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Theatrical Convention and Audience Response in Early Modern Drama, Lopez


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Цена: 14256.00р.
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Автор: Lopez
Название:  Theatrical Convention and Audience Response in Early Modern Drama
ISBN: 9780521820066
Издательство: Cambridge Academ
Классификация:


ISBN-10: 0521820065
Обложка/Формат: Hardback
Страницы: 248
Вес: 0.55 кг.
Дата издания: 05.12.2002
Язык: English
Иллюстрации: Black & white illustrations
Размер: 229 x 152 x 17
Читательская аудитория: English literature, drama
Основная тема: English literature
Ссылка на Издательство: Link
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Поставляется из: Англии
Описание: In this comprehensive survey of the diverse, theatrically vital formal conventions of the drama of Shakespeare and his contemporaries, Lopez proposes that understanding the potential for theatrical failure - the way playwrights anticipated it and audiences responded to it - is crucial for understanding how the drama succeeded on the stage.


Shakespeare and Theatrical Patronage in Early Modern England

Автор: White
Название: Shakespeare and Theatrical Patronage in Early Modern England
ISBN: 0521812941 ISBN-13(EAN): 9780521812948
Издательство: Cambridge Academ
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Цена: 14256.00 р.
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Описание: Relating patronage to the theatrical culture of Shakespeare`s time, this 2002 book examines the functions of theatre patronage and how patronage, political power and playing intersect, showing how practices developed from the early Tudor to the Shakespearean period.

The Theatrical Public Sphere

Автор: Balme
Название: The Theatrical Public Sphere
ISBN: 110700683X ISBN-13(EAN): 9781107006836
Издательство: Cambridge Academ
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Цена: 11720.00 р.
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Описание: The concept of the public sphere, as first outlined by German philosopher Jurgen Habermas, refers to the right of all citizens to engage in debate on public issues on equal terms. In this book, Christopher B. Balme explores theatre's role in this crucial political and social function. He traces its origins and argues that the theatrical public sphere invariably focuses attention on theatre as an institution between the shifting borders of the private and public, reasoned debate and agonistic intervention. Chapters explore this concept in a variety of contexts, including the debates that led to the closure of British theatres in 1642, theatre's use of media, controversies surrounding race, religion and blasphemy, and theatre's place in a new age of globalised aesthetics. Balme concludes by addressing the relationship of theatre today with the public sphere and whether theatre's transformation into an art form has made it increasingly irrelevant for contemporary society.

Theatrical Improvisation, Consciousness, and Cognition

Автор: Drinko Clayton D
Название: Theatrical Improvisation, Consciousness, and Cognition
ISBN: 1137335289 ISBN-13(EAN): 9781137335289
Издательство: Springer
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Цена: 9083.00 р.
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Описание: Improvisation teachers have long known that the human mind could be trained to be effortlessly spontaneous and intuitive. Drinko explores what these improvisation teachers knew about improvisation`s effects on consciousness and cognition and compares these theories to current findings in cognitive neuroscience, psychology, and philosophy.

The Theatrical Public Sphere

Автор: Balme
Название: The Theatrical Public Sphere
ISBN: 1316638871 ISBN-13(EAN): 9781316638873
Издательство: Cambridge Academ
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Цена: 5069.00 р.
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Описание: Christopher B. Balme explores theatre`s role in the crucial political and social function of the public sphere, from the debates that led to the closure of British theatres in 1642 to the relevance of theatre for society today in a new age of globalised distributed aesthetics.

Audience Engagement and the Role of Arts Talk in the Digital

Автор: Conner Lynne
Название: Audience Engagement and the Role of Arts Talk in the Digital
ISBN: 1137023910 ISBN-13(EAN): 9781137023919
Издательство: Springer
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Цена: 11179.00 р.
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Описание: This book offers readers an understanding of the theoretical framework for the concept of Arts Talk, provides historical background and a review of current thinking about the interpretive process, and, most importantly, provides ideas and insights into building audience-centered and audience-powered conversations about the arts.


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