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National Myth and the First World War in Modern Popular Music, Peter Grant


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Автор: Peter Grant
Название:  National Myth and the First World War in Modern Popular Music
ISBN: 9781137601384
Издательство: Springer
Классификация:




ISBN-10: 1137601388
Обложка/Формат: Hardback
Страницы: 303
Вес: 0.55 кг.
Дата издания: 2017
Серия: Palgrave studies in the history of subcultures and popular music
Язык: English
Издание: 1st ed. 2017
Иллюстрации: 22 illustrations, black and white; xi, 303 p. 22 illus.
Размер: 156 x 218 x 23
Читательская аудитория: Professional & vocational
Ссылка на Издательство: Link
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Поставляется из: Германии
Описание: This book looks at the role of popular music in constructing the myth of the First World War. Since the late 1950s over 1,500 popular songs from more than forty countries have been recorded that draw inspiration from the War. National Myth and the First World War in Modern Popular Music takes an inter-disciplinary approach that locates popular music within the framework of ‘memory studies’ and analyses how songwriters are influenced by their country’s ‘national myths’. How does popular music help form memory and remembrance of such an event? Why do some songwriters stick rigidly to culturally dominant forms of memory whereas others seek an oppositional or transnational perspective? The huge range of musical examples include the great chansonniers Jacques Brel and Georges Brassens; folk maestros including Al Stewart and Eric Bogle; the socially aware rock of The Kinks and Pink Floyd; metal legends Iron Maiden and Bolt Thrower and female iconoclasts Diamanda Gal?s and PJ Harvey.
Дополнительное описание: Introduction.- 1. National Myth and the First World War.- 2. Remembrance, Memory and Popular Music.- 3. Words and Music.- 4. The Voice of the People.- 5. Butcher’s Tales and Gunner’s Dreams.- 6. Shrill Demented Choirs.- 7. Football in No-Man’s-Land.- 8. T



The Realities of Witchcraft and Popular Magic in Early Modern Europe

Автор: Bever
Название: The Realities of Witchcraft and Popular Magic in Early Modern Europe
ISBN: 1403997810 ISBN-13(EAN): 9781403997814
Издательство: Springer
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Цена: 16769.00 р.
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Описание: Exploring the elements of reality in early modern witchcraft and popular magic, through a combination of detailed archival research and broad-ranging interdisciplinary analyses, this book complements and challenges existing scholarship, and offers unique insights into this murky aspect of early modern history.

K-Pop: Popular Music, Cultural Amnesia, and Economic Innovation in South Korea

Автор: Lie John
Название: K-Pop: Popular Music, Cultural Amnesia, and Economic Innovation in South Korea
ISBN: 0520283112 ISBN-13(EAN): 9780520283114
Издательство: Wiley
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Цена: 12672.00 р.
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Описание: Seeks at once to describe and explain the emergence of export-oriented South Korean popular music and to make sense of larger South Korean economic and cultural transformations. This book delves into the broader background of South Korea in this wonderfully informed history and analysis of a pop culture phenomenon sweeping the globe.

Modernism and Popular Music

Автор: Schleifer
Название: Modernism and Popular Music
ISBN: 1107655307 ISBN-13(EAN): 9781107655300
Издательство: Cambridge Academ
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Цена: 6653.00 р.
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Описание: In Modernism and Popular Music, Ronald Schleifer shows how the music of George and Ira Gershwin, Cole Porter, Thomas `Fats` Waller and Billie Holiday can be considered as artistic expressions equal to those of the traditional high art practices in music and literature.

Blackface Nation: Race, Reform, and Identity in American Popular Music, 1812-1925

Автор: Roberts Brian
Название: Blackface Nation: Race, Reform, and Identity in American Popular Music, 1812-1925
ISBN: 022645164X ISBN-13(EAN): 9780226451640
Издательство: Wiley
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Цена: 4118.00 р.
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Описание: As the United States transitioned from a rural nation to an urbanized, industrial giant between the War of 1812 and the early twentieth century, ordinary people struggled over the question of what it meant to be American. As Brian Roberts shows in `Blackface Nation`, this struggle is especially evident in popular culture and the interplay between two specific strains of music: middle-class folk and blackface minstrelsy. The Hutchinson Family Singers, the Northeast`s most popular middle-class singing group during the mid-nineteenth century, are perhaps the best example of the first strain of music. The group`s songs expressed an American identity rooted in communal values, with lyrics focusing on abolition, women`s rights, and socialism. Blackface minstrelsy, on the other hand, emerged out of an audience-based coalition of Northern business elites, Southern slaveholders, and young, white, working-class men, for whom blackface expressed an identity rooted in individual self-expression, anti-intellectualism, and white superiority. Its performers embodied the love-crime version of racism, in which vast swaths of the white public adored African Americans who fit blackface stereotypes even as they used those stereotypes to rationalize white supremacy. By the early twentieth century, the blackface version of the American identity had become a part of America`s consumer culture while the Hutchinsons` songs were increasingly regarded as old-fashioned.

Preserving Popular Music Heritage

Название: Preserving Popular Music Heritage
ISBN: 1138781436 ISBN-13(EAN): 9781138781436
Издательство: Taylor&Francis
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Цена: 24499.00 р.
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Описание: There is a growing awareness around the world of the pressing need to archive the material remnants of popular music so as to safeguard the national and local histories of this cultural form. Current research suggests that in the past 20 or so years there has been an expansion of DIY heritage practice, with the founding of numerous DIY popular music institutions, archives and museums around the world. This edited collection seeks to explore the role of DIY or Pro-Am (Professional-Amateur) practitioners of popular music archiving and preservation. It looks critically at ideas around "DIY preservationism," "self-authorised" and "unauthorised" heritage practice and the "DIY institution," while also unpacking the potentialities of bottom-up, community-based interventions into the archiving and preservation of popular music’s material history. With an international scope and an interdisciplinary approach, this is an important reference for scholars of popular music, heritage studies and cultural studies.


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