The Political Worlds of Women: Gender and Politics in Nineteenth Century Britain, Richardson Sarah
Автор: Stedman Jones Название: The Cambridge History of Nineteenth-Century Political Thought ISBN: 1107676320 ISBN-13(EAN): 9781107676329 Издательство: Cambridge Academ Рейтинг: Цена: 7286.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This Cambridge History provides the first comprehensive survey of political thought in Europe, North America and Asia in the nineteenth century. Written by a distinguished team of international scholars, this is the latest in a sequence firmly established as the principal reference source for the history of political thought.
Автор: Hartz Louis Название: The Necessity of Choice: Nineteenth Century Political Thought ISBN: 1412854873 ISBN-13(EAN): 9781412854870 Издательство: Taylor&Francis Рейтинг: Цена: 7042.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Louis Hartz is best known for his classic study, The Liberal Tradition in America
Описание: Political Censorship of the Arts and the Press in Nineteenth-Century Europe presents a comprehensive account of the attempts by authorities throughout Europe to stifle the growth of political opposition during the nineteenth-century by censoring newspapers, books, caricatures, plays, operas and film.
Victoria Woodhull, the first woman to run for president, forced her fellow Americans to come to terms with the full meaning of equality after the Civil War. A sometime collaborator with Susan B. Anthony and Elizabeth Cady Stanton, yet never fully accepted into mainstream suffragist circles, Woodhull was a flamboyant social reformer who promoted freedom, especially freedom from societal constraints over intimate relationships. This much we know from the several popular biographies of the nineteenth-century activist. But what we do not know, as Amanda Frisken reveals, is how Woodhull manipulated the emerging popular media and fluid political culture of the Reconstruction period in order to accomplish her political goals. As an editor and public speaker, Woodhull demanded that women and men be held to the same standards in public life. Her political theatrics brought the topic of women's sexuality into the public arena, shocking critics, galvanizing supporters, and finally locking opposing camps into bitter conflict over sexuality and women's rights in marriage. A woman who surrendered her own privacy, whose life was grist for the mills of a sensation-mongering press, she made the exposure of others' secrets a powerful tool of social change. Woodhull's political ambitions became inseparable from her sexual nonconformity, yet her skill in using contemporary media kept her revolutionary ideas continually before her peers. In this way Woodhull contributed to long-term shifts in attitudes about sexuality and the slow liberation of marriage and other social institutions. Using contemporary sources such as images from the "sporting news," Frisken takes a fresh look at the heyday of this controversial women's rights activist, discovering Woodhull's previously unrecognized importance in the turbulent climate of Radical Reconstruction and making her a useful lens through which to view the shifting sexual mores of the nineteenth century.
Описание: The name Giuseppe Verdi conjures images of Italians singing opera in the streets and bursting into song at political protests or when facing the firing squad. While many of the accompanying stories were exaggerated, or even invented, by later generations, Verdi's operas--along with those by Rossini, Donizetti, and Mercadante--did inspire Italians to imagine Italy as an independent and unified nation. Capturing what it was like to attend the opera or to join in the music at an aristocratic salon, Waiting for Verdi shows that the moral dilemmas, emotional reactions, and journalistic polemics sparked by these performances set new horizons for what Italians could think, feel, say, and write. Among the lessons taught by this music were that rules enforced by artistic tradition could be broken, that opera could jolt spectators into intense feeling even as it educated them, and that Italy could be in the vanguard of stylistic and technical innovation rather than clinging to the glories of centuries past. More practically, theatrical performances showed audiences that political change really was possible, making the newly engaged spectator in the opera house into an actor on the political stage.
Описание: In this comprehensive account of censorship of the visual arts in nineteenth-century Europe, when imagery was accessible to the illiterate in ways that print was not, specialists in the history of the major European countries trace the use of censorship by the authorities to implement their fears of the visual arts, from caricature to cinema.
