Masculinity and the Paradox of Violence in American Fiction, 1950-75, Maggie McKinley
Автор: Ferrebe Название: Masculinity in Male-Authored Fiction, 1950-2000 ISBN: 1403945500 ISBN-13(EAN): 9781403945501 Издательство: Springer Рейтинг: Цена: 12577.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Tracing the influence of masculinity on fictional form and theme through an era of social change, this book conducts a close analysis of English novels selected for contrasting definitions of the male gender. The literary period since 1950 is interpreted as one of intense political and stylistic negotiation by male authors.
Автор: McDermott, Monika L., Название: Masculinity, femininity, and American political behavior / ISBN: 0190462817 ISBN-13(EAN): 9780190462819 Издательство: Oxford Academ Рейтинг: Цена: 4750.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book presents a unique analysis of the effects of individuals` gendered personality traits on their political attitudes and behavior. The empirical analyses demonstrate that, regardless of biological sex, individuals levels of masculine and feminine personality traits help to determine their party identification, vote choice, ideology, and political engagement.
Masculinity and the Paradox of Violence in American Fiction, 1950-75 explores the intersections of violence, masculinity, and racial and ethnic tension in America as it is depicted in the fiction of Ralph Ellison, Richard Wright, Norman Mailer, Saul Bellow, James Baldwin, and Philip Roth.
Maggie McKinley reconsiders the longstanding association between masculinity and violence, locating a problematic paradox within works by these writers: as each author figures violence as central to the establishment of a liberated masculine identity, the use of this violence often reaffirms many constricting and emasculating cultural myths and power structures that the authors and their protagonists are seeking to overturn.
In Fighting for Recognition, R. Tyson Smith enters the world of independent professional wrestling, a community-based entertainment staged in community centers, high school gyms, and other modest venues. Like the big-name, televised pro wrestlers who originally inspired them, indie wrestlers engage in choreographed fights in character. Smith details the experiences, meanings, and motivations of the young men who wrestle as "Lethal" or "Southern Bad Boy," despite receiving little to no pay and risking the possibility of serious and sometimes permanent injury. Exploring intertwined issues of gender, class, violence, and the body, he sheds new light on the changing sources of identity in a postindustrial society that increasingly features low wages, insecure employment, and fragmented social support. Smith uncovers the tensions between strength and vulnerability, pain and solidarity, and homophobia and homoeroticism that play out both backstage and in the ring as the wrestlers seek recognition from fellow performers and devoted fans.
In Fighting for Recognition, R. Tyson Smith enters the world of independent professional wrestling, a community-based entertainment staged in community centers, high school gyms, and other modest venues. Like the big-name, televised pro wrestlers who originally inspired them, indie wrestlers engage in choreographed fights in character. Smith details the experiences, meanings, and motivations of the young men who wrestle as "Lethal" or "Southern Bad Boy," despite receiving little to no pay and risking the possibility of serious and sometimes permanent injury. Exploring intertwined issues of gender, class, violence, and the body, he sheds new light on the changing sources of identity in a postindustrial society that increasingly features low wages, insecure employment, and fragmented social support. Smith uncovers the tensions between strength and vulnerability, pain and solidarity, and homophobia and homoeroticism that play out both backstage and in the ring as the wrestlers seek recognition from fellow performers and devoted fans.
Описание: At the heart of all crime fiction is an investigation into an act of intentional violence. The variance, evolution, splintering, and reimagining of the genre all lie in the method and outcome of the investigation and the dynamic between investigator, criminal, and victim. The understanding and portrayal of the relationship between criminal, victim, and investigator often reflect current social concerns, perceptions, and realities. While the narratives and the scholars who study them have generally centered on the criminal and the investigator, the victims and their bodies also reflect changing social and political landscapes.This book brings together nine scholars of Latin American and Peninsular Spanish crime fiction who explore the role of the victim in crime fiction from the Spanish-speaking world. The authors highlight how the definition of “victim,” the identification of the body, the nature of the crime, and the treatment afforded the corpse by the authorities and/or by the narrative, reflect societies coping with changing demographics, drug wars, economic crisis, and political corruption and instability.While the challenges above are not unique to the Spanish speaking world, the spotlight on the victim is a relatively new line of inquiry in the field of crime fiction of interest to readers and scholars of Hispanic crime fiction and popular culture studies.
Автор: Keener, Joseph B. Название: Shakespeare and masculinity in southern fiction ISBN: 0230603203 ISBN-13(EAN): 9780230603202 Издательство: Springer Рейтинг: Цена: 9083.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The book advances the idea that American, Southern, white, planter class authors have appropriated models and modes of masculinity from William Shakespeare. Keener traces the history of this appropriation and its attendant masculinities from authors as early as William Gilmore Simms, through Thomas Nelson Page and Thomas Dixon, to William Faulkner.
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