Описание: Carpets made in the "Rug Belt" - an area that includes Morocco, North Africa, the Middle East, Central Asia, and northern India - have been a source of fascination and collecting since the 13th century. This book explores the history, design techniques, materials, craftsmanship, and socio-economic contexts of these works.
Описание: What woman can resist imagining herself in a beautiful designer dress? This title presents 100 fabulous gowns from the permanent collection of the renowned Costume Institute at The Metropolitan Museum of Art, each of which is a reminder of the ways fashion reflects the broader culture that created it.
Автор: Jenkins, Ian Название: The Parthenon Sculptures in the British Museum ISBN: 0714122610 ISBN-13(EAN): 9780714122618 Издательство: Thames & Hudson Рейтинг: Цена: 4125.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The Parthenon sculptures in the British Museum are unrivalled examples of classical Greek art that have inspired millions since their creation in the fifth century BC. This book serves as a superb visual introduction to these magnificent sculptures.
Название: Etruscan Art: In the Metropolitan Museum of Art ISBN: 0300179537 ISBN-13(EAN): 9780300179538 Издательство: Wiley yUP Рейтинг: Цена: 9570.00 р. Наличие на складе: Поставка под заказ.
Описание: This informative and engaging book on the Museum's outstanding collection of Etruscan art also provides an introduction to the fascinating and diverse culture of ancient Etruria, which thrived in central Italy from about 900 to 100 B.C. Masterpieces of the collection include seventh-century B.C. objects from the Monteleone di Spoleto tomb group (including the famous, remarkably well-preserved, bronze chariot), intricate gold jewellery, carved gems, and wonderful ambers. For the first time in more than 70 years, this incredible body of work is published in an informative and engaging book that draws upon decades of exhaustive research. "Etruscan Art" opens with short histories of pre-Roman Italy, Etruscan Studies, and the Metropolitan's collection, followed by chronological analyses of tomb groups, types of objects, and individual objects. The closing section features forgeries, pastiches, and objects of uncertain authenticity, all previously thought to be genuine. Richard De Puma, one of the foremost experts on Etruscan art, provides an invaluable new contribution to the study of ancient Italy.
Portraits and genre scenes by the great Dutch painter Frans Hals (1582/83-1666) are celebrated for their immediacy and dazzling brushwork. His dramatic compositions and bold technique brought his subjects to life in an unprecedented way. This book focuses upon eleven major works by Hals from the Metropolitan Museum's collection, supplemented by two Hals paintings from private collections and a selection of other Dutch paintings and prints.
The pictures included here span forty years of Hals's career, from the early "Merrymakers at Shrovetide" of about 1616 to engaging portraits he painted in Haarlem during his later years. The author discusses the formation of Hals's style, emphasizing his stay in Antwerp in 1616 and his knowledge of Flemish masters and of contemporary critical thinking. For the first time, Hals's work is considered in the context of broader European trends, in particular the Early Baroque movement that flourished in Antwerp during the 1600s.
Автор: Dickerman, Leah Название: Diego Rivera: Murals for The Museum of Modern Art ISBN: 0870708171 ISBN-13(EAN): 9780870708176 Издательство: Thames & Hudson Рейтинг: Цена: 2063.00 р. Наличие на складе: Поставка под заказ.
Описание:
The compelling story of how an art celebrity and icon of the Mexican left came to New York in 1931 to paint eight murals at The Museum of Modern Art
In 1931, Diego Rivera was the subject of The Museum of Modern Art's second monographic exhibition, which set new attendance records in its five-week run. The Museum brought Rivera to New York six weeks before the show's opening and gave him on-site studio space. There he produced five "portable murals" --large blocks of frescoed plaster, slaked lime and wood that feature bold images drawn from Mexican subject matter and address themes of revolution and class inequity. After the opening, to great publicity, Rivera added three more murals, now taking on New York subjects through monumental images of the urban working class and the city during the Great Depression. Published in conjunction with an exhibition that brings together key works made for Rivera's 1931 show, this catalogue casts the artist as a highly cosmopolitan figure who traveled between Russia, Mexico and the United States and examines the intersection of artmaking and radical politics in the 1930s. Illustrated with reproductions of each panel as well as related paintings, drawings, prints and documentary photographs, the book's essays investigate the international politics of muralism, Rivera's history with MoMA, the iconography of the portable murals and technical aspects of the artist's working process. Diego Rivera (1886-1957) was a central figure in the development of Mexican muralism, an ambitious public art initiative intended to relay Mexico's ideals after the Revolution (1910-1920). A highly cosmopolitan artist, Rivera had spent many years in Europe before returning to Mexico in 1921, and in 1927 he traveled to the Soviet Union where he met Alfred Barr, the soon-to-be founding director of The Museum of Modern Art, New York. Rivera's artistic celebrity benefitted from major commissions in the United States, including murals for the Pacific Stock Exchange, the California School of Fine Arts in San Francisco, MoMA and the Detroit Institute of Arts. By the 1930s, he enjoyed an unrivaled status at the center of international debates about public art and politics..
Автор: Dickerson C D Название: Bernini: Sculpting in Clay (Metropolitan Museum of Art) ISBN: 0300185006 ISBN-13(EAN): 9780300185003 Издательство: Wiley yUP Рейтинг: Цена: 7425.00 р. Наличие на складе: Поставка под заказ.
Описание: The brilliantly expressive clay models created by Gian Lorenzo Bernini (1598-1680) as "sketches" for his works in marble offer extraordinary insights into his creative imagination. Although long admired, the terracotta models have never been the subject of such detailed examination. This publication presents a wealth of new discoveries (including evidence of the artist's fingerprints imprinted on the clay), resolving lingering issues of attribution while giving readers a vivid sense of how the artist and his assistants fulfilled a steady stream of monumental commissions. Essays describe Bernini's education as a modeler; his approach to preparatory drawings; his use of assistants; and the response to his models by 17th-century collectors. Extensive research by conservators and art historians explores the different types of models created in Bernini's workshop. Richly illustrated, Bernini transforms our understanding of the sculptor and his distinctive and fascinating working methods.
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