Описание: This is the first comprehensive work in English dealing with the nineteenth-century Armenian revolutionary movement and the subsequent rise of Armenian political parties. It covers in details the history of the Armenian revolutionists' armed struggle against the government of the Ottoman Turks beginning with the first major uprising in 1862 and extending to the culmination of the Turkish Armenian massacres in 1896. Incredibly daring yet loosely organized and sporadic uprisings directed by small secret societies characterized the early stage of Armenian political consciousness. But in 1885 the first Armenian political party, the Armenakan, was founded in Turkish Armenia, signaling the beginning of political maturity. Thereafter the leadership of the Armenian revolutionary forces passed into the hands of organized political parties; the Armenakan, the Armenian Revolutionary Federation, and the Hunchakian Revolutionary Party. These same parties, with some changes, continue to remain active through 1963. Nalbandian analyzes the actions of the revolutionists within the framework of the political and intellectual history of the Armenians and endeavors to clarify the sources, objectives, and accomplishments of the Armenian political parties. The efforts of these groups were not immediately successful; the revolutionists' fight against the Ottoman regime took place against incredibly sever odds: they lacked sufficient manpower, materials, and economic strength to combat the powerful forces of the Ottoman Turks. They did, however, contribute to the ultimate disintegration of the corrupt Ottoman regime and server to further Armenian nationalism. Because of the concern of most Armenian political leaders with the socio-economic theories of the day lead them to connect their own revolutionary movement with that of international socialism, Nalbandian examines the relationship of the Armenian parties to other nineteenth-century revolutionary movements in Western Europe, Russia, and the Balkans. The author, drawing upon research she has done in Soviet Armenia and in Armenian centers in the United States, Europe, and the Near East, presents an organized survey and interpretation of nineteenth-century Armenian politics as an aid to understanding current international alignments. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1963.
Описание: In a period of turmoil when European and international politics were in constant reshaping, immigrants and political exiles living in London set up periodicals which contributed actively to national and international political debates. Reflecting an interdisciplinary and international discussion, this book offers a rare long-term specialist perspective into the cosmopolitan and multilingual world of the foreign political press in London, with an emphasis on periodicals published in European languages. It furthers current research into political exile, the role of print culture and personal networks as intercultural agents and the dynamics of transnational political and cultural exchange in global capitals.
Individual chapters deal with Brazilian, French, German, Indian, Italian, Portuguese, Spanish, Spanish American, and Russian periodicals. Overarching themes include a historical survey of foreign political groups present in London throughout the long 19th century and the causes and movements they championed; analyses of the press in local and transnational contexts; and a focus on its actors and on the material conditions in which this press was created and disseminated. The Foreign Political Press in Nineteenth-Century London is a useful volume for students and academics with an interest in 19th-century politics or the history of the press.
Описание: Based on newly unearthed source material, this book follows the career of clergyman William Richardsona and assesses his impact on politics, science and agriculture nationally and internationally. -- .
Автор: D. Craig; J. Thompson Название: Languages of Politics in Nineteenth-Century Britain ISBN: 0230304028 ISBN-13(EAN): 9780230304024 Издательство: Springer Рейтинг: Цена: 6986.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: A comprehensible and accessible portrait of the various `languages` which shaped public life in nineteenth century Britain, covering key themes such as governance, statesmanship, patriotism, economics, religion, democracy, women`s suffrage, Ireland and India.
Автор: Wilkes Название: Women Reviewing Women in Nineteenth-Century Britain ISBN: 1138265659 ISBN-13(EAN): 9781138265653 Издательство: Taylor&Francis Рейтинг: Цена: 8726.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Focusing particularly on the critical reception of Jane Austen, Charlotte BrontA« and George Eliot, Joanne Wilkes offers in-depth examinations of reviews by eight female critics: Maria Jane Jewsbury, Sara Coleridge, Hannah Lawrance, Jane Williams, Julia Kavanagh, Anne Mozley, Margaret Oliphant and Mary Augusta Ward. What they wrote about women writers, and what their writings tell us about the critics' own sense of themselves as women writers, reveal the distinctive character of nineteenth-century women's contributions to literary history. Wilkes explores the different choices these critics, writing when women had to grapple with limiting assumptions about female intellectual capacities, made about how to disseminate their own writing. While several publishing in periodicals wrote anonymously, others published books, articles and reviews under their own names. Wilkes teases out the distinctiveness of nineteenth-century women's often ignored contributions to the critical reception of canonical women authors, and also devotes space to the pioneering efforts of Lawrance, Kavanagh and Williams to draw attention to the long tradition of female literary activity up to the nineteenth century. She draws on commentary by male critics of the period as well, to provide context for this important contribution to the recuperation of women's critical discourse in nineteenth-century Britain.
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