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Early Cinema in Russia and Its Cultural Reception, Tsivian Yuri


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Автор: Tsivian Yuri
Название:  Early Cinema in Russia and Its Cultural Reception
ISBN: 9781138968097
Издательство: Taylor&Francis
Классификация:




ISBN-10: 1138968099
Обложка/Формат: Paperback
Страницы: 304
Вес: 0.56 кг.
Дата издания: 09.12.2015
Серия: Routledge library editions: cinema
Язык: English
Размер: 234 x 156 x 16
Читательская аудитория: General (us: trade)
Ключевые слова: Media studies, LITERARY CRITICISM / Reference,PERFORMING ARTS / Film & Video / General,PERFORMING ARTS / Film & Video / Reference
Ссылка на Издательство: Link
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Поставляется из: Европейский союз
Описание: This book examines the development of cinematic form and culture in Russia, from its late nineteenth-century beginnings as a fairground attraction to the early post-Revolutionary years. The author traces the changing perceptions of cinema and its social transition from a modernist invention to a national art form. He explores reactions to the earliest films from actors, novelists, poets, writers and journalists. His richly detailed study of the physical elements of cinematic performance includes the architecture and illumination of the cinema foyer, the speed of projection and film acoustics. In contrast to standard film histories, this book focuses on reflected images: rather than discussing films and film-makers, it features the historical film-goer and early writings on film. The book presents a vivid and changing picture of cinema culture in Russia in the twilight of the tsarist era and the first decades of the twentieth century. The study expands the whole context of reception studies and opens up questions about reception relevant to other national cinemas.


All Russia Is Burning!: A Cultural History of Fire and Arson in Late Imperial Russia

Автор: Frierson Cathy a.
Название: All Russia Is Burning!: A Cultural History of Fire and Arson in Late Imperial Russia
ISBN: 0295995874 ISBN-13(EAN): 9780295995878
Издательство: Mare Nostrum (Eurospan)
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Цена: 13794.00 р.
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Описание:

Rural fires were an even more persistent scourge than famine in late imperial Russia, as Cathy Frierson shows in this first comprehensive study. Destroying almost three billion rubles’ worth of property in European Russia between 1860 and 1904, accidental and arson fires acted as a brake on Russia’s economic development while subjecting peasants to perennial shocks to their physical and emotional condition. The fire question captured the attention of educated, progressive Russians, who came to perceived it as a key obstacle to Russia’s becoming a modern society in the European model.

Using sources ranging from literary representations and newspaper articles to statistical tables and court records, Frierson demonstrates the many meanings fire held for both peasants and the educated elite. To peasants, it was an essential source of light and warmth as well as a destructive force that regularly ignited their cramped villages of wooden, thatch-roofed huts. Absent the rule of law, they often used arson to gain justice or revenge, or to exert social control over those who would violate village norms. Frierson shows that the vast majority of arson cases in European Russia were not peasant-against-gentry acts of protest but peasant-against-peasant acts of "self-help" law or plain spite.

Both the state and individual progressives set out to resolve the fire question and to educate, cajole, or coerce the peasantry into the modern world. Fire insurance, building codes, "scientific" village layouts, and volunteer firefighting brigades reduced the average number of buildings consumed in each blaze, but none of these measures succeeded in curbing the number of fires each year.

More than anything else, this history of fire and arson in rural European Russia is a history of their cultural meanings in the late imperial campaign for modernity. Frierson shows the special associations of women with fire in rural life and in elite understanding of fire in the Russian countryside. Her study of the fire question demonstrates both peasant agency in fighting fire and educated Russians' hardening conviction that peasants stood in the way of Russia's advent into the company of prosperous, rational, civilized nations.

World Cinema and Cultural Memory

Автор: I. Hedges
Название: World Cinema and Cultural Memory
ISBN: 1349499412 ISBN-13(EAN): 9781349499410
Издательство: Springer
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Цена: 10760.00 р.
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Описание: Cinema has long played a crucial role in the way that societies represent themselves. Hedges discusses the role of cinema in creating cultural memory within a global perspective that spans five continents. The book`s innovative approach and approachable style should transform the way that we think of film and its social effects.

East Asian Cinema and Cultural Heritage

Автор: Department of Japanese Studies, Chinese University
Название: East Asian Cinema and Cultural Heritage
ISBN: 1349297704 ISBN-13(EAN): 9781349297702
Издательство: Springer
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Цена: 10760.00 р.
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Описание: How do East Asian cultural heritages in shape film? How are these legacies being revived, or even re-created, by contemporary filmmakers? This collection examines the dynamic interactions between East Asian culture heritages and cinemas in mainland China, Hong Kong, Taiwan, Japan, and South Korea.

World Cinema and Cultural Memory

Автор: Hedges Inez
Название: World Cinema and Cultural Memory
ISBN: 1137465115 ISBN-13(EAN): 9781137465115
Издательство: Springer
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Цена: 11179.00 р.
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Описание: Cinema has long played a crucial role in the way that societies represent themselves. Hedges discusses the role of cinema in creating cultural memory within a global perspective that spans five continents. The book`s innovative approach and approachable style should transform the way that we think of film and its social effects.

Cinema, Cross-Cultural Collaboration, and Criticism

Автор: Thornley
Название: Cinema, Cross-Cultural Collaboration, and Criticism
ISBN: 1137411562 ISBN-13(EAN): 9781137411563
Издательство: Springer
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Цена: 8384.00 р.
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Описание: Cinema, Cross-Cultural Collaboration, and Criticism provides a platform for a new politics of criticism, a collaborative ethos for a different kind of relationship to cross-cultural cinema that invites further conversations between filmmakers and audiences, indigenous and others.


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