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Cinema Eye, Cinema Ear: Some Key Film-Makers of the Sixties, Taylor John Russell


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Автор: Taylor John Russell
Название:  Cinema Eye, Cinema Ear: Some Key Film-Makers of the Sixties
ISBN: 9781138991316
Издательство: Taylor&Francis
Классификация:

ISBN-10: 1138991317
Обложка/Формат: Paperback
Страницы: 312
Вес: 0.58 кг.
Дата издания: 21.12.2015
Серия: Routledge library editions: cinema
Язык: English
Размер: 234 x 156 x 17
Читательская аудитория: Undergraduate
Ключевые слова: Media studies, LITERARY CRITICISM / Reference,PERFORMING ARTS / Film & Video / General,PERFORMING ARTS / Film & Video / Reference
Подзаголовок: Some key film-makers of the sixties
Ссылка на Издательство: Link
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Поставляется из: Европейский союз
Описание:

Since the cinema first began to be taken seriously as an art form, there has been a constant debate on the question: who is the real creator of the film, the writer or the director? This study of a group of key film-makers in the sixties suggests that during this decade there was an emergence of a generation of film-makers who conceived a whole film in their minds just as an architect conceives a whole cathedral or a composer a whole symphony.

The book presents detailed critical studies of the work of six commanding figures in the international cinema: four who have made their major reputations since 1950, the Italians Frederico Fellini and Michelangelo Antonioni, the Frenchman Robert Bresson and the Swede Ingmar Bergman; and two film-makers of an older generation, the Spaniard Luis Bu uel and the Anglo-American Alfred Hitchcock, who have reached the height of their powers and exerted their most important influence on the cinema during the same period. There is also a section on the new talents to emerge more recently in the French New Wave, in particular Fran ois Truffaut, Jen-Luc Godard and Alain Resnais. In addition, the book contains detailed filmographies of the directors discussed.




Making Sense of Cinema: Empirical Studies into Film Spectators and Spectatorship

Автор: CarrieLynn D. Reinhard, Christopher J. Olson
Название: Making Sense of Cinema: Empirical Studies into Film Spectators and Spectatorship
ISBN: 1501320211 ISBN-13(EAN): 9781501320217
Издательство: Bloomsbury Academic
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Цена: 5384.00 р.
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Описание: There are a variety of theoretical and methodological approaches to researching how film spectators make sense of film texts, from the film text itself, the psychological traits and sociocultural group memberships of the viewer, or even the location and surroundings of the viewer. However, we can only understand the agency of film spectators in situations of film spectatorship by studying actual spectators’ interactions with specific film texts in specific contexts of engagement. Making Sense of Cinema: Empirical Studies into Film Spectators and Spectatorship uses a number of empirical approaches (ethnography, focus groups, interviews, historical, qualitative experiment and physiological experiment) to consider how the film spectator makes sense of the text itself or the ways in which the text fits into his or her everyday life. With case studies ranging from preoccupations of queer and ageing men in Spanish and French cinema and comparative eye-tracking studies based on the two completely different soundscapes of Monsters Inc. and Saving Private Ryan to cult fanbase of the Lord of the Rings Trilogy and attachment theory to its fictional characters, Making Sense of Cinema aligns this subset of film studies with the larger fields of media reception studies, allowing for dialogue with the broader audience and reception studies field.

Arresting Cinema: Surveillance in Hong Kong Film

Автор: Fang Karen
Название: Arresting Cinema: Surveillance in Hong Kong Film
ISBN: 0804798915 ISBN-13(EAN): 9780804798914
Издательство: Mare Nostrum (Eurospan)
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Цена: 13794.00 р.
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Описание:

When Ridley Scott envisioned Blade Runner's set as "Hong Kong on a bad day," he nodded to the city's overcrowding as well as its widespread use of surveillance. But while Scott brought Hong Kong and surveillance into the global film repertoire, the city's own cinema has remained outside of the global surveillance discussion.

In Arresting Cinema, Karen Fang delivers a unifying account of Hong Kong cinema that draws upon its renowned crime films and other unique genres to demonstrate Hong Kong's view of surveillance. She argues that Hong Kong's films display a tolerance of—and even opportunism towards—the soft cage of constant observation, unlike the fearful view prevalent in the West. However, many surveillance cinema studies focus solely on European and Hollywood films, discounting other artistic traditions and industrial circumstances. Hong Kong's films show a more crowded, increasingly economically stratified, and postnational world that nevertheless offers an aura of hopeful futurity. Only by exploring Hong Kong surveillance film can we begin to shape a truly global understanding of Hitchcock's "rear window ethics."

The Sacred and the Cinema: Reconfiguring the `Genuinely` Religious Film

Автор: Sheila J. Nayar
Название: The Sacred and the Cinema: Reconfiguring the `Genuinely` Religious Film
ISBN: 147253302X ISBN-13(EAN): 9781472533029
Издательство: Bloomsbury Academic
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Цена: 6018.00 р.
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Описание: For more than half a century now, scholars have debated over what comprises a 'genuinely' religious film—one that evinces an 'authentic' manifestation of the sacred. Often these scholars do so by pitting the 'successful' films against those which propagate an inauthentic spiritual experience—with the biblical spectacular serving as their most notorious candidate. This book argues that what makes a filmic manifestation of the sacred true or authentic may say more about a spectator or critic's particular way of knowing, as influenced by alphabetic literacy, than it does about the aesthetic or philosophical—and sometimes even faith-based—dimensions of the sacred onscreen. Engaging with everything from Hollywood religious spectaculars, Hindu mythologicals, and an international array of films revered for their 'transcendental style,' The Sacred and the Cinema unveils the epistemic pressures at the heart of engaging with the sacred onscreen. The book also provides a valuable summation of the history of the sacred as a field of study, particularly as that field intersects with film.

Moralizing Cinema: Film, Catholicism, and Power

Автор: Biltereyst Daniel, Treveri Gennari Daniela
Название: Moralizing Cinema: Film, Catholicism, and Power
ISBN: 0415712645 ISBN-13(EAN): 9780415712644
Издательство: Taylor&Francis
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Цена: 24499.00 р.
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Описание: This volume brings together original research on religion and cinema. Contributors look beyond the film text, content, or aesthetics, instead concentrating on the cinema-related actions, strategies, and policies developed by the Catholic Church and Catholic organizations in order to influence cinema.

Cinema and Therapy: Grief and Transformational Film

Автор: Izod John, Dovalis Joanna
Название: Cinema and Therapy: Grief and Transformational Film
ISBN: 0415718678 ISBN-13(EAN): 9780415718677
Издательство: Taylor&Francis
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Цена: 27562.00 р.
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Описание: This book fills a gap in work on the conjunction of grief, therapy and cinema and explores how emotional life can be stirred at the movies.

Cinema and Society: Film and Social Change in Pakistan

Автор: Khan Ali, Nobil Ahmed Ali
Название: Cinema and Society: Film and Social Change in Pakistan
ISBN: 0199402221 ISBN-13(EAN): 9780199402229
Издательство: Oxford Academ
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Цена: 11403.00 р.
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Описание: This book presents a rich collection of critical essays, ethnographic writings, memoirs, and reflections, portraying a well-rounded picture of cinema culture and historical change in Pakistan.


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