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When Genres Collide: Down Beat, Rolling Stone, and the Struggle between Jazz and Rock, Matt Brennan


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Автор: Matt Brennan
Название:  When Genres Collide: Down Beat, Rolling Stone, and the Struggle between Jazz and Rock
ISBN: 9781501319020
Издательство: Bloomsbury Academic
Классификация:


ISBN-10: 1501319027
Обложка/Формат: Hardback
Страницы: 256
Вес: 0.55 кг.
Дата издания: 23.02.2017
Серия: Alternate takes: critical responses to popular music
Язык: English
Издание: Hardback
Иллюстрации: Illustrations
Размер: 160 x 235 x 23
Читательская аудитория: Tertiary education (us: college)
Ключевые слова: Theory of music & musicology,Music: styles & genres,Rock & Pop music, MUSIC / Genres & Styles / Jazz,MUSIC / Genres & Styles / Rock,MUSIC / History & Criticism
Основная тема: Music: styles & genres,MUSIC / History & Criticism,MUSIC / Genres & Styles / Jazz,MUSIC / Genres & Styles / Rock,Theory of music & musicology,Rock & Pop music
Подзаголовок: Down beat, rolling stone, and the struggle between jazz and rock
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Поставляется из: Англии
Описание: In an essay on the future of jazz penned in 1955, Duke Ellington suggested that the new music called rock ‘n’ roll “is the most raucous form of jazz, beyond a doubt.” So why did jazz and rock become separate genres when they shared so many similar musical and cultural characteristics? The rift between jazz and rock - and jazz and rock scholarship - is based on a set of received assumptions as to why jazz and rock are different. In When Genres Collide, Matt Brennan argues that there are other ways popular music history could have been written (and has been written) that call the oppositional representation of jazz and rock into question. The book challenges the traditional divide between jazz and rock by going back to how they were first covered in the two oldest surviving and most influential jazz and rock periodicals: Down Beat and Rolling Stone. It examines afresh the critical moments in history when the trajectories and meanings of jazz and rock intersected, overlapped, or collided in dramatic ways. Ultimately, the book shows how music critics gradually constructed a divide between the two genres that would be replicated for decades to come in both music journalism and music scholarship. This book will be valuable to the fields of both popular music studies and jazz studies, and in fact aims to bridge a gap between these two musical worlds.
Дополнительное описание: Introduction Chapter 1 Early American Jazz as the Precursor to Rock ‘n’ Roll Chapter 2 Down Beat and Mid-Century Popular Music Coverage Chapter 3 The American Jazz Press Covers Rock Chapter 4 The Birth of Rolling Stone Ch



San Francisco and the Long 60s

Автор: Sarah Hill
Название: San Francisco and the Long 60s
ISBN: 1628924209 ISBN-13(EAN): 9781628924206
Издательство: Bloomsbury Academic
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Цена: 22176.00 р.
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Описание: San Francisco and the Long 60s tells the fascinating story of the legacy of popular music in San Francisco between the years 1965-69. It is also a chronicle of the impact this brief cultural flowering has continued to have in the city - and more widely in American culture - right up to the present day. The aim of San Francisco and the Long 60s is to question the standard historical narrative of the time, situating the local popular music of the 1960s in the city's contemporary artistic and literary cultures: at once visionary and hallucinatory, experimental and traditional, singular and universal. These qualities defined the aesthetic experience of the local culture in the 1960s, and continue to inform the cultural and social life of the Bay Area even fifty years later.

The brief period 1965-69 marks the emergence of the psychedelic counterculture in the Haight-Ashbury neighbourhood, the development of a local musical 'sound' into a mainstream international 'style', the mythologizing of the Haight-Ashbury as the destination for 'seekers' in the Summer of Love, and the ultimate dispersal of the original hippie community to outlying counties in the greater Bay Area and beyond. San Francisco and the Long 60s charts this period with the references to received historical accounts of the time, the musical, visual and literary communications from the counterculture, and retrospective glances from members of the 1960s Haight community via extensive first-hand interviews.

