Yoko Kanno`s Cowboy Bebop Soundtrack, Rose Bridges

THE ANIME TV SERIES AND MOVIE

by Jeremy Mark Robinson

Sex + drugs + rock music + comedy + Westerns + crime + drifter lifestyles + space battles + bars + casinos + fashion - and more music - what's not to like in Cowboy Bebop? - and how it wittily and cleverly mixes all of those elements, and many more.

This book focusses on the celebrated, hugely entertaining, cult 26-episode Japanese anime TV series Cowboy Bebop (1998), as well as the 2001 movie of the series. Cowboy Bebop is one of the masterpieces of animation of recent times.

That Cowboy Bebop (first broadcast in 1998, and produced by Sunrise (a subsidiary of Bandai) and TV Tokyo), is a fan favourite goes without saying. It is a masterpiece of storytelling, invention, design and production on every level. It is unique. It regularly features in top ten lists of anime favourites, and sometimes tops the lists. Easy to see why: it's got everything, and then some.

Includes chapters on the Japanese animation industry; on the personnel and the production of Cowboy Bebop; on the style, world and music of the series; and its many cultural links.

At the centre of this book is an episode guide to Cowboy Bebop, running through every show in great detail.

There is a chapter on the movie of Cowboy Bebop, released in 2001.

The appendices include accounts of shows and manga linked to Cowboy Bebop (such as Macross Plus, Samurai Champloo and samurai manga).

Includes: filmographies; resources; video and DVD availability; quotes from fans on Cowboy Bebop.

Fully illustrated, including many images of the series and the movie, the actors and personnel, and related anime shows. Bibliography and notes.

The hardcover edition comes in a smart case laminate cover, with a matte finish, in full colour.

ISBN 9781861715678. 436 pages. www.crmoon.com

Drawing on over five years of research in Iran, including during the 2009 protests, Nahid Siamdoust introduces a full cast of characters, from musicians and audience members to state officials, and takes readers into concert halls and underground performances, as well as the state licensing and censorship offices. She closely follows the work of four musicians--a giant of Persian classical music, a government-supported pop star, a rebel rock-and-roller, and an underground rapper--each with markedly different political views and relations with the Iranian government. Taken together, these examinations of musicians and their music shed light on issues at the heart of debates in Iran--about its future and identity, changing notions of religious belief, and the quest for political freedom.

Siamdoust shows that even as state authorities resolve, for now, to allow greater freedoms to Iran's majority young population, they retain control and can punish those who stray too far. But music will continue to offer an opening for debate and defiance. As the 2009 Green Uprising and the 1979 Revolution before it have proven, the invocation of a potent melody or musical verse can unite strangers into a powerful public.

Drawing on over five years of research in Iran, including during the 2009 protests, Nahid Siamdoust introduces a full cast of characters, from musicians and audience members to state officials, and takes readers into concert halls and underground performances, as well as the state licensing and censorship offices. She closely follows the work of four musicians--a giant of Persian classical music, a government-supported pop star, a rebel rock-and-roller, and an underground rapper--each with markedly different political views and relations with the Iranian government. Taken together, these examinations of musicians and their music shed light on issues at the heart of debates in Iran--about its future and identity, changing notions of religious belief, and the quest for political freedom.

Siamdoust shows that even as state authorities resolve, for now, to allow greater freedoms to Iran's majority young population, they retain control and can punish those who stray too far. But music will continue to offer an opening for debate and defiance. As the 2009 Green Uprising and the 1979 Revolution before it have proven, the invocation of a potent melody or musical verse can unite strangers into a powerful public.