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Gloria: Vocal Score, Rutter, John (Author), Rutter, John (Composer)



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Цена: 1208р.
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Автор: Rutter, John (Author), Rutter, John (Composer)
Название:  Gloria: Vocal Score   (Джон Раттер: Глория. Хоровая партитура)
Издательство: Oxford Academ
Классификация:
ISBN: 0193380625
ISBN-13(EAN): 9780193380622
Обложка/Формат: Sheet music
Страницы: 48
Вес: 0.178 кг.
Дата издания: May 13, 1976
Язык: English
Размер: 297 x 205 x 4
Читательская аудитория: Professional & vocational
Подзаголовок: Vocal score
Ссылка на Издательство: Link
Рейтинг:
Поставляется из: Англии
Описание: The Latin text from the Ordinary of the Mass for mixed voices, brass (4 trumpets, 2 tenor trombones, bass trombone, tuba), percussion, and organ. An accompaniment for orchestra without organ is also available. Full scores, vocal scores, and instrumental parts are available on hire from the publisher
Дополнительное описание: The Latin text from the Ordinary of the Mass for mixed voices, brass (4 trumpets, 2 tenor trombones, bass trombone, tuba), percussion, and organ. An accompaniment for orchestra without organ is also available. Full scores, vocal scores, and instrumental parts are available on hire from the publisher




Exploring Twentieth Century Vocal Music

Автор: Mabry, Sharon
Название: Exploring Twentieth Century Vocal Music
ISBN: 0195385535 ISBN-13(EAN): 9780195385533
Издательство: Oxford Academ
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Цена: 3261 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: This is a cogent and insightful book for singers and voice teachers who are just discovering the innovative music of the twentieth century. It familiarizes readers with the new notation systems employed contemporary composers, suggests rehearsal techniques and vocal exercises that help singers prepare, and offers a list of the most important and intereting works to emerge in the twentieth century along with suggested recital programs

Treatise on Vocal Performance and Ornamentation by Johann Adam Hiller

Автор: Edited and translated by Suzanne J. Beicken
Название: Treatise on Vocal Performance and Ornamentation by Johann Adam Hiller
ISBN: 0521358701 ISBN-13(EAN): 9780521358705
Издательство: Cambridge Academ
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Цена: 4485 р.
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Описание: Hiller’s Treatise on Vocal Performance and Ornamentation was published in Germany in 1780 and is an important manual on vocal technique and performance in the eighteenth century. Hiller was a masterful educator and was active not only as a teacher but as a critic, composer, conductor and music director. Thus, his observations served not only to raise the standards of singing in Germany, based on the Italian model, but to present complicated material, particularly ornamentation, in a manner that his peers, the middle class, could emulate. This present edition, translated with an introduction and extensive commentary by musicologist Suzanne J. Beicken, makes Hiller’s treatise available for the first time in English. With its emphasis on practical aspects of ornamentation, declamation and style it will be valuable to instrumentalists as well as singers and is a significant contribution to the understanding of performance practice in the eighteenth-century.

Gloria in excelsis Deo

Автор: Wilberg, Mack
Название: Gloria in excelsis Deo
ISBN: 0193870479 ISBN-13(EAN): 9780193870475
Издательство: Oxford Academ
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Цена: 339 р.
Наличие на складе: Поставка под заказ.

Описание: for SATB and piano or orchestra The music cycles through several keys as a sense of hope, spirit, and imagination is developed and suspended throughout. Its catchy melody would make this a wonderful opening to a concert or could be used in church services throughout the Christmas season.

Vocal Authority

Автор: John Potter
Название: Vocal Authority
ISBN: 0521027438 ISBN-13(EAN): 9780521027434
Издательство: Cambridge Academ
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Цена: 3910 р.
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Описание: Why do singers sing in the way they do? Why, for example, is western classical singing so different from pop singing? How is it that Freddie Mercury and Montserrat Caballe could sing together? These are the kinds of questions which John Potter, a singer with the Hilliard Ensemble and Red Byrd, and himself the master of many styles, poses in this fascinating book, which is effectively a history of singing style. He finds the reasons to be primarily ideological rather than specifically musical. His book identifies particular historical ‘moments of change’ in singing technique and style, and relates these to a three-stage theory of style based on the relationship of singing to text. There is a substantial section on meaning in singing, and a discussion of how the transmission of meaning is enabled or inhibited by different varieties of style or technique.


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