Supercell`s Supercell featuring Hatsune Miku 9781501325984

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Автор: Keisuke Yamada
Название: Supercell`s Supercell featuring Hatsune Miku
ISBN: 9781501325984
Издательство: Bloomsbury Academic
Классификация:

Теория музыки и музыковедение

Музыкальные обзоры и критика

Музыка: стили и жанры

Электронная музыка

Исследования азиатских и африканских этнических групп

Воздействие науки и технологии на общество

Социальные сети

ISBN-10: 1501325981
Обложка/Формат: Hardback
Страницы: 128
Вес: 0.26 кг.
Дата издания: 10.08.2017
Серия: 33 1/3 japan
Язык: English
Издание: Hpod
Иллюстрации: 1 bw illus
Размер: 134 x 210 x 15
Читательская аудитория: Tertiary education (us: college)
Ключевые слова: Theory of music & musicology,Music reviews & criticism,Music: styles & genres,Black & Asian studies, MUSIC / Genres & Styles / Electronic,MUSIC / History & Criticism,MUSIC / Individual Composer & Musician
Основная тема: Music reviews & criticism,MUSIC / History & Criticism,MUSIC / Individual Composer & Musician,MUSIC / Genres & Styles / Electronic,Theory of music & musicology,Music: styles & genres,Black & Asian studies
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Поставляется из: Англии
Описание: This book explores the circulatory culture of fan production and consumption, as embodied by Vocaloids (voice-synthesized virtual characters) and the DTM (desktop music) phenomena, through a close reading of Supercell (2009). This album, the first by Japanese group Supercell, features Hatsune Miku, the Vocaloid character created by Crypton Future Media with voice synthesizers. She is a virtual pop superstar, “singing” in over 100,000 songs uploaded by fans. Supercell consists of eleven members: Ryo, the leader and composer, and ten artists who design album illustrations and make the music videos that are uploaded onto Niconico and other video sharing sites. Prior to releasing Supercell in March 2009, their works using Crypton’s technology had already become well known to Niconico users and to fan circles (doujin). The book examines these issues through the lenses of media and fan studies. The first section of the book focuses on the environmental conditions, or settings— online social media platforms, the new technology for composing, dedicated fans of the Vocaloid characters—that support the activities of these creators. The second section explores Supercell and their works as case studies of Vocaloid use. In its entirety, the book will offer an in-depth discussion of the concepts of participatory culture (Jenkins 2006), database consumption, and derivative works (Azuma 2009). These concepts explain the processes by which the Vocaloid/DTM culture and its fan communities have developed, and by which its creators have been empowered and its works enriched among the circles. The final section analyzes Hatsune Miku’s live performance of Supercell’s works as a 3-D hologram and the performative practices of avid fans in public spaces. In summary, the book provides readers with a sense of how interactive new media and an empowered fan base combine to engage in the creation processes and enhance the circulation of DTM works.
Дополнительное описание: Acknowledgements Notes on Japanese Names and Translations Introduction Part I: Settings Chapter 1. Hatsune Miku and DTM Culture Chapter 2. How Creative Is the “Playground”? Niconico, Piapro, and Dojin Circles Part II: Supercell Chapter 3. Super

Supercell`s Supercell featuring Hatsune Miku, Keisuke Yamada