Movement as Meaning in Experimental Cinema: The Musical Poetry of Motion Pictures Revisited 9781501329845

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Автор: Daniel Barnett
Название: Movement as Meaning in Experimental Cinema: The Musical Poetry of Motion Pictures Revisited
ISBN: 9781501329845
Издательство: Bloomsbury Academic
Классификация:

Теория и критика кино

Кино: стили и жанры

ISBN-10: 1501329847
Обложка/Формат: Hardback
Страницы: 344
Вес: 0.64 кг.
Дата издания: 10.08.2017
Серия: Arts
Язык: English
Иллюстрации: 30 bw illus
Размер: 231 x 155 x 28
Читательская аудитория: Tertiary education (us: college)
Ключевые слова: Film theory & criticism,Film: styles & genres, ART / Film & Video,PERFORMING ARTS / Film & Video / History & Criticism,PHILOSOPHY / Aesthetics
Основная тема: Film: styles & genres,PERFORMING ARTS / Film & Video / History & Criticism,PHILOSOPHY / Aesthetics,ART / Film & Video,Film theory & criticism
Подзаголовок: The musical poetry of motion pictures revisited
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Поставляется из: Англии
Описание: Movement as Meaning in Experimental Cinema offers sweeping and cogent arguments as to why analytic philosophers should take experimental cinema seriously as a medium for illuminating mechanisms of meaning in language. Using the analogy of the movie projector, Barnett deconstructs all communication acts into functions of interval, repetition and context. He describes how Wittgensteins concepts of family resemblance and language games provide a dynamic perspective on the analysis of acts of reference. He then develops a hyper-simplified formula of movement as meaning to discuss, with true equivalence, the process of reference as it occurs in natural language, technical language, poetic language, painting, photography, music, and of course, cinema. Barnett then applies his analytic technique to an original perspective on cine-poetics based on Paul Valerys concept of omnivalence, and to a projection of how this style of analysis, derived from analog cinema, can help us clarify our view of the digital mediasphere and its relation to consciousness. Informed by the philosophy of Quine, Dennett, Merleau-Ponty as well as the later work of Wittgenstein, among others, he uses the film work of Stan Brakhage, Tony Conrad, A.K. Dewdney, Nathaniel Dorsky, Ken Jacobs, Owen Land, Saul Levine, Gregory Markopoulos Michael Snow, and the poetry of Basho, John Cage, John Cayley and Paul Valery to illustrate the power of his unique perspective on meaning.
Дополнительное описание: Foreword: Where does this book belong? Preface: Arriving at the scene Introduction: Two pictures of a rose in the dark Part I: Modes of Perception and Modes of Expression 1. First ideas in a new medium: the cinematic suspension of disbelief 2. One

Movement as Meaning in Experimental Cinema: The Musical Poetry of Motion Pictures Revisited, Daniel Barnett