Liveness on Stage: Intermedial Challenges in Contemporary British Theatre and Performance 9783110345902

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Автор: Claudia Georgi
Название: Liveness on Stage: Intermedial Challenges in Contemporary British Theatre and Performance
ISBN: 9783110345902
Издательство: Walter de Gruyter
Классификация:

Театроведение

Пьесы, сценарии

Литературоведение: Общие вопросы

Литературоведение: с 1900 г.

Литературоведение: пьесы и драматурги

ISBN-10: 3110345900
Обложка/Формат: Hardback
Страницы: 281
Вес: 0.48 кг.
Дата издания: 28.07.2014
Серия: Contemporary drama in english studies
Язык: English
Размер: 231 x 158 x 23
Читательская аудитория: Professional and scholarly
Ключевые слова: Plays, playscripts,Literary studies: general,Literary studies: from c 1900 -,Literary studies: plays & playwrights, LITERARY CRITICISM / General,LITERARY CRITICISM / Drama,LITERARY CRITICISM / European / English, Irish, Scottish, Welsh
Основная тема: LITERARY CRITICISM / European / English, Irish, Scottish, Welsh
Подзаголовок: Intermedial challenges in contemporary british theatre and performance
Ссылка на Издательство: Link
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Поставляется из: Германии
Описание: Theatre is traditionally considered a live medium but its ‘liveness’ can no longer simply be taken for granted in view of the increasing mediatisation of the stage. Drawing on theories of intermediality,Liveness on Stageexplores how performances that incorporate film or video self-reflexively stage and challenge their own liveness by contrasting or approximating live and mediatised action. To illustrate this, the monograph investigates key aspects such as ‘ephemerality’, ‘co-presence’, ‘unpredictability’, ‘interaction’ and ‘realistic representation’ and highlights their significance for re-evaluating received notions of liveness. The analysis is based on productions by Gob Squad, Forkbeard Fantasy, Station House Opera, Proto-type Theater, Tim Etchells and Mary Oliver. In their playful approaches these practitioners predominantly present such media combination as a means of cross-fertilisation rather than as an antagonism between liveness and mediatisation. Combining an original theoretical approach with an in-depth analysis of the selected productions, this study will appeal to scholars and practitioners of theatre and performance as well as to those researching intermedial phenomena.

Liveness on Stage: Intermedial Challenges in Contemporary British Theatre and Performance, Claudia Georgi