Costume in Performance: Materiality, Culture, and the Body 9780857855107

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Автор: Donatella Barbieri
Название: Costume in Performance: Materiality, Culture, and the Body
ISBN: 9780857855107
Издательство: Bloomsbury Academic
Классификация:

Перформанс

Мода и текстиль: дизайн

История моды

Театроведение

Театр: техническое и художественное сопровождение

ISBN-10: 0857855107
Обложка/Формат: Paperback
Страницы: 264
Вес: 1.86 кг.
Дата издания: 29.06.2017
Серия: Arts
Язык: English
Иллюстрации: 195 colour illus
Размер: 192 x 246 x 23
Читательская аудитория: College/higher education
Ключевые слова: Performance art,Fashion & textiles: design,History of fashion,Theatre studies,Theatre: technical & background skills, ART / Performance,DESIGN / Fashion,DESIGN / Textile & Costume,PERFORMING ARTS / Theater / Miming
Основная тема: Fashion & textiles: design,ART / Performance,DESIGN / Fashion,DESIGN / Textile & Costume,PERFORMING ARTS / Theater / Miming,Theatre studies,Performance art,Theatre: technical & background skills,History of fashion
Подзаголовок: Materiality, culture, and the body
Рейтинг:
Поставляется из: Англии
Описание: This beautifully illustrated book conveys the centrality of costume to live performance. Finding associations between contemporary practices and historical manifestations, costume is explored in six thematic chapters, examining the transformative ritual of costuming; choruses as reflective of society; the grotesque, transgressive costume; the female sublime as emancipation; costume as sculptural art in motion; and the here-and-now as history. Viewing the material costume as a crucial aspect in the preparation, presentation and reception of live performance, the book brings together costumed performances through history. These range from ancient Greece to modern experimental productions, from medieval theatre to modernist dance, from the ‘fashion plays’ to contemporary Shakespeare, marking developments in both culture and performance. Revealing the relationship between dress, the body and human existence, and acknowledging a global as well as an Anglo and Eurocentric perspective, this book shows costume’s ability to cross both geographical and disciplinary borders. Through it, we come to question the extent to which the material costume actually co-authors the performance itself, speaking of embodied histories, states of being and never-before imagined futures, which come to life in the temporary space of the performance. With a contribution by Melissa Trimingham, University of Kent, UK
Дополнительное описание: Preface Introduction 1 The First Costume: Ritual and Reinvention 2 Costuming Choruses: Spectacle and the Social Landscape on Stage 3 The Grotesque Costume: The Comical and Conflicted ‘Other’ Body 4 The Flight off the Pedestal 5 Agency and Empat

Costume in Performance: Materiality, Culture, and the Body, Donatella Barbieri