Описание: Chu examines works by T. S. Eliot, Katherine Mansfield, Zora Neale Hurston and others, to explore how modernists perceived their work and their identities in relation to state power. This book offers a powerful critique of key themes for scholars of modernism, American literature and twentieth-century literature.
Автор: MacKay Название: British Fiction After Modernism ISBN: 1403986428 ISBN-13(EAN): 9781403986429 Издательство: Springer Рейтинг: Цена: 12577.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This collection of essays offers a wide-ranging and provocative reassessment of the British novel`s achievements after modernism. The book identifies continuities of preoccupation - with national identity, historiography and the challenge to literary form presented by public and private violence - that span the entire century.
Описание: In this volume, Simon Joyce examines the ways in which readers have come to view canonical modernists such as James Joyce and Virginia Woolf, showing how their work might be read in conjunction with lesser-known Irish and `New Woman` novelists such as George Moore, Sarah Grand, and George Egerton.
Описание: Shiach examines the ways in which labour was experienced and represented between 1890 and 1930. She explores a series of efforts to articulate the relations between labour and selfhood within modernism. This study will be of interest to literary and cultural scholars alike.
Автор: Comentale Название: Modernism, Cultural Production, and the British Avant-garde ISBN: 0521120977 ISBN-13(EAN): 9780521120975 Издательство: Cambridge Academ Рейтинг: Цена: 6018.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Comentale exposes the links between art, literature and early twentieth-century capitalism. He examines art and sculpture as well as writing by Virginia Woolf, T. S. Eliot and H. D. among others, in the light of psychoanalytic, economic and political theory. This book will be of interest to all scholars of modernism.
Автор: Marshik Название: British Modernism and Censorship ISBN: 0521859662 ISBN-13(EAN): 9780521859660 Издательство: Cambridge Academ Рейтинг: Цена: 14256.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Celia Marshik argues that censorship can benefit as well as harm writers and the works they create in response to it. She weaves together histories of official and unofficial censorship, of individual writers and their relationships to such censorship and of British modernism.
Автор: Hadfield Название: Literature and Censorship in Renaissance England ISBN: 0333794109 ISBN-13(EAN): 9780333794104 Издательство: Springer Рейтинг: Цена: 18866.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Censorship is one of the key controversies debated by Renaissance historians and literary critics. This is the first collection that brings together the key figures in the field and includes essays by Richard Burt, Janet Clare, Cyndia Clegg, Richard Dutton, Richard McCabe and Annabel Patterson.
Автор: Howarth Название: British Poetry in the Age of Modernism ISBN: 0521115752 ISBN-13(EAN): 9780521115759 Издательство: Cambridge Academ Рейтинг: Цена: 6653.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: If Modernist poetry dominated the early twentieth century, what did it mean for British poets like Thomas Hardy, Edward Thomas and Wilfred Owen not to be Modernist? Peter Howarth has written an informative and inspiring account of the themes and debates that have shaped British poetry of the last century.
Описание: In this volume, Simon Joyce examines the ways in which readers have come to view canonical modernists such as James Joyce and Virginia Woolf, showing how their work might be read in conjunction with lesser-known Irish and `New Woman` novelists such as George Moore, Sarah Grand, and George Egerton.
Death, Men and Modernism argues that the figure of the dead man becomes a locus of attention and a symptom of crisis in British writing of the early to mid-twentieth century. While Victorian writers used dying women to dramatize aesthetic, structural, and historical concerns, modernist novelists turned to the figure of the dying man to exemplify concerns about both masculinity and modernity. Along with their representations of death, these novelists developed new narrative techniques to make the trauma they depicted palpable. Contrary to modernist genealogies, the emergence of the figure of the dead man in texts as early as Thomas Hardy's Jude theObscure suggests that World War I intensified-but did not cause-these anxieties. This book elaborates a nodal point which links death, masculinity, and modernity long before the events of World War I.
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