthetic trends in contemporary Israeli cinema. More specifically, it critically explores the complex and crucial role of Israeli cinema in remembering and restaging traumas and losses that were denied entry into the shared national past.

One of the most striking phenomena in contemporary Israeli cinema is the number and scope of films dealing with past traumatic events - events that were repressed or insufficiently mourned, such as the memory of the Holocaust, traumas from wars and terrorist attacks, and the losses entailed by the experience of immigration. Current Israeli cinema exposes and highlights a radical discontinuity between history and memory. Traumatic events from Israeli societys past are represented as the private memory of distinct social groups - soldiers, immigrants, women, queers - and not as collective memory, as a lived and practiced tradition that conditions Israeli society. This detachment from national collective memory pulls the films into a world marked by a persistent blurring of the historical context and by private and subjective impressions - a timeless world of dreams, hallucinations and myths. These groups feel duty-bound to remember the past, recasting repressed memories through the cinema in order to return and to give meaning to their identity.

The Politics of Loss and Trauma in Contemporary Israeli Cinema, Yosef Raz