Mixed Race Cinemas: Multiracial Dynamics in America and France 9781501312458

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Автор: Z?lie Asava
Название: Mixed Race Cinemas: Multiracial Dynamics in America and France
ISBN: 9781501312458
Издательство: Bloomsbury Academic
Классификация:

Теория и критика кино

Кинорежиссёры, кинопродюсеры

Этнические меньшинства и мультикультурные исследования

ISBN-10: 1501312456
Обложка/Формат: Hardback
Страницы: 216
Вес: 0.47 кг.
Дата издания: 07.09.2017
Серия: Arts
Язык: English
Иллюстрации: 10 bw illus
Размер: 159 x 241 x 22
Читательская аудитория: Tertiary education (us: college)
Ключевые слова: Film theory & criticism,Individual film directors, film-makers, PERFORMING ARTS / Film & Video / History & Criticism,SOCIAL SCIENCE / Discrimination & Race Relations
Основная тема: Film theory & criticism,PERFORMING ARTS / Film & Video / History & Criticism,SOCIAL SCIENCE / Discrimination & Race Relations,Individual film directors, film-makers
Подзаголовок: Multiracial dynamics in america and france
Рейтинг:
Поставляется из: Англии
Описание: Using critical race theory and film studies to explore the interconnectedness between cinema and society, Z lie Asava traces the history of mixed-race representations in American and French filmmaking from early and silent cinema to the present day. Mixed Race Cinemas covers over a hundred years of filmmaking to chart the development of (black/white) mixed representations onscreen. With the 21st century being labelled the Mulatto Millennium, mixed bodies are more prevalent than ever in the public sphere, yet all too often they continue to be positioned as exotic, strange and otherworldly, according to tragic mulatto tropes. This book evaluates the potential for moving beyond fixed racial binaries both onscreen and off by exploring actors and characters who embody the in-between. Through analyses of over 40 movies, and case studies of key films from the 1910s on, Mixed Race Cinemas illuminates landmark shifts in local and global cinema, exploring discourses of subjectivity, race, gender, sexuality and class. In doing so, it reveals the similarities and contrasts between American and French cinema in relation to recognising, visualising and constructing mixedness. Mixed Race Cinemas contextualizes and critiques raced and post-race visual culture, using cinematic representations to illustrate changing definitions of mixed identity across different historical and geographical contexts.
Дополнительное описание: Introduction One: Mixed-Race Representation in Early Silent and Sound Cinema Two: The Limits of the Classic Hollywood ‘Tragic Mulatto’ Three: Cultural Shifts: New Waves in Racial Representation Four: ‘Passing’ Narratives in Contemporary Cinema Five:

Mixed Race Cinemas: Multiracial Dynamics in America and France, Z?lie Asava