Augmenting Latent Dirichlet Allocation and Rank Threshold Detection with Ontologies, Isaly Laura A.
Автор: Isaiah Bd MD Isaac a. Название: The New Sabbath ISBN: 1498429092 ISBN-13(EAN): 9781498429092 Издательство: Неизвестно Цена: 3723.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Dr. Isaiah is an Attending General Surgeon. He is a Fellow of the American College of Surgeons and the Royal College of Surgeons of England. He is a Presbyterian Minister and a member of the Presbytery of Baltimore FOUR OF MANY THEMES I. THE FIRST DAY IS THIRD DAY, EIGHTH DAY AND THE 50TH DAY This is the day that the Lord has made. This day is the first day of the week. This day is the third day - The Morrow of the Sabbath - the eighth day. This day is the fiftieth day - The day of Pentecost - The Morrow of the Seventh Sabbath. II) THE FIRST AND THIRD DAY OF CREATION In "the first day" of Creation, the light appeared vanishing the intense blackness of dark, and in "the third day" the vegetative life began to vanquish the "deadness" of the barren, desolate dry land. In the same manner in the New Creation: Light appeared in "the first day of the week", when Christ rose from the dead on "the third day", "the Morrow after the Sabbath", the "day of waving the sheaf of the firstfruits of harvest", firstborn among the dead - firstfruits of them that slept. III) AND HERE IS GREATER THAN THE TEMPLE We entered the temple on the Sabbath, and we saw redoubling of activity, and increasing bustle, over every movement and activity in the regular weekly days, therefore where is the Sabbath? It vanished and emptied its place to the temple, in which the priests defile the Sabbath to accomplish the worship and temple service, "and here is greater than the Temple". IV) THE DAY IN WHICH COME OUT THE BRIGHT AND MORNING STAR And what a glorious "Lord's day", in which dawn He brought to an end the darkness of the seventh day, in His grave. The day that in which come out the bright and morning star! (Rev 22:16), glaring the horizon, brightening the valleys and mountains, and enlightening the hearts and minds. It is "the third day" in which it is brought in the sheaf, the beginning of harvest (Lev 23:10), a holy firstfruits. And what a joy is in the harvest, where the sower and reaper joy together.
Автор: Isaiah Bd MD Isaac A., Isaiah Isaac A. Название: The New Sabbath ISBN: 1498429106 ISBN-13(EAN): 9781498429108 Издательство: Неизвестно Цена: 4275.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Dr. Isaiah is an Attending General Surgeon. He is a Fellow of the American College of Surgeons and the Royal College of Surgeons of England. He is a Presbyterian Minister and a member of the Presbytery of Baltimore FOUR OF MANY THEMES I. THE FIRST DAY IS THIRD DAY, EIGHTH DAY AND THE 50TH DAY This is the day that the Lord has made. This day is the first day of the week. This day is the third day - The Morrow of the Sabbath - the eighth day. This day is the fiftieth day - The day of Pentecost - The Morrow of the Seventh Sabbath. II) THE FIRST AND THIRD DAY OF CREATION In "the first day" of Creation, the light appeared vanishing the intense blackness of dark, and in "the third day" the vegetative life began to vanquish the "deadness" of the barren, desolate dry land. In the same manner in the New Creation: Light appeared in "the first day of the week", when Christ rose from the dead on "the third day", "the Morrow after the Sabbath", the "day of waving the sheaf of the firstfruits of harvest", firstborn among the dead - firstfruits of them that slept. III) AND HERE IS GREATER THAN THE TEMPLE We entered the temple on the Sabbath, and we saw redoubling of activity, and increasing bustle, over every movement and activity in the regular weekly days, therefore where is the Sabbath? It vanished and emptied its place to the temple, in which the priests defile the Sabbath to accomplish the worship and temple service, "and here is greater than the Temple". IV) THE DAY IN WHICH COME OUT THE BRIGHT AND MORNING STAR And what a glorious "Lord's day", in which dawn He brought to an end the darkness of the seventh day, in His grave. The day that in which come out the bright and morning star! (Rev 22:16), glaring the horizon, brightening the valleys and mountains, and enlightening the hearts and minds. It is "the third day" in which it is brought in the sheaf, the beginning of harvest (Lev 23:10), a holy firstfruits. And what a joy is in the harvest, where the sower and reaper joy together.
Автор: Shabtay Isaac Название: Isaac`s Privateering Tour Blog ISBN: 0986845299 ISBN-13(EAN): 9780986845291 Издательство: Неизвестно Рейтинг: Цена: 5860.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
In the 1920s, as American films came to dominate Mexico's cinemas, many of its cultural and political elites feared that this "Yanqui invasion" would turn Mexico into a cultural vassal of the United States. In Making Cinelandia, Laura Isabel Serna contends that Hollywood films were not simply tools of cultural imperialism. Instead, they offered Mexicans on both sides of the border an imaginative and crucial means of participating in global modernity, even as these films and their producers and distributors frequently displayed anti-Mexican bias. Before the Golden Age of Mexican cinema, Mexican audiences used their encounters with American films to construct a national film culture. Drawing on extensive archival research, Serna explores the popular experience of cinemagoing from the perspective of exhibitors, cinema workers, journalists, censors, and fans, showing how Mexican audiences actively engaged with American films to identify more deeply with Mexico.
In the 1920s, as American films came to dominate Mexico's cinemas, many of its cultural and political elites feared that this "Yanqui invasion" would turn Mexico into a cultural vassal of the United States. In Making Cinelandia, Laura Isabel Serna contends that Hollywood films were not simply tools of cultural imperialism. Instead, they offered Mexicans on both sides of the border an imaginative and crucial means of participating in global modernity, even as these films and their producers and distributors frequently displayed anti-Mexican bias. Before the Golden Age of Mexican cinema, Mexican audiences used their encounters with American films to construct a national film culture. Drawing on extensive archival research, Serna explores the popular experience of cinemagoing from the perspective of exhibitors, cinema workers, journalists, censors, and fans, showing how Mexican audiences actively engaged with American films to identify more deeply with Mexico.
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