Proust, Beckett, and Narration, Reid

Автор: Bersani
Название: Marcel Proust The Fictions of Life and of Art
ISBN: 0199931518 ISBN-13(EAN): 9780199931514
Издательство: Oxford Academ
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Цена: 6414.00 р.
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Описание: Oxford University Press published eminent literary critic Leo Bersani`s first book, on Proust, in 1965, but the work has long been out of print. This new edition comes in response to a recent renewal of interest among philosophers of literature, among others, and features a new preface from the author.

Автор: Watt
Название: Marcel Proust in Context
ISBN: 1107021898 ISBN-13(EAN): 9781107021891
Издательство: Cambridge Academ
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Описание: Written by the leading experts in the field, the essays in this volume will appeal to scholars, students and interested readers alike. Encompassing biographical, historical, cultural and literary-critical approaches, this book offers a fresh, lively and accessible presentation of a great many of the facets of Proust`s life and work.

Автор: Proust Marcel
Название: Swann`s Way
ISBN: 0393919161 ISBN-13(EAN): 9780393919165
Издательство: Wiley
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Цена: 2374.00 р.
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Описание: In its centennial year, Marcel Proust`s masterpiece of literary imagination is available in a Norton Critical Edition.

Название: Nation and narration
ISBN: 0415014832 ISBN-13(EAN): 9780415014830
Издательство: Taylor&Francis
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Описание: A classic collection of essays providing an excellent introduction to the many different narrations of the `nation`. Contributors include Gillian Beer, Homi Bhabha, Rachel Bowlby, Simon During, Sneja Gunew, and Doris Sommer.

Автор: Huber
Название: Present Tense Narration in Contemporary Fiction
ISBN: 1137562129 ISBN-13(EAN): 9781137562128
Издательство: Springer
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Цена: 6986.00 р.
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Описание: In this book, Irmtraud Huber considers a wide range of contemporary novels to explore the variety of possibilities and effects of the use of the present tense, as well as investigating the reasons for its popularity. By illustrating the complexity and sophistication of four different types of contemporary usage, Huber’s discussion goes some way towards refuting those critical voices which consider present-tense narration a passing fad and stylistic affectation. As a tense of narration, the present can serve to tell different stories than the past tense, or can tell them differently. By no means a passing fad, it is an important characteristic of contemporary literature.