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The Clash Takes on the World: Transnational Perspectives on "The Only Band that Matters ", Samuel Cohen, James Peacock


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Автор: Samuel Cohen, James Peacock
Название:  The Clash Takes on the World: Transnational Perspectives on "The Only Band that Matters "
ISBN: 9781501317330
Издательство: Bloomsbury Academic
Классификация:


ISBN-10: 1501317334
Обложка/Формат: Hardback
Страницы: 288
Вес: 0.62 кг.
Дата издания: 01.06.2017
Серия: Arts
Язык: English
Размер: 163 x 240 x 23
Читательская аудитория: Tertiary education (us: college)
Ключевые слова: Music reviews & criticism,Rock & Pop music,Punk, New Wave & Indie, MUSIC / Genres & Styles / Punk,MUSIC / Genres & Styles / Rock
Основная тема: Punk, New Wave & Indie,MUSIC / Genres & Styles / Punk,MUSIC / Genres & Styles / Rock,Rock & Pop music,Music reviews & criticism
Подзаголовок: Transnational perspectives on "the only band that matters"
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Поставляется из: Англии
Описание: On their debut, The Clash famously claimed to be bored with the USA, ]? but The Clash wasnt a parochial record. Mick Jones licks on songs such as Hate and War+? were heavily influenced by classic American rock and roll, and the cover of Junior Murvins reggae hit Police and Thieves+? showed that the bands musical influences were already wide-ranging. Later albums such as Sandinista and Combat Rock saw them experimenting with a huge range of musical genres, lyrical themes and visual aesthetics. The Clash Takes on the World explores the transnational aspects of The Clashs music, lyrics and politics, and it does so from a truly transnational perspective. It brings together literary scholars, historians, media theorists, musicologists, social activists and geographers from Europe and the US, and applies a range of critical approaches to The Clashs work in order to tackle a number of key questions: How should we interpret their negotiations with reggae music and culture? How did The Clash respond to the specific socio-political issues of their time, such as the economic recession, the Reagan-Thatcher era and burgeoning neoliberalism, and international conflicts in Nicaragua and the Falkland Islands? How did they reconcile their anti-capitalist stance with their own success and status as a global commodity? And how did their avowedly inclusive, multicultural stance, reflected in their musical diversity, square with the experience of watching the band in performance? The Clash Takes on the World is essential reading for scholars, students and general readers interested in a band whose popularity endures.
Дополнительное описание: Foreword by Don Letts 1. Introduction: The Transnational Clash Samuel Cohen (University of Missouri, USA) and James Peacock (Keele University, UK) 2. An Analysis of The Clash in Concert: 1977-1982 Peter Smith (University of Sunderland, UK) 3. Politic



We Are the Clash: Reagan, Thatcher, and the Last Stand of a Band That Mattered

Название: We Are the Clash: Reagan, Thatcher, and the Last Stand of a Band That Mattered
ISBN: 1617752932 ISBN-13(EAN): 9781617752933
Издательство: Неизвестно
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Цена: 3002.00 р.
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Описание:

"We Are The Clash tells an important part of the story of both The Clash and punk rock. The repercussions of what went down politically both in the USA and UK back then are still very much felt today."
--Kosmo Vinyl, former manager of The Clash

"The Clash are remembered as much for their blistering music as their gritty yet hopeful message to listeners worldwide. In this first serious look at The Clash's music and meaning, post-commercial success, the authors mix thoughtful reflection with grassroots political analysis in an effort to inspire a new generation of music fans and activists to Cut the Crap."
--Craig O'Hara, author of The Philosophy of Punk: More than Noise

The Clash was an incendiary paradox of revolutionary conviction, musical ambition, and commercial drive. We Are The Clash is a gripping tale of how the band--fractured by its Top 10 success--fought to reinvent and purify itself as George Orwell's 1984 loomed. This extraordinary effort crashed headlong into a wall of internal contradictions, personal tragedy, and rising right-wing power as personified by Ronald Reagan and Margaret Thatcher.

While the world teetered on the nuclear abyss, British miners waged a life-or-death strike, and tens of thousands died from US guns in Central America, Clash cofounders Joe Strummer and Paul Simonon set out to rebuild the band after ejecting guitarist Mick Jones and drummer Topper Headon. Bolstered by coconspirators Bernard Rhodes and Kosmo Vinyl, and three twentysomething recruits--drummer Peter Howard and guitarists Nick Sheppard and Vince White--The Clash launched a desperate last stand, shattering the band just as its controversial final album, Cut the Crap, was emerging.

Authors Andersen and Heibutzki weave together extensive archival research and in-depth original interviews with virtually all of the key players involved to tell a moving story of idealism undone by human frailty amid a climatic turning point for our world.


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