The Act of Documenting: Documentary Film in the 21st Century, Brian Winston, Gail Vanstone, Wang Chi
Автор: Rogers Holly Название: Music and Sound in Documentary Film ISBN: 0415728665 ISBN-13(EAN): 9780415728669 Издательство: Taylor&Francis Рейтинг: Цена: 6889.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
This collection of fourteen essays provides a rich and detailed history of the relationship between and music and image in documentary films, exploring the often overlooked role of music in the genre and its subsequent impact on an audience's perception of reality and fiction. Exploring examples of documentary films which make use of soundtrack music, from an interdisciplinary perspective, Music and Sound in Documentary Film is the first in-depth treatment on the use of music in the nonfiction film and will appeal to scholars and students working in the intersection of music and film and media studies.
Автор: MacDonald Scott Название: American Ethnographic Film and Personal Documentary ISBN: 0520275624 ISBN-13(EAN): 9780520275621 Издательство: Wiley Рейтинг: Цена: 5386.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Tells the history of American filmmakers crucial to the development of ethnographic film and personal documentary. By exploring the cinematic, personal, and professional relationships between these accomplished filmmakers, MacDonald shows how an approach to documentary developed over the past half century.
Автор: Nichols Bill Название: Documenting the Documentary ISBN: 0814339719 ISBN-13(EAN): 9780814339718 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 5821.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Originally released in 1998, Documenting the Documentary responded to a scholarly landscape in which documentary film was largely understudied and undervalued aesthetically, and analysed instead through issues of ethics, politics, and film technology. Editors Barry Keith Grant and Jeannette Sloniowski addressed this gap by presenting a useful survey of the artistic and persuasive aspects of documentary film from a range of critical viewpoints. This new edition of Documenting the Documentary adds five new essays on more recent films in addition to the text of the first edition. Thirty-one film and media scholars, many of them among the most important voices in the area of documentary film, cover the significant developments in the history of documentary filmmaking fromNanook of the North (1922), the first commercially released documentary feature, to contemporary independent film and video productions like Werner Herzog's Grizzly Man (2005) and the controversial Borat (2006). The works discussed also include representative examples of many important national and stylistic movements and various production contexts, from mainstream to avant-garde. In all, this volume offers a series of rich and revealing analyses of those ""regimes of truth"" that still fascinate filmgoers as much today as they did at the very beginnings of film history. As documentary film and visual media become increasingly important ways for audiences to process news and information, Documenting the Documentary continues to be a vital resource to understanding the genre. Students and teachers of film studies and fans of documentary film will appreciate this expanded classic volume. Contributors Include: Bart Testa, Carl Plantinga, Caryl Flinn, Catherine Russell, Charlie Keil, David T. Johnson, Diane Scheinman, Frank P. Tomasulo, Jeanne Hall, Jeffrey K. Ruoff, Jim Leach, Joan Nicks, Joanne Hershfield, John R. Cook, Julia Lesage, Leshu Torchin, Linda Williams, Lucy Fischer, Matthew Bernstein, Paula J. Massood, Robert Stam, Sandy Flitterman-Lewis, Seth Feldman, Sheila Petty, Thomas Waugh, Virginia Bonner, Vivian Sobchack, William Guynn, William Rothman.
Описание: How do issues of form and content shape the documentary film? In what ways do documentaries abide by or subvert ethical expectations? Are mockumentaries a form of subversion? The author investigates the ways documentaries strive for accuracy and truthfulness and simultaneously fabricate a form that shapes reality.
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