Satirizing Modernism: Aesthetic Autonomy, Romanticism, and the Avant-Garde 9781501329081

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Автор: Emmett Stinson
Название: Satirizing Modernism: Aesthetic Autonomy, Romanticism, and the Avant-Garde
ISBN: 9781501329081
Издательство: Bloomsbury Academic
Классификация:

Теория литературы

Литературоведение: с 1900 г.

Литературоведение: художественная литература, романисты и прозаики

ISBN-10: 1501329081
Обложка/Формат: Hardback
Страницы: 232
Вес: 0.50 кг.
Дата издания: 01.06.2017
Серия: Literature/Literary Studies
Язык: English
Иллюстрации: 2 bw illus
Размер: 159 x 238 x 24
Читательская аудитория: Tertiary education (us: college)
Ключевые слова: Literary theory,Literary studies: from c 1900 -,Literary studies: fiction, novelists & prose writers, LITERARY CRITICISM / Gothic & Romance,LITERARY CRITICISM / Semiotics & Theory
Основная тема: Literary theory,LITERARY CRITICISM / Semiotics & Theory,LITERARY CRITICISM / Gothic & Romance,Literary studies: from c 1900 -,Literary studies: fiction, novelists & prose writers
Подзаголовок: Aesthetic autonomy, romanticism, and the avant-garde
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Поставляется из: Англии
Описание: Satirizing Modernism examines 20th-century novels that satirize avant-garde artists and authors while also using experimental techniques associated with literary modernism. These novels—such as Wyndham Lewis’s The Apes of God, William Gaddis’s The Recognitions, and Gilbert Sorrentino’s Imaginative Qualities of Actual Things—were under-recognized and received poor reviews at the time of publication, but have increasingly been acknowledged as both groundbreaking and deeply influential. Satirizing Modernism analyzes these novels in order to present an alternative account of literary modernism, which should be viewed neither as a radical break with the past nor an outmoded set of aesthetics overtaken by a later postmodernism. In self-reflexively critiquing their own aesthetics, these works express an unconventional modernism that both revises literary history and continues to be felt today.
Дополнительное описание: Acknowledgments 1. Introduction: Autonomy, Satire, Romanticism, Avant-Garde 2. The Romantic Satire of Romanticism: Thomas Love Peacock’s Nightmare Abbey 3. Modernism Against Itself: Wyndham Lewis’s The Apes of God 4. Exhausting Modernism: Satire, Subl

Satirizing Modernism: Aesthetic Autonomy, Romanticism, and the Avant-Garde, Emmett Stinson