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Concrete Cuba: Cuban Geometric Abstraction from the 1950s (Limited Edition): Estaticos I


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Автор: McEwen, Abigail
Название:  Concrete Cuba: Cuban Geometric Abstraction from the 1950s (Limited Edition): Estaticos I
ISBN: 9781941701447
Издательство: Thames & Hudson
Классификация:


ISBN-10: 1941701442
Обложка/Формат: Hardback
Страницы: 150
Вес: 0.42 кг.
Дата издания: 29.06.2017
Серия: A Non Series Title
Язык: English
Читательская аудитория: General (us: trade)
Основная тема: Art & design styles: c 1900 to c 1960
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Поставляется из: Европейский союз
Описание: Concrete Cuba, produced on the occasion of the 2015–2016 exhibition at David Zwirner, marks one of the first major presentations outside Cuba to focus exclusively on concretism in Cuba during the 1950s, and includes important works from the late 1940s through the early 1960s by the 12 artists who were at different times associated with the short-lived group: Pedro ?lvarez, Wifredo Arcay, Mario Carre?o, Salvador Corratg?, Sand? Dari?, Luis Mart?nez Pedro, Alberto Menocal, Jos? M. Mijares, Pedro de Ora?, Jos? ?ngel Rosabal, Lol? Soldevilla, and Rafael Soriano. The limited edition of 100 copies will be published as well, and will come with one of five signed and numbered prints by Pedro de Ora?.
Дополнительное описание: The development of Cuban geometric abstraction and, specifically, the formation of Los Diez Pintores Concretos (Ten Concrete Painters), coincided with the radical political and cultural shifts that raged throughout the country in the 1950s. Cuba experienc



NeoGeo - A New Edge to Abstraction

Название: NeoGeo - A New Edge to Abstraction
ISBN: 389955194X ISBN-13(EAN): 9783899551945
Издательство: Gestalten
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Цена: 5053.00 р.
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Описание: NeoGeo documents the new flirtation with geometrical forms and solid colours in today's design. The examples in the book make it clear that this current trend to abstract work is not a nostalgic phenomenon; rather, it borrows from illustration, collage, typography and computer art to create a whole new visual language

Paths to Abstraction 1867-1917

Автор: Maloon, Terence
Название: Paths to Abstraction 1867-1917
ISBN: 1741740568 ISBN-13(EAN): 9781741740561
Издательство: Thames & Hudson
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Цена: 4950.00 р.
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Описание: Surveying the art of five decades, from 1867 to 1917, this publication follows the broad and diverse ways that artists and their public, little by little, learnt to see and to judge works of art abstractly. It argues that abstraction arose directly from a tradition of speculation about the nature of art and of aesthetic experience.

Primitivism, Cubism, Abstraction

Название: Primitivism, Cubism, Abstraction
ISBN: 0300055161 ISBN-13(EAN): 9780300055160
Издательство: Wiley yUP
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Цена: 3127.00 р.
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Описание: This volume is part of a four-volume series about art and its interpretation in the 19th and 20th centuries. The books provide an introduction to modern European and American art and criticism that should be valuable both to students and to the general reader. The book presents a survey of art from the first two decades of the 20th century. The authors begin by exploring how aspects of the primitive were invoked by rural artists' colonies formed in France and Germany at the end of the 19th century and by the work of the Fauves and the German Expressionists a few years later. The book then develops an analysis of Cubist works based on semiotic theory, considering the social and cultural values encoded in such signifying systems, and investigating the relationship between representation and ideology. The final chapter considers some problems of interpretation and evolution posed by specific examples of abstract art ranging from Malevich to Mondrian.

Inventing Abstraction 1910-1925

Автор: Dickerman, Leah
Название: Inventing Abstraction 1910-1925
ISBN: 0500239029 ISBN-13(EAN): 9780500239025
Издательство: Thames & Hudson
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Цена: 7920.00 р.
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Описание: Inventing Abstraction 1910-1925 explores the development of abstraction from the moment of its declaration around 1912 to its establishment as the foundation of avant-garde practice in the mid-1920s. The book brings together many of the most influential works in abstractions early history to draw a cross-media portrait of this watershed moment in which traditional art was reinvented in a wholesale way. Works are presented in groups that serve as case studies, each engaging a key topic in abstractions first years: an artist, a movement, an exhibition or thematic concern. Key focal points include Vasily Kandinskys ambitious Compositions V, VI and VII; a selection of Piet Mondrians work that offers a distilled narrative of his trajectory to Neo-plasticism; and all the extant Suprematist pictures that Kazimir Malevich showed in the landmark 0.10 exhibition in 1915.


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