For more information, read Sarah Hill's blog posts here:

http: //blogs.cardiff.ac.uk/musicresearch/2014/05/15/san-francisco-and-the-long-60s
http: //blogs.cardiff.ac.uk/musicresearch/2014/08/22/city-scale/
http: //blogs.cardiff.ac.uk/musicresearch/2015/07/21/fare-thee-well/

Negotiated Moments: Improvisation, Sound, and Subjectivity

Автор: Siddall Gillian, Waterman Ellen
Название: Negotiated Moments: Improvisation, Sound, and Subjectivity
ISBN: 0822360969 ISBN-13(EAN): 9780822360964
Издательство: Mare Nostrum (Eurospan)
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Цена: 5010.00 р.
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Описание:

The contributors to Negotiated Moments explore how subjectivity is formed and expressed through musical improvisation, tracing the ways the transmission and reception of sound occur within and between bodies in real and virtual time and across memory, history, and space. They place the gendered, sexed, raced, classed, disabled, and technologized body at the center of critical improvisation studies and move beyond the field's tendency toward celebrating improvisation's utopian and democratic ideals by highlighting the improvisation of marginalized subjects. Rejecting a singular theory of improvisational agency, the contributors show how improvisation helps people gain hard-won and highly contingent agency. Essays include analyses of the role of the body and technology in performance, improvisation's ability to disrupt power relations, Pauline Oliveros's ideas about listening, flautist Nicole Mitchell's compositions based on Octavia Butler's science fiction, and an interview with Judith Butler about the relationship between her work and improvisation. The contributors' close attention to improvisation provides a touchstone for examining subjectivities and offers ways to hear the full spectrum of ideas that sound out from and resonate within and across bodies. 

Contributors. George Blake, David Borgo, Judith Butler, Rebecca Caines, Louise Campbell, Illa Carrillo Rodríguez, Berenice Corti, Andrew Raffo Dewar, Nina Eidsheim, Tomie Hahn, Jaclyn Heyen, Christine Sun Kim, Catherine Lee, Andra McCartney, Tracy McMullen, Kevin McNeilly, Leaf Miller, Jovana Milovic, François Mouillot, Pauline Oliveros, Jason Robinson, Neil Rolnick, Simon Rose, Gillian Siddall, Julie Dawn Smith, Jesse Stewart, Clara Tomaz, Sherrie Tucker, Lindsay Vogt, Zachary Wallmark, Ellen Waterman, David Whalen, Pete Williams, Deborah Wong, Mandy-Suzanne Wong

Negotiated Moments: Improvisation, Sound, and Subjectivity

Автор: Gillian Siddall, Ellen Waterman
Название: Negotiated Moments: Improvisation, Sound, and Subjectivity
ISBN: 0822360829 ISBN-13(EAN): 9780822360827
Издательство: Mare Nostrum (Eurospan)
Рейтинг:
Цена: 20058.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание:

The contributors to Negotiated Moments explore how subjectivity is formed and expressed through musical improvisation, tracing the ways the transmission and reception of sound occur within and between bodies in real and virtual time and across memory, history, and space. They place the gendered, sexed, raced, classed, disabled, and technologized body at the center of critical improvisation studies and move beyond the field's tendency toward celebrating improvisation's utopian and democratic ideals by highlighting the improvisation of marginalized subjects. Rejecting a singular theory of improvisational agency, the contributors show how improvisation helps people gain hard-won and highly contingent agency. Essays include analyses of the role of the body and technology in performance, improvisation's ability to disrupt power relations, Pauline Oliveros's ideas about listening, flautist Nicole Mitchell's compositions based on Octavia Butler's science fiction, and an interview with Judith Butler about the relationship between her work and improvisation. The contributors' close attention to improvisation provides a touchstone for examining subjectivities and offers ways to hear the full spectrum of ideas that sound out from and resonate within and across bodies. 

Contributors. George Blake, David Borgo, Judith Butler, Rebecca Caines, Louise Campbell, Illa Carrillo Rodríguez, Berenice Corti, Andrew Raffo Dewar, Nina Eidsheim, Tomie Hahn, Jaclyn Heyen, Christine Sun Kim, Catherine Lee, Andra McCartney, Tracy McMullen, Kevin McNeilly, Leaf Miller, Jovana Milovic, François Mouillot, Pauline Oliveros, Jason Robinson, Neil Rolnick, Simon Rose, Gillian Siddall, Julie Dawn Smith, Jesse Stewart, Clara Tomaz, Sherrie Tucker, Lindsay Vogt, Zachary Wallmark, Ellen Waterman, David Whalen, Pete Williams, Deborah Wong, Mandy-Suzanne Wong


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