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Cinema`s Illusions, Opera`s Allure: The Operatic Impulse in Film, David Schroeder


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Автор: David Schroeder
Название:  Cinema`s Illusions, Opera`s Allure: The Operatic Impulse in Film
ISBN: 9781474291422
Издательство: Bloomsbury Academic
Классификация:

ISBN-10: 1474291422
Обложка/Формат: Hardback
Страницы: 400
Вес: 0.71 кг.
Дата издания: 06.10.2016
Серия: Film studies: bloomsbury academic collections
Язык: English
Иллюстрации: Black & white illustrations
Размер: 234 x 156 x 22
Читательская аудитория: Tertiary education (us: college)
Ключевые слова: Films, cinema, PERFORMING ARTS / Film & Video / History & Criticism,SOCIAL SCIENCE / Popular Culture
Основная тема: Films, cinema,SOCIAL SCIENCE / Popular Culture,PERFORMING ARTS / Film & Video / History & Criticism
Подзаголовок: The operatic impulse in film
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Поставляется из: Англии
Описание: The invention of cinema was ingenious, so much so that virtually no-one quite knew what to do with it. In its earliest stages, especially with the advent of the feature film, it needed models, and opera proved to be especially useful in that regard. The allure of opera to cinema early in the twentieth century held up through the silent era, into sound films, through the golden age of movies, and beyond. This book explores the numerous ways – some predictable, some unexpected, and some bizarre – in which this has happened. The influence of Richard Wagner on filmmakers has been especially striking, and some have even devised visual images that seem to emerge from a kind of non-verbal Wagnerian essence – a formative, musical urge that can underlie a cinematic idea, defying explanation and remaining purely sensory. Directors like Griffith, DeMille, Eisenstein, Chaplin, Bunuel or Hitchcock have intuited this possibility. Schroeder provides a fascinating, well-researched and always entertaining account of the influence of one medium on another, and shows that opera can often be found lurking in the background (or booming in the foreground) of an impressive range of films.
Дополнительное описание: Preface Introduction Part I – Appropriation of Opera in Early Cinema 1. Silent Opera: DeMille’s Carmen 2. D. W. Griffith as a Wagnerian 3. Stage Fright: Phantom of the Opera 4. A Life at the Opera 5. Synesthesia: Alexander Nevsky as Opera Part II



Sinophone Cinemas

Автор: Yue Audrey
Название: Sinophone Cinemas
ISBN: 1137311193 ISBN-13(EAN): 9781137311191
Издательство: Springer
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Цена: 12577.00 р.
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Описание: Sinophone Cinemas considers a range of multilingual, multidialect and multi-accented cinemas produced in Chinese-language locations outside mainland China. It showcases new screen cultures from Britain, Hong Kong, Taiwan, Singapore and Australia.

The Modern Castrato: Gaetano Guadagni and the Coming of a New Operatic Age

Автор: Howard Patricia
Название: The Modern Castrato: Gaetano Guadagni and the Coming of a New Operatic Age
ISBN: 0199365202 ISBN-13(EAN): 9780199365203
Издательство: Oxford Academ
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Описание: The Modern Castrato: Gaetano Guadagni and the Coming of a New Operatic Age chronicles the career of the most significant castrato of the second half of the eighteenth-century. Through a coincidence of time and place, Gaetano Guadagni was on the forefront of the heroic opera reform, and many
forward-thinking composers of the age created roles for him. Author Patricia Howard reveals that Guadagni may have been the only singer of the time fully able to understand the demands and opportunities of this reform, as well to possess the intelligence and self-knowledge to realize that it suited
his skills, limitations and temperament perfectly--making him the first castrato to embrace the concepts of modern singing.

The first full-length biography of this outstanding singer, The Modern Castrato illuminates the everyday lives of eighteenth-century singers while spotlighting the historic high points of the century. Most famous for his creation of the role of Orpheus in Gluck's Orfeo ed Euridice, his career ranged
widely and brought him into contact with many progressives theorists and composers such as Traetta, Jommelli, and Bertoni. Howard's focus on the development of Guadagni's career pauses on essential, related topics along the way, such as the castrato in society, the eighteenth-century revolution in
acting, and the remarkable evidence for Guadagni's marionette theater. Howard also assesses Guadagni's surviving compositions, which give new insight into the quality and character of his voice as well as his technical and expressive abilities. The Modern Castrato is an engaging narrative that will
prove essential reading for opera lovers and scholars of eighteenth-century music.


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