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Conceived in Modernism: The Aesthetics and Politics of Birth Control, Aimee Armande Wilson


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Автор: Aimee Armande Wilson
Название:  Conceived in Modernism: The Aesthetics and Politics of Birth Control
ISBN: 9781501307133
Издательство: Bloomsbury Academic
Классификация:



ISBN-10: 1501307134
Обложка/Формат: Hardback
Страницы: 176
Вес: 0.36 кг.
Дата издания: 17.12.2015
Серия: Literature/Literary Studies
Язык: English
Иллюстрации: 1 b/w illustration
Размер: 216 x 140 x 11
Читательская аудитория: Tertiary education (us: college)
Ключевые слова: Literary studies: fiction, novelists & prose writers,Feminism & feminist theory,Gender studies: women, LITERARY CRITICISM / Comparative Literature,LITERARY CRITICISM / Feminist,LITERARY CRITICISM / Women Authors
Основная тема: Literary studies: fiction, novelists & prose writers,LITERARY CRITICISM / Women Authors,LITERARY CRITICISM / Comparative Literature,LITERARY CRITICISM / Feminist,Gender studies: women,Feminism & feminist theory
Подзаголовок: The aesthetics and politics of birth control
Рейтинг:
Поставляется из: Англии
Описание: Current debates about birth control can be surprisingly volatile, especially given the near-universal use of contraception among American and British women. Conceived in Modernism: The Aesthetics and Politics of Birth Control offers a new perspective on these debates by demonstrating that the political positions surrounding birth control have roots in literary concerns, specifically those of modernist writers. Whereas most scholarship treats modernism and birth control activism as parallel, but ultimately separate, movements, Conceived in Modernism shows that they were deeply intertwined. This book argues not only that literary concerns exerted a lasting influence on the way activists framed the emerging politics of contraception, but that birth control activism helped shape some of modernism’s most innovative concepts. By revealing the presence of literary aesthetics in the discourse surrounding birth control, Conceived in Modernism helps us see this discourse as a variable facet rather than a permanent bulwark of reproductive rights debates.
Дополнительное описание: Introduction Chapter 1: Modernism, Monsters, and Margaret Sanger Chapter 2: “God spoke with me to-day”: Prophecy, Birth Control, and The Waste Land Chapter 3: “Sentences swelled, adjectives multiplied”: Reproduction and the Modernist Aesthetic Chap



Race, Maternity, and the Politics of Birth Control in South Africa, 1910-39

Автор: Klausen
Название: Race, Maternity, and the Politics of Birth Control in South Africa, 1910-39
ISBN: 1403934525 ISBN-13(EAN): 9781403934529
Издательство: Springer
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Цена: 14673.00 р.
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Описание: It examines the nature and achievements of the South African birth-control movement in pre-apartheid South Africa, including the establishment of voluntary birth-control organizations in urban centres, the national birth-control coalition, and the clinic practices of the country`s first birth-control clinics.

Spoiled Distinctions: Aesthetics and the Ordinary in French Modernism

Автор: Freed-Thall Hannah
Название: Spoiled Distinctions: Aesthetics and the Ordinary in French Modernism
ISBN: 0190201029 ISBN-13(EAN): 9780190201029
Издательство: Oxford Academ
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Цена: 7047.00 р.
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Описание: Spoiled Distinctions charts twentieth-century experiments in the aesthetics of the ordinary, arguing that Proust and his literary and philosophical successors (Francis Ponge, Nathalie Sarraute, Yasmina Reza, Pierre Bourdieu, and Roland Barthes, among others) multiply strategies for reading and valuing the everyday.

Modernism, Mass Culture, and the Aesthetics of Obscenity

Автор: Pease
Название: Modernism, Mass Culture, and the Aesthetics of Obscenity
ISBN: 052110095X ISBN-13(EAN): 9780521100953
Издательство: Cambridge Academ
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Цена: 6176.00 р.
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Описание: This book explores the relationship between art and pornography from the eighteenth to the twentieth century. Allison Pease focuses on how writers such as Swinburne, Joyce and Lawrence and artist Aubrey Beardsley shifted the boundaries between aesthetics and pornography first established in the 1700s to reinforce class distinctions.


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