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The Invention of the Western Film, Simmon


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Автор: Simmon
Название:  The Invention of the Western Film
ISBN: 9780521555814
Издательство: Cambridge Academ
Классификация:
ISBN-10: 0521555817
Обложка/Формат: Paperback
Страницы: 412
Вес: 0.56 кг.
Дата издания: 19.02.2004
Серия: Genres in american cinema
Язык: English
Иллюстрации: 112 b/w illus.
Размер: 229 x 152 x 23
Читательская аудитория: Tertiary education (us: college)
Основная тема: Film, media and sport
Подзаголовок: A Cultural History of the Genre's First Half Century
Ссылка на Издательство: Link
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Поставляется из: Англии
Описание: The Invention of the Western Film provides, for the first time, an in-depth exploration of the early Western, from short kinetoscopes of the 1890s through the `classic` features of the 1940s. In this pioneering study, Scott Simmon silhouettes the evolution of the Western.


How to Read a Film

Автор: Monaco, James
Название: How to Read a Film
ISBN: 0195321057 ISBN-13(EAN): 9780195321050
Издательство: Oxford Academ
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Цена: 5067.00 р.
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Описание: Richard Gilman referred to How to Read a Film as simply the best single work of its kind. And Janet Maslin in The New York Times Book Review marveled at James Monaco's ability to collect an enormous amount of useful information and assemble it in an exhilaratingly simple and systematic
way. Indeed, since its original publication in 1977, this hugely popular book has become the definitive source on film and media.

Now, James Monaco offers a special anniversary edition of his classic work, featuring a new preface and several new sections, including an Essential Library: One Hundred Books About Film and Media You Should Read and One Hundred Films You Should See. As in previous editions, Monaco once again
looks at film from many vantage points, as both art and craft, sensibility and science, tradition and technology. After examining film's close relation to other narrative media such as the novel, painting, photography, television, and even music, the book discusses the elements necessary to
understand how films convey meaning, and, more importantly, how we can best discern all that a film is attempting to communicate. In addition, Monaco stresses the still-evolving digital context of film throughout--one of the new sections looks at the untrustworthy nature of digital images and
sound--and his chapter on multimedia brings media criticism into the twenty-first century with a thorough discussion of topics like virtual reality, cyberspace, and the proximity of both to film.

With hundreds of illustrative black-and-white film stills and diagrams, How to Read a Film is an indispensable addition to the library of everyone who loves the cinema and wants to understand it better.

Lady in the Dark: Iris Barry and the Art of Film

Автор: Sitton Robert
Название: Lady in the Dark: Iris Barry and the Art of Film
ISBN: 0231165781 ISBN-13(EAN): 9780231165785
Издательство: Wiley
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Цена: 3485.00 р.
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Описание:

Iris Barry (1895-1969) was a pivotal modern figure and one of the first intellectuals to treat film as an art form, appreciating its far-reaching, transformative power. Although she had the bearing of an aristocrat, she was the self-educated daughter of a brass founder and a palm-reader from the Isle of Man. An aspiring poet, Barry attracted the attention of Ezra Pound and joined a demimonde of Bloomsbury figures, including Ford Maddox Ford, T. S. Eliot, Arthur Waley, Edith Sitwell, and William Butler Yeats. She fell in love with Pound's eccentric fellow Vorticist, Wyndham Lewis, and had two children by him.

In London, Barry pursued a career as a novelist, biographer, and critic of motion pictures. In America, she joined the modernist Askew Salon, where she met Alfred Barr, director of the new Museum of Modern Art. There she founded the museum's film department and became its first curator, assuring film's critical legitimacy. She convinced powerful Hollywood figures to submit their work for exhibition, creating a new respect for film and prompting the founding of the International Federation of Film Archives.

Barry continued to augment MoMA's film library until World War II, when she joined the Office of Strategic Services to develop pro-American films with Orson Welles, Walt Disney, John Huston, and Frank Capra. Yet despite her patriotic efforts, Barry's "foreignness" and association with such filmmakers as Luis Bunuel made her the target of an anticommunist witch hunt. She eventually left for France and died in obscurity. Drawing on letters, memorabilia, and other documentary sources, Robert Sitton reconstructs Barry's phenomenal life and work while recasting the political involvement of artistic institutions in the twentieth century.

