Ex-centric Cinema: Giorgio Agamben and Film Archaeology 9781628922424

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Автор: Janet Harbord
Название: Ex-centric Cinema: Giorgio Agamben and Film Archaeology
ISBN: 9781628922424
Издательство: Bloomsbury Academic
Классификация:

Теория и критика кино

ISBN-10: 1628922427
Обложка/Формат: Hardback
Страницы: 272
Вес: 0.55 кг.
Дата издания: 20.10.2016
Серия: Thinking cinema
Язык: English
Иллюстрации: 10 bw illus
Размер: 231 x 152 x 25
Читательская аудитория: College/higher education
Ключевые слова: Film theory & criticism,Philosophy, PERFORMING ARTS / Film & Video / History & Criticism,PHILOSOPHY / General
Основная тема: Film theory & criticism,PERFORMING ARTS / Film & Video / History & Criticism,PHILOSOPHY / General,Philosophy
Подзаголовок: Giorgio agamben and film archaeology
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Поставляется из: Англии
Описание: In the beginning, cinema was an encounter between humans, images and machine technology, revealing a stream of staccato gestures, micrographic worlds, and landscapes seen from above and below. In this sense, cinemas potency was its ability to bring other, non-human modes of being into view, to forge an encounter between multiple realities that nonetheless co-exist. Yet the story of cinema became (through its institutionalization) one in which the human swiftly assumed centrality through the literary crafting of story, character and the expression of interiority. Ex-centric Cinema takes an archaeological approach to the study of cinema through the writings of philosopher Giorgio Agamben, arguing that whilst we have a century-long tradition of cinema, the possibility of what cinema may have become is not lost, but co-exists in the present as an unexcavated potential. The term given to this history is ex-centric cinema, describing a centre-less moving image culture where animals, children, ghosts and machines are privileged vectors, where film is always an incomplete project, and where audiences are a coming community of ephemeral connections and links. Discussing such filmmakers as Harun Farocki, the Lumiere Brothers, Guy Debord and Wong Kar-wai, Janet Harbord draws connections with Agamben to propose a radically different way of thinking about cinema.
Дополнительное описание: Introduction 1 Ex-centric Cinema: An Archaeological Method 2 Mute Cinema: Gesture and the Impression of Character 3 Animal: Cinema as an Anthropological Machine 4 Profaning the Cinematic: Children, Assistants, Ghosts 5 Conditions of Cinematic Possib

Ex-centric Cinema: Giorgio Agamben and Film Archaeology, Janet Harbord