Adaptation and the Avant-Garde: Alternative Perspectives on Adaptation Theory and Practice 9781623562885

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Автор: William Verrone
Название: Adaptation and the Avant-Garde: Alternative Perspectives on Adaptation Theory and Practice
ISBN: 9781623562885
Издательство: Bloomsbury Academic
Классификация:

Теория и критика кино

ISBN-10: 1623562880
Обложка/Формат: Paperback
Страницы: 288
Вес: 0.44 кг.
Дата издания: 23.05.2013
Серия: Arts
Язык: English
Иллюстрации: Black & white illustrations
Размер: 228 x 148 x 16
Читательская аудитория: General (us: trade)
Ключевые слова: Films, cinema,Film theory & criticism, PERFORMING ARTS / Film & Video / General,PERFORMING ARTS / Film & Video / History & Criticism
Основная тема: Film theory & criticism,PERFORMING ARTS / Film & Video / History & Criticism,PERFORMING ARTS / Film & Video / General,Films, cinema
Подзаголовок: Alternative perspectives on adaptation theory and practice
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Поставляется из: Англии
Описание: Adaptations have occurred regularly since the beginning of cinema, but little recognition has been given to avant-garde adaptations of literary or other texts. This compelling study corrects such omissions by detailing the theory and practice of alternative adaptation practices from major avant-garde directors. Avant-Garde films are often relegated to the margins because they challenge our traditional notions of what film form and style can accomplish. Directors who choose to adapt previous material run the risk of severe critical dismay; making films that are highly subjective interpretations or representations of existing texts takes courage and foresight. An avant-garde adaptation provokes spectators by making them re-think what they know about film itself, just as much as the previous source material. Adaptation and the Avant-Garde examines films by Peter Greenaway, Jean-Luc Godard, Guy Maddin, Jan Svankmajer and many others, offering illuminating insights and making us reconsider the nature of adaptation, appropriation, borrowing, and the re-imagining of previous sources.
Дополнительное описание: IntroductionPart I Chapter 1: Defining the Avant-Garde Film Chapter 2: Adaptation Theory and Practice Chapter 3: Appropriation Chapter 4: The Exploitative Adaptation Chapter 5: Why Avant-garde?Part II Chapter 6: A Brief Narrative History of Avant

Adaptation and the Avant-Garde: Alternative Perspectives on Adaptation Theory and Practice, William Verrone