Projections of Memory: Romanticism, Modernism, and the Aesthetics of Film

Автор: Suchenski Richard I.
Название: Projections of Memory: Romanticism, Modernism, and the Aesthetics of Film
ISBN: 0190274115 ISBN-13(EAN): 9780190274115
Издательство: Oxford Academ
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Цена: 5463.00 р.
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Описание: Projections of Memory argues that the long-form modernist art film of the twentieth century is more or less the direct conceptual descendant of the eighteenth-century Romantic traditions that originated in literature, painting, and architecture.

Screening Space: The American Science Fiction Film

Автор: Sobchack, Vivian (professor Of Film Studies, Unive
Название: Screening Space: The American Science Fiction Film
ISBN: 081352492X ISBN-13(EAN): 9780813524924
Издательство: Mare Nostrum (Eurospan)
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Цена: 4269.00 р.
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Описание: This text attempts to shape definitions of the American science fiction film, studying the connection between the films and social preconceptions. It covers many classic films and discusses their import, seeking to rescue the genre from the neglect of film theorists.

Eyes Wide Shut (BFI Film Classics)

Автор: Chion, Michel
Название: Eyes Wide Shut (BFI Film Classics)
ISBN: 085170932X ISBN-13(EAN): 9780851709321
Издательство: Springer
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Цена: 2590.00 р.
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Описание: Stanley Kubrick died on 7 March 1999 at his Hertfordshire home, having finished the editing of his last film. Looked at this way, Eyes Wide Shut reveals itself to be a deeply moving film about characters who are not so different from real people, a film about life in which questions of meaning and motive lose their value.

Film Stardom, Myth and Classicism

Автор: Williams Michael
Название: Film Stardom, Myth and Classicism
ISBN: 0230355447 ISBN-13(EAN): 9780230355446
Издательство: Springer
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Цена: 12577.00 р.
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Описание:

Since the golden era of silent movies, stars have been described as screen gods, goddesses and idols. This is the story of how Olympus moved to Hollywood to divinise stars as Apollos and Venuses for the modern age, and defined a model of stardom that is still with us today.

The Documentary Film Reader

Автор: Kahana, Jonathan; Musser, Charles
Название: The Documentary Film Reader
ISBN: 019973965X ISBN-13(EAN): 9780199739653
Издательство: Oxford Academ
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Цена: 12355.00 р.
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Описание: The Documentary Film Reader brings together an expansive range of writing by scholars, critics, historians, and filmmakers to provide a stimulating foundational text for students and others who want to undertake study of nonfiction film.

Weimar Film and Modern Jewish Identity

Автор: Ashkenazi Ofer
Название: Weimar Film and Modern Jewish Identity
ISBN: 0230341365 ISBN-13(EAN): 9780230341364
Издательство: Springer
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Цена: 11878.00 р.
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Описание: In reading popular films of the Weimar Republic as candid commentaries on Jewish acculturation, Ofer Ashkenzi provides an alternative context for a re-evaluation of the infamous `German-Jewish symbiosis` before the rise of Nazism, as well as a new framework for the understanding of the German `national` film in the years leading to Hitler`s regime.

Race, Philosophy, and Film

Автор: Mary K. Bloodsworth-Lugo (Editor),
Название: Race, Philosophy, and Film
ISBN: 0415624452 ISBN-13(EAN): 9780415624459
Издательство: Taylor&Francis
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Цена: 19906.00 р.
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Описание:

This collection fills a gap in the current literature in philosophy and film by focusing on the question: How would thinking in philosophy and film be transformed if race were formally incorporated moved from its margins to the center?

The collection's contributors anchor their discussions of race through considerations of specific films and television series, which serve as illustrative examples from which the essays' theorizations are drawn. Inclusive and current in its selection of films and genres, the collection incorporates dramas, comedies, horror, and science fiction films (among other genres) into its discussions, as well as recent and popular titles of interest, such as Twilight, Avatar, Machete, True Blood, and The Matrix and The Help. The essays compel readers to think more deeply about the films they have seen and their experiences of these narratives.


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