The Body and the Screen: Female Subjectivities in Contemporary Women`s Cinema 9781623562922

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Автор: Kate Ince
Название: The Body and the Screen: Female Subjectivities in Contemporary Women`s Cinema
ISBN: 9781623562922
Издательство: Bloomsbury Academic
Классификация:

Кинорежиссёры, кинопродюсеры

Философия: Логика

Феминизм и его теория

ISBN-10: 1623562929
Обложка/Формат: Hardback
Страницы: 208
Вес: 0.45 кг.
Дата издания: 12.01.2017
Серия: Thinking cinema
Язык: English
Иллюстрации: 12 illustrations, unspecified
Размер: 160 x 236 x 23
Читательская аудитория: College/higher education
Ключевые слова: Individual film directors, film-makers,Philosophy: aesthetics, PERFORMING ARTS / Film & Video / Direction & Production,PHILOSOPHY / Aesthetics
Основная тема: Individual film directors, film-makers,PERFORMING ARTS / Film & Video / Direction & Production,PHILOSOPHY / Aesthetics,Philosophy: aesthetics
Подзаголовок: Female subjectivities in contemporary women`s cinema
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Поставляется из: Англии
Описание: Since the 1980s the number of women regularly directing films has increased significantly in most Western countries; in France, Claire Denis and Catherine Breillat have joined Agnиs Varda in gaining international renown, while British directors Lynne Ramsay and Andrea Arnold have forged award-winning careers in feature film. This new volume in the Thinking Cinema+? series draws on feminist philosophers and theorists from Simone de Beauvoir on to offer readings of a range of the most important and memorable of these films from the 1990s and 2000s, focusing as it does so on how the films convey womens lives and identities. Mainstream entertainment cinema traditionally distorts the representation of women, objectifying their bodies, minimizing their agency, and avoiding the most important questions about how cinema can do justice to female subjectivity. Kate Ince suggests that the films of independent women directors are progressively redressing the balance, reinvigorating both the narratives and the formal ambitions of European cinema. Ince uses feminist philosophers to interpret such films as Sex Is Comedy, Morvern Callar, White Material, and Fish Tank anew, suggesting that a philosophical understanding of female subjectivity as embodied and ethical should underpin future feminist film study.
Дополнительное описание: Chapter 1: Introduction I: female subjectivity in theoryand criticism Chapter 2: Introduction II: feminist film theory afterpsychoanalysis Chapter 3: Body - Key films Romance, The Gleaners and I, The Beaches of Agnes, FishTank Chapter 4: Look - Key f

The Body and the Screen: Female Subjectivities in Contemporary Women`s Cinema, Kate Ince