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Josef Albers: Midnight and Moon


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Автор: Weber, Nick Fox
Название:  Josef Albers: Midnight and Moon
Перевод названия: Йозеф Альберс
ISBN: 9781941701621
Издательство: Thames & Hudson
Классификация:
ISBN-10: 1941701620
Обложка/Формат: Hardcover
Страницы: 144
Вес: 0.91 кг.
Дата издания: 01.10.2017
Серия: A Non Series Title
Язык: English
Размер: 211 x 279 x 19
Основная тема: Individual artists, art monographs
Поставляется из: Европейский союз
Описание:

Exploring the origins of Josef Albers groundbreaking Homage to the Square in the exquisite palettes of day and night

Using minimal means--paint straight from the tube, applied meticulously with a palette knife--and a focused selection of colors, Josef Albers sustained, serial investigation into rhythm, mood and spatial movement is explored in this lavishly produced volume that looks solely at his respective grey and yellow paintings, exploring two distinct color palettes pervasive to his oeuvre.

Highlighting the rich diversity of effects Albers drew from a narrow range of colors, this publication centers around the groundbreaking Homage to the Square (A) (1950), the inaugural painting in the series that would occupy the artist until his death in 1976. The pairing of two palettes--black, white and grey and an array of yellows--stems in part from Albers 1964 series of lithographs, Midnight and Noon, which brought together these two opposing color sets in a single portfolio. Together they address the limitless possibilities the artist found in color and form in relation to light. The impossible simultaneity of midnight and noon moreover speaks to Albers transcending of what he called factual facts in favor of the play of perception and illusion possible in art.

Opening with an introduction by Nicholas Fox Weber, Executive Director of The Josef and Anni Albers Foundation, that contextualizes these works and their color palettes, this volume also includes Albers own writing on Homage to the Square. Additionally, Elaine de Koonings historic text and Colm T ib ns recent writing explore this body of work from different perspectives and time periods. Published on the occasion of exhibitions at David Zwirners New York and London galleries in 2016 and 2017, this beautifully illustrated publication looks at one of the most influential abstract painters of the 20th century.


Дополнительное описание: Highlighting the rich diversity of effects Albers drew from a narrow range of colors, this publication is based around the groundbreaking Homage to the Square (A) (1950), the inaugural painting in the series that would occupy the artist until his death



Interaction of Color

Автор: Albers Josef
Название: Interaction of Color
ISBN: 0300179359 ISBN-13(EAN): 9780300179354
Издательство: Wiley yUP
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Цена: 2308.00 р.
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Описание: The 50th anniversary edition of a classic text, featuring an expanded selection of color studies

Interaction of Color Expanded

Автор: Albers
Название: Interaction of Color Expanded
ISBN: 0300115954 ISBN-13(EAN): 9780300115956
Издательство: Wiley yUP
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Цена: 1648.00 р.
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Описание: Conceived as a handbook and teaching aid for artists, instructors, and students, this book presents ideas of colour experimentation, featuring thirty colour studies, with Albers` unabridged text, demonstrating such principles as colour relativity, intensity, and temperature; vibrating and vanishing boundaries; and the illusion of transparency.

One and One Is Four: The Bauhaus Photocollages of Josef Albers

Автор: Hermanson Meister, Sarah
Название: One and One Is Four: The Bauhaus Photocollages of Josef Albers
ISBN: 1633450171 ISBN-13(EAN): 9781633450172
Издательство: Thames & Hudson
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Описание: Josef Albers is widely recognized as a crucial figure in 20th-century art, both as an independent practitioner and as a teacher at the Bauhaus, Black Mountain College and Yale University. Albers made paintings, drawings and prints and designed furniture and typography. Arguably the least familiar aspect of his extraordinary career was his inventive engagement with photography, only widely known after his death, including his production of approximately 70 photocollages that feature photographs he made at the Bauhaus between 1928 and 1932. These works anticipate concerns that he would pursue throughout his career--the effects of adjacency, the exploration of color through white, black and gray, and the delicate balance between handcraft and mechanical production.

Albers' photographs were first shown at MoMA in a modest exhibition in 1988, when the Museum acquired two photocollages. In 2015 the Museum acquired ten additional photocollages, making its collection the most substantial anywhere outside the Albers Foundation. This publication reproduces each of the photocollages Albers made at the Bauhaus, presenting the scope of this achievement for the first time. An introductory essay by Sarah Hermanson Meister situates them within the contexts of modernist photography, the Bauhaus ethos and of Albers' own practice.


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