Описание: Concrete Cuba, produced on the occasion of the 2015–2016 exhibition at David Zwirner, marks one of the first major presentations outside Cuba to focus exclusively on concretism in Cuba during the 1950s, and includes important works from the late 1940s through the early 1960s by the 12 artists who were at different times associated with the short-lived group: Pedro ?lvarez, Wifredo Arcay, Mario Carre?o, Salvador Corratg?, Sand? Dari?, Luis Mart?nez Pedro, Alberto Menocal, Jos? M. Mijares, Pedro de Ora?, Jos? ?ngel Rosabal, Lol? Soldevilla, and Rafael Soriano. The limited edition of 100 copies will be published as well, and will come with one of five signed and numbered prints by Pedro de Ora?.
Описание: Concrete Cuba, produced on the occasion of the 2015–2016 exhibition at David Zwirner, marks one of the first major presentations outside Cuba to focus exclusively on concretism in Cuba during the 1950s, and includes important works from the late 1940s through the early 1960s by the 12 artists who were at different times associated with the short-lived group: Pedro ?lvarez, Wifredo Arcay, Mario Carre?o, Salvador Corratg?, Sand? Dari?, Luis Mart?nez Pedro, Alberto Menocal, Jos? M. Mijares, Pedro de Ora?, Jos? ?ngel Rosabal, Lol? Soldevilla, and Rafael Soriano. The limited edition of 100 copies will be published as well, and will come with one of five signed and numbered prints by Pedro de Ora?.
Описание: Concrete Cuba, produced on the occasion of the 2015–2016 exhibition at David Zwirner, marks one of the first major presentations outside Cuba to focus exclusively on concretism in Cuba during the 1950s, and includes important works from the late 1940s through the early 1960s by the 12 artists who were at different times associated with the short-lived group: Pedro ?lvarez, Wifredo Arcay, Mario Carre?o, Salvador Corratg?, Sand? Dari?, Luis Mart?nez Pedro, Alberto Menocal, Jos? M. Mijares, Pedro de Ora?, Jos? ?ngel Rosabal, Lol? Soldevilla, and Rafael Soriano. The limited edition of 100 copies will be published as well, and will come with one of five signed and numbered prints by Pedro de Ora?.
Описание: Concrete Cuba, produced on the occasion of the 2015–2016 exhibition at David Zwirner, marks one of the first major presentations outside Cuba to focus exclusively on concretism in Cuba during the 1950s, and includes important works from the late 1940s through the early 1960s by the 12 artists who were at different times associated with the short-lived group: Pedro ?lvarez, Wifredo Arcay, Mario Carre?o, Salvador Corratg?, Sand? Dari?, Luis Mart?nez Pedro, Alberto Menocal, Jos? M. Mijares, Pedro de Ora?, Jos? ?ngel Rosabal, Lol? Soldevilla, and Rafael Soriano. The limited edition of 100 copies will be published as well, and will come with one of five signed and numbered prints by Pedro de Ora?.
Название: NeoGeo - A New Edge to Abstraction ISBN: 389955194X ISBN-13(EAN): 9783899551945 Издательство: Gestalten Рейтинг: Цена: от 4331 р. Наличие на складе: Есть
Описание: NeoGeo documents the new flirtation with geometrical forms and solid colours in today's design. The examples in the book make it clear that this current trend to abstract work is not a nostalgic phenomenon; rather, it borrows from illustration, collage, typography and computer art to create a whole new visual language
Описание: Joaquin Torres-Garcia (1874-1949) is one of the most influential artists to have emerged from Latin America in the early 20th century. This book focuses on Torres-Garcia`s wood constructions and accompanies the first exhibition held in North America of these works and the solo exhibition of the artist in the United States.
Название: Primitivism, Cubism, Abstraction ISBN: 0300055161 ISBN-13(EAN): 9780300055160 Издательство: Yale University Press Рейтинг: Цена: 2606 р. Наличие на складе: Поставка под заказ.
Описание: This volume is part of a four-volume series about art and its interpretation in the 19th and 20th centuries. The books provide an introduction to modern European and American art and criticism that should be valuable both to students and to the general reader. The book presents a survey of art from the first two decades of the 20th century. The authors begin by exploring how aspects of the primitive were invoked by rural artists' colonies formed in France and Germany at the end of the 19th century and by the work of the Fauves and the German Expressionists a few years later. The book then develops an analysis of Cubist works based on semiotic theory, considering the social and cultural values encoded in such signifying systems, and investigating the relationship between representation and ideology. The final chapter considers some problems of interpretation and evolution posed by specific examples of abstract art ranging from Malevich to Mondrian.
Автор: Dickerman, Leah Название: Inventing Abstraction 1910-1925 ISBN: 0500239029 ISBN-13(EAN): 9780500239025 Издательство: Thames & Hudson Рейтинг: Цена: 6600 р. Наличие на складе: Поставка под заказ.
Описание: Inventing Abstraction 1910-1925 explores the development of abstraction from the moment of its declaration around 1912 to its establishment as the foundation of avant-garde practice in the mid-1920s. The book brings together many of the most influential works in abstractions early history to draw a cross-media portrait of this watershed moment in which traditional art was reinvented in a wholesale way. Works are presented in groups that serve as case studies, each engaging a key topic in abstractions first years: an artist, a movement, an exhibition or thematic concern. Key focal points include Vasily Kandinskys ambitious Compositions V, VI and VII; a selection of Piet Mondrians work that offers a distilled narrative of his trajectory to Neo-plasticism; and all the extant Suprematist pictures that Kazimir Malevich showed in the landmark 0.10 exhibition in 1915.
Автор: Bois Название: Geometric Abstraction ISBN: 0300089902 ISBN-13(EAN): 9780300089905 Издательство: Yale University Press Рейтинг: Цена: 5225 р. Наличие на складе: Поставка под заказ.
Описание: Widely praised for its fine collection of Latin American geometric abstract art, the Coleccion Patricia Phelps de Cisneros of Caracas, Venezuela, contains the
compelling work of such leading artists as Uruguayan Joaquin Torres-Garcia, Brazilians Lygia Clark and Helio Oiticica, Venezuelans Gego and Jesus Rafael Soto, and Argentinians
Tomas Maldonado, Raul Lozza, and Alfredo Hlito. This lavishly illustrated book presents a selection of more than eighty paintings, drawings, and sculptures from the Cisneros collection,
representing some two dozen Latin American artists. The works were completed between 1934 and 1988, but the vast majority date from the 'heroic' years of geometric abstraction,
1948-1966.
This special bilingual volume explores in both English and Spanish the history and importance of the major movements that were dedicated to geometric
abstraction. These movements include Concretism and Neo-Concretism in Brazil, Constructivism in Uruguay, the Madi Group and Concrete artists in Argentina, and Kinetic Abstraction
and Neo-Constructivism in Venezuela. The book also offers biographies of the artists and an intriguing selection of their statements and manifestos.
This catalogue
accompanies an exhibition from the Cisneros Collection at Harvard's Fogg Art Museum from 3 March to 21 October 2001.
Название: Paths to Abstraction 1867-1917 ISBN: 3791350919 ISBN-13(EAN): 9783791350912 Издательство: Prestel Publishing Limited Цена: 4950 р. Наличие на складе: Поставка под заказ.
Автор: Barron Stephanie Название: Calder and Abstraction ISBN: 3791353098 ISBN-13(EAN): 9783791353098 Издательство: Prestel Publishing Limited Рейтинг: Цена: 5259 р. Наличие на складе: Невозможна поставка.
Описание: Alexander Calder`s most beloved creations - from his mobiles to his public sculpture - are examined from every angle in this stunning book.
Автор: Maloon, Terence Название: Paths to Abstraction 1867-1917 ISBN: 1741740568 ISBN-13(EAN): 9781741740561 Издательство: Thames & Hudson Рейтинг: Цена: 4125 р. Наличие на складе: Поставка под заказ.
Описание: Surveying the art of five decades, from 1867 to 1917, this publication follows the broad and diverse ways that artists and their public, little by little, learnt to see and to judge works of art abstractly. It argues that abstraction arose directly from a tradition of speculation about the nature of art and of aesthetic experience.
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