Контакты/Проезд  Доставка и Оплата Помощь/Возврат
История
  +7(495) 980-12-10
  пн-пт: 10-18 сб,вс: 11-18
  shop@logobook.ru
   
    Поиск книг                    Поиск по списку ISBN Расширенный поиск    
Найти
  Зарубежные издательства Российские издательства  
Авторы | Каталог книг | Издательства | Новинки | Учебная литература | Акции | Хиты | |
 

Cult Film as a Guide to Life: Fandom, Adaptation, and Identity, I.Q. Hunter


Варианты приобретения
Цена: 22176.00р.
Кол-во:
Наличие: Поставка под заказ.  Есть в наличии на складе поставщика.
Склад Америка: Есть  
При оформлении заказа до:
Ориентировочная дата поставки:
При условии наличия книги у поставщика.

Добавить в корзину
в Мои желания

Автор: I.Q. Hunter
Название:  Cult Film as a Guide to Life: Fandom, Adaptation, and Identity
ISBN: 9781623568979
Издательство: Bloomsbury Academic
Классификация:
ISBN-10: 1623568978
Обложка/Формат: Hardback
Страницы: 232
Вес: 0.48 кг.
Дата издания: 08.09.2016
Серия: Arts
Язык: English
Иллюстрации: 25 bw illus
Размер: 162 x 235 x 22
Читательская аудитория: College/higher education
Ключевые слова: Film theory & criticism, PERFORMING ARTS / Film & Video / History & Criticism
Основная тема: Film theory & criticism,PERFORMING ARTS / Film & Video / History & Criticism
Подзаголовок: Fandom, adaptation, and identity
Рейтинг:
Поставляется из: Англии
Описание:

Cult Film as a Guide to Life investigates the world and experience of cult films, from well-loved classics to the worst movies ever made. Including comprehensive studies of cult phenomena such as trash films, exploitation versions, cult adaptations, and case studies of movies as different as Showgirls, Room 237 and The Lord of the G-Strings, this lively, provocative and original book shows why cult films may just be the perfect guide to making sense of the contemporary world.

Using his expertise in two fields, I.Q. Hunter also explores the important overlap between cult film and adaptation studies. He argues that adaptation studies could learn a great deal from cult and fan studies about the importance of audiences emotional investment not only in texts but also in the relationships between them, and how such bonds of caring are structured over time.

The books emergent theme is cult film as lived experience. With reference mostly to American cinema, Hunter explores how cultists, with their powerful emotional investment in films, care for them over time and across numerous intertexts in relationships of memory, nostalgia and anticipation.


Дополнительное описание: Preface 1 For Virgins Only: A Brief Introduction to Cult Film 2 Beaver Las Vegas! A Fanboy's Defence of Showgirls 3 Wasting Time in the Stanley Hotel 5 Cult Adaptations 5 Exploitation as Adaptation 6 Erotic Inferno 7 Tolkien Dirty 8 From Adaptat



Filmmaking by the Book : Italian Cinema and Literary Adaptation

Автор: Marcus, Millicent
Название: Filmmaking by the Book : Italian Cinema and Literary Adaptation
ISBN: 080184455X ISBN-13(EAN): 9780801844553
Издательство: Wiley
Рейтинг:
Цена: 4356.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: Each of the filmmakers studied here define their own authorial task in relation to that of the literary precursor, and insert "umbilicalscenes or "allegories of adaptationto teach viewers how to read their cinematic rewriting of literary sources.

Weimar Film and Modern Jewish Identity

Автор: Ashkenazi Ofer
Название: Weimar Film and Modern Jewish Identity
ISBN: 0230341365 ISBN-13(EAN): 9780230341364
Издательство: Springer
Рейтинг:
Цена: 11878.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: In reading popular films of the Weimar Republic as candid commentaries on Jewish acculturation, Ofer Ashkenzi provides an alternative context for a re-evaluation of the infamous `German-Jewish symbiosis` before the rise of Nazism, as well as a new framework for the understanding of the German `national` film in the years leading to Hitler`s regime.


ООО "Логосфера " Тел:+7(495) 980-12-10 www.logobook.ru
   В Контакте     В Контакте Мед  Мобильная версия