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Re-evaluating the Literary Coterie, 1580–1830, Will Bowers; Hannah Leah Crumm?


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Автор: Will Bowers; Hannah Leah Crumm?
Название:  Re-evaluating the Literary Coterie, 1580–1830
ISBN: 9781137545527
Издательство: Springer
Классификация:

ISBN-10: 1137545526
Обложка/Формат: Hardback
Страницы: 241
Вес: 0.57 кг.
Дата издания: 2016
Серия: Literature
Язык: English
Иллюстрации: 5 colour illustrations, biography
Размер: 160 x 217 x 22
Читательская аудитория: General (us: trade)
Подзаголовок: From sidney to blackwood`s
Ссылка на Издательство: Link
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Поставляется из: Германии
Описание: This book is about the literary and friendship networks that were active in Britain for a 250 year period. Patterns in the nature of literary social circles emerge: they may centre upon a location, like Christ Church, or a person, like Aaron Hill; they may suffer stress when private relationships become public knowledge, as Caroline Lamb’s Glenarvon shows; and they may model themselves on a preceding age, as the relationship between the Sidney circle and Lady Mary Wroth exemplifies. Despite these similarities, no two coteries are the same. The circles this volume examines even differ in their acceptance of their own status as a coterie: someone like Constance Fowler was certainly part of a strict familial coterie; the Scriberlians were a more informal set who were also members of other groups; and although Byron’s years of fame are regularly associated with Holland House, he often denied being of their party.
Дополнительное описание:
Introduction; Will Bowers and Hannah Leah Crumm?.- 1. Literary Coteries of Mary Sidney Herbert, Countess of Pembroke
and William Herbert, third Earl of Pembroke; Mary Ellen Lamb.- 2. The Circulation of Verse at the Inns of Court and in



Romantic Poetry and Literary Coteries

Автор: Fulford
Название: Romantic Poetry and Literary Coteries
ISBN: 113753396X ISBN-13(EAN): 9781137533968
Издательство: Springer
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Цена: 10480.00 р.
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Описание: Combining historical poetics and book history, Romantic Poetry and Literary Coteries shows Romanticism as characterized by tropes and forms that were jointly produced by literary circles. To show these connections, Fulford pulls from a wealth of print material including political squibs, magazine essays, illustrated tour poems, and journals.


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