Автор: Bannerman Название: International Copyright and Access to Knowledge ISBN: 1107023068 ISBN-13(EAN): 9781107023062 Издательство: Cambridge Academ Рейтинг: Цена: 15840.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: A history of access to knowledge in international copyright focusing on the key players, including NGOs and developing countries, who fought to establish principles of access in international copyright. Written in a clear and accessible style, this alternate history sheds light on current problems, issues and events.
Автор: Halbert Название: The State of Copyright ISBN: 0415857384 ISBN-13(EAN): 9780415857383 Издательство: Taylor&Francis Рейтинг: Цена: 22968.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book seeks to make an intervention into the ongoing debate about the scope and intensity of global copyright laws. While mapping out the primary actors in the context of globalization and the modern political economy of information ownership, the argument is made that alternatives to further expansion of copyright are necessary.
Автор: Seville, Catherine Название: Internationalisation of copyright law ISBN: 0521123038 ISBN-13(EAN): 9780521123037 Издательство: Cambridge Academ Рейтинг: Цена: 7445.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: A comprehensive account of the internationalisation of literary copyright, focusing on nineteenth century international copyright law as it affected Europe, the British colonies (particularly Canada), America, and the UK. Explores the history of international copyright law, and looks at how this history is relevant today.
Автор: Picart Caroline Joan S Название: Critical Race Theory and Copyright in American Dance ISBN: 1137321962 ISBN-13(EAN): 9781137321961 Издательство: Springer Рейтинг: Цена: 11179.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The effort to win federal protection for dance in the United States was a racialized and gendered contest. Picart traces the evolution of choreographic works from being federally non-copyrightable to becoming a category potentially copyrightable under the 1976 Copyright Act, specifically examining Loie Fuller, George Balanchine, and Martha Graham